reflectionsondance.blogspot.com
Reflections on Dance: On Sincerity (related to Trajal Harrell’s “Quartet for the End of Time”)
http://reflectionsondance.blogspot.com/2008/10/on-sincerity-related-to-trajal-harrells.html
On Sincerity (related to Trajal Harrell’s “Quartet for the End of Time”). Trajal Harrell’s new piece drew me into a quiet (though filled with music) world that often bypassed my thoughts and went straight to feeling. As an audience member, I was challenged in the best of ways. I was trusted to find my own way into the piece. I was given time to find deeper ways to engage repetition, subtlety and presence. I felt safe to find the ways in which my experience and the art could interweave. Time, I don’...
theseasonsproject.blogspot.com
The Seasons Project: November 2009
http://theseasonsproject.blogspot.com/2009_11_01_archive.html
VIA Dance Collaborative chronicles the four seasons in NYC. Thursday, November 19, 2009. Saturday December 12, 4:30-5:30 @ DNA.free! We're in the studio creating a performance work from our park studies (sights, smells, sounds, impressions.), and working with collaborator Jim Briggs III on an original score from the sounds recorded in each park the day of our improvs. We're also excited to share the other pieces we've been developing this fall. At 8, and would love for you to make a night of it with us.
theseasonsproject.blogspot.com
The Seasons Project: Saturday December 12, 4:30-5:30 @ DNA...free!
http://theseasonsproject.blogspot.com/2009/11/saturday-december-12-430-530-dnafree.html
VIA Dance Collaborative chronicles the four seasons in NYC. Thursday, November 19, 2009. Saturday December 12, 4:30-5:30 @ DNA.free! We're in the studio creating a performance work from our park studies (sights, smells, sounds, impressions.), and working with collaborator Jim Briggs III on an original score from the sounds recorded in each park the day of our improvs. We're also excited to share the other pieces we've been developing this fall. At 8, and would love for you to make a night of it with us.
thinkdance.wordpress.com
VIP guest | Dispatches from
https://thinkdance.wordpress.com/2014/02/12/vip-guest
February 12, 2014. Posted by jillsigman in Uncategorized. Line rescued a kitten while I was working on the hut. She seemed to feel very much at home there, and was one of our VIP guests…. No comments yet — be the first. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. Weed Heart Tea Serving.
rheumatictangle.net
michaelrugnetta / rheumatictangle
http://www.rheumatictangle.net/sub/work/page/dance.html
If you want to say hi, please do. For professional inquiries, email George Ruiz. A Number of Small. Black and White Dances. The Constructors is a dance made by Hilary Easton (hilaryeaston.com) for which I wrote the score. It premiered at The Baryshnikov Arts Center on May 17th and ran until the 20th. The performers were Alexandra Albrecht, Michael Ingle, Emily Pope-Blackman, Joshua Palmer, and Sarah Young. Lights were by Kathy Kaufman and costumes by Madeleine Walach. From the chocolate factory theater.
reflectionsondance.blogspot.com
Reflections on Dance: Disfarmer by Dan Hurlin
http://reflectionsondance.blogspot.com/2009/02/disfarmer-by-dan-hurlin.html
Disfarmer by Dan Hurlin. Photo by Pavel Antonov. A man wakes up. He puts on his glasses, pulls out a tape measure and checks the size of his foot. He drinks a beer. Answers the phone. Looks for something to eat. He hits his head on the red lamp in his darkroom. As the evening progresses, the small Disfarmer puppet gets smaller. At first the change is imperceptible but, eventually, he is miniscule. His bed swallows him up. His camera is twice his size. He is nowhere near hitting his head o...I just came a...
danceandfaith.blogspot.com
Dance and Faith: On Faith and Dance, by Aynsley Vandenbroucke
http://danceandfaith.blogspot.com/2008/12/on-faith-and-dance-by-aynsley.html
A meeting place for dance artists to explore intersections between spiritual and creative practices. Wednesday, December 24, 2008. On Faith and Dance, by Aynsley Vandenbroucke. Overwhelmed by possibility, I begin this personal writing task with an impersonal (and overused) technique, the. 1 Unquestioning belief that does not require proof or evidence. 2 Unquestioning belief in God, religious tenets etc. 3 A religion or a system of religious beliefs. 5 Complete trust, confidence, or reliance. I responded ...
thinkdance.wordpress.com
Hut #9 in action | Dispatches from
https://thinkdance.wordpress.com/2014/02/06/hut-9-in-action
Hut #9 in action. February 6, 2014. Posted by jillsigman in Uncategorized. Hut #9 has been up and running for over a week now. I’m relieved that the construction has been stable. And people have been enjoying both inside and outside. The groundplan has the shape of a chapel. In the photo above, you can see the back curve. The large computer monitors were very handy in making the curved wall. Photos: 1-3 by Elisabeth Faeroy Lund; 4-6 by Louise Kirkegaard. No comments yet — be the first. Getting ready...
thinkdance.wordpress.com
Preparing (Perma) | Dispatches from
https://thinkdance.wordpress.com/2014/05/07/preparing-perma
May 7, 2014. Posted by jillsigman in Uncategorized. Below are some photos by Eric Breitbart from our rehearsal process for Perma(Culture):. Performances are approaching: June 19 – 21. For more details, click “Upcoming”. Dancers Pictured: Danica Arehart, Donna Costello, Anice Jeffries, Kate Kernochan, and Larissa Sheldon. No comments yet — be the first. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public).
reflectionsondance.blogspot.com
Reflections on Dance: Merce Cunningham's Nearly Ninety at BAM
http://reflectionsondance.blogspot.com/2009/04/merce-cunninghams-nearly-ninety-at-bam.html
Merce Cunningham's Nearly Ninety at BAM. A spaceship arrived at BAM tonight. And mysterious godly creatures danced their hearts out, roaring with commitment. Merce Cunningham’s Nearly Ninety. In this piece, dancers wind themselves around one another, looking for all possible ways to share weight. They really touch. And they really counterbalance. Often they are two people, preposterously balanced, completely dependent. John Paul Jones, Takehisa Kosugi, and Sonic Youth play live music from an outer space ...
