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Viernes, 19 de junio de 2015. Don Q Son of Zorro (1925). Master of properties: Harold MacChesney. Lighting effects: William S. Johnson. Technical effects: Ned Mann. Matte painting: Conrad Tritschler (uncredited). Was an all around FX supervisor but mostly his work was involved with miniatures. I assume some of the above images are hanging miniatures because Ned Mann used to work with expert miniature. When Ned Mann went to. British Opical effects master Tom Howard. 1923) and Flowing Gold. 1934) He died in.

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MovieMattepainting | moviemattepainting.blogspot.com Reviews

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Viernes, 19 de junio de 2015. Don Q Son of Zorro (1925). Master of properties: Harold MacChesney. Lighting effects: William S. Johnson. Technical effects: Ned Mann. Matte painting: Conrad Tritschler (uncredited). Was an all around FX supervisor but mostly his work was involved with miniatures. I assume some of the above images are hanging miniatures because Ned Mann used to work with expert miniature. When Ned Mann went to. British Opical effects master Tom Howard. 1923) and Flowing Gold. 1934) He died in.

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1 moviemattepainting

2 director donald crisp

3 cinematography henry sharp

4 ned mann

5 maker ross jacklin

6 england

7 by john brosnan

8 conrad tritschler

9 london

10 publicado por

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MovieMattepainting | moviemattepainting.blogspot.com Reviews

https://moviemattepainting.blogspot.com

Viernes, 19 de junio de 2015. Don Q Son of Zorro (1925). Master of properties: Harold MacChesney. Lighting effects: William S. Johnson. Technical effects: Ned Mann. Matte painting: Conrad Tritschler (uncredited). Was an all around FX supervisor but mostly his work was involved with miniatures. I assume some of the above images are hanging miniatures because Ned Mann used to work with expert miniature. When Ned Mann went to. British Opical effects master Tom Howard. 1923) and Flowing Gold. 1934) He died in.

INTERNAL PAGES

moviemattepainting.blogspot.com

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MovieMattepainting: marzo 2014

http://www.moviemattepainting.blogspot.com/2014_03_01_archive.html

Lunes, 10 de marzo de 2014. After the huge success of Star wars. 1977) the space adventures invaded the theatrical screens all over the world and of course, TV series went also under its influence. Universal Studios produced two seasons for Buck Rogers in the 25th Century. VFX were produced at Universal Hartland facilities with Peter Anderson, and David Jones as supervisors. For the matte paintings they were recruited Jena Holman. 1980) and later at David Stipes Productions. Visual effects: David Stipes.

2

MovieMattepainting: junio 2013

http://www.moviemattepainting.blogspot.com/2013_06_01_archive.html

Viernes, 21 de junio de 2013. Philippine Cinema. Ibong Adarna (1941). This week I will go even further away than the last post. Not in time but in space. In the same way that matte paintings were in regular usage during the 40´s and 50´s at USA and British Cinema, it. Happened in countries like Russia, Spain, Italy, Mexico, Argentina , Philippines, and many others. The frame captures came from Youtube. Sadly the quality of the image is quite low. 1933) or Modern times. 1941) a fantasy adventure film abou...

3

MovieMattepainting: julio 2013

http://www.moviemattepainting.blogspot.com/2013_07_01_archive.html

Viernes, 26 de julio de 2013. A Song to remember and Rumpus in the Haren. I’m back again to Hollywood golden years. And once more from Columbia Pictures. It doesn’t mean that was my favourite Major Studio Production, but I have to admit, I feel curiosity almost fascination about the matte paintings of Columbia films, probably because is a mystery who were the painters of that matte work. 1944 to the early 60´s the head of Columbia VFX department was Lawrence Butler. With none matte artist credited. Two B...

4

MovieMattepainting: Howard Anderson Company: Darrell Anderson matte painter

http://www.moviemattepainting.blogspot.com/2015/05/howard-anderson-company-darrell.html

Martes, 26 de mayo de 2015. Howard Anderson Company: Darrell Anderson matte painter. It exist such small information about VFX and matte artist Darrell A. Anderson. That trying to get sign of his works it is almost a guess game. And mostly this is what I’m doing here, guessing. Those are the facts I know about Darrel A. Anderson. His filmography at IMDB. 1979- J-Men Forever (photographer: second unit - as Darrell Anderson). 1978- Superman (additional model photography:. And now let’s go try to find...

5

MovieMattepainting: octubre 2013

http://www.moviemattepainting.blogspot.com/2013_10_01_archive.html

Miércoles, 23 de octubre de 2013. Italian Sword and sandal matte shots. During the late 50´s and the 60´s, Italian film industry produced many movies of this genre. Action, adventure and fantasy films, starring by legendary heroes like Hercules, Samson, Maciste, Perseus, Ursus, etc. Matte and glass shots were used very often. The only credited Italian artists that executed some of those shots were cinematographer and director Mario Bava. At middle 50´s he recruited illustrator Amedeo Gigli. Spanish artis...

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MovieMattepainting

Viernes, 19 de junio de 2015. Don Q Son of Zorro (1925). Master of properties: Harold MacChesney. Lighting effects: William S. Johnson. Technical effects: Ned Mann. Matte painting: Conrad Tritschler (uncredited). Was an all around FX supervisor but mostly his work was involved with miniatures. I assume some of the above images are hanging miniatures because Ned Mann used to work with expert miniature. When Ned Mann went to. British Opical effects master Tom Howard. 1923) and Flowing Gold. 1934) He died in.

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Review: Texas Chainsaw 3D. Pros: Shaun Sipos first appears as a sketchy hitch-hiker in the rain, wet. His tight cowboy shirt wide open to expose his fuzzy chest. Scott Eastwood plays a cocky, slightly untrustworthy deputy, and is just as sexy as his dad was about 50 years before he spoke to an empty chair at the RNC. Tey Songz is shirtless in two extended scenes. At least TCM3D had lots of eye candy. Cons: Where to begin? January 6, 2013 at 4:17 pm. Horror Movie Hunk: Hart Bochner. Actually, I learned.