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Movies in 203 : An exhibition in writing from the Film Studies program at the University of Colorado Denver

An exhibition in writing from the Film Studies program at the University of Colorado Denver

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Movies in 203 : An exhibition in writing from the Film Studies program at the University of Colorado Denver | moviesin203.org Reviews
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An exhibition in writing from the Film Studies program at the University of Colorado Denver
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1 discussion
2 citizen kane
3 full metal jacket
4 apocalypse now
5 by alexander fenaughty
6 brokeback mountain
7 by jeremy gee
8 gi jane
9 courage under fire
10 by courtney osborn
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discussion,citizen kane,full metal jacket,apocalypse now,by alexander fenaughty,brokeback mountain,by jeremy gee,gi jane,courage under fire,by courtney osborn,juno,by olivia kahlo,by holly miller,run lola run,by jody thomas,pan's labyrinth,through ofelia
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Movies in 203 : An exhibition in writing from the Film Studies program at the University of Colorado Denver | moviesin203.org Reviews

https://moviesin203.org

An exhibition in writing from the Film Studies program at the University of Colorado Denver

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1

Movies in 203 | The Story in History: Examining Apocalypse Now by looking at The Things They Carried

http://www.moviesin203.org/2011/01/the-story-in-history-examining-apocalypse-now-by-looking-at-the-things-they-carried

FILM THEORY and CRITICISM. The Story in History: Examining. The Things They Carried. January 24, 2011. Tim O'Brien says, "A grenade sails out. One guy jumps on it and takes the blast, but it's a killer grenade and everybody dies anyway. Before they die though, one of the dead guys says, 'The fuck you do. And the jumper says, 'Story of my life, man,' and the other guy starts to smile but he's dead. That's a true war story that never happened" (83-4). The Things They Carried. Cannot be viewed as a historic...

2

Movies in 203 | Lola’s Game of Life

http://www.moviesin203.org/2011/04/lolas-game-of-life

FILM THEORY and CRITICISM. Lola's Game of Life. April 24, 2011. I remember the first time I saw. Tom Tykwer, 1998), it was showing on a paid cable channel that I scrolled past and then back again to see what in the world was that? I sat through the exhilarating ride and didn't find out what the film was called until days later. The next time I watched it, years later, was for my Intro to Film course here at UCD and with that screening I found an unexpected passion coursing through my being for it. They a...

3

Movies in 203 | Truth and Perception: Guilt and Innocence in Hitchcock

http://www.moviesin203.org/2011/04/truth-and-perception-guilt-and-innocence-in-hitchcock

FILM THEORY and CRITICISM. Truth and Perception: Guilt and Innocence in Hitchcock. April 21, 2011. One of Hitchcock's favorite themes is the innocent man caught in a desperate situation, especially one is which he appears guilty of some crime. Sometimes the innocence or guilt is ambiguous; more often, it is clear to the viewer but unclear to the other characters in the film. 1941); it is the question that makes the film interesting. The film plays a guessing game with the viewer: are the deaths of th...

4

Movies in 203 | Being Anthony Lane

http://www.moviesin203.org/2011/03/being-anthony-lane

By Dr Tiel Lundy. March 23, 2011. I want to be Anthony Lane, the film critic for. Not just have his life, but be him. Certainly, it would be nice to be a rostered member of. Literati, and to have one's own Facebook fan club would be something else (although I can't for the life of me understand why the Anthony Lane Fan Club has only 98 members.). Anthony Lane, to get inside his head, like John Cusack's character in. Jonze and Kaufman, whose film. For starters, no other critic comes close to Lane's deft c...

5

Movies in 203 | Futurism: Art’s Reaction to the Cinema

http://www.moviesin203.org/2011/04/futurism-arts-reaction-to-the-cinema

FILM THEORY and CRITICISM. Futurism: Art's Reaction to the Cinema. April 9, 2011. Very rarely does the world of art and film intersect. Obviously movies draw inspiration from the classic paintings of Art History (for example, Terrence Malick's. Click any image to enlarge. 1878" rel="futurism" href="/images/2011/futurism galloping horse.jpg". Nude Descending a Staircase, No. 2. 1912" rel="futurism" href="/images/2011/futurism nude descending.jpg". Dynamism of a Dog on a Leash. Nude Descending a Staircase.

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Fight Club and the IKEA Personality | Reel 3

http://reel3.com/fight-club-and-the-ikea-personality

And the IKEA Personality. By Jason Haggstrom, July 30, 2011. Not unlike the throng of. Geeks who camped out for the premier of. S Narrator, an unnamed, wispy shell of a man played by Edward Norton, would probably be there as well if he actually existed here in the real world. He'd be among his people. People who had become a slave to the IKEA nesting instinct. Many have taken to referring to. S Narrator character as Jack because of the scene where he reads the anthropomorphic, first-person titles from a.

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Reassessing Alien: Sexuality and the Anxieties of Men | Reel 3

http://reel3.com/reassessing-alien-sexuality-and-the-anxieties-of-men

Sexuality and the Anxieties of Men. By Jason Haggstrom, June 8, 2012. In the thirty years since its release,. Is the anxiety of men during the era of second-wave feminism. In which the film was produced. This idea of a sterile birth (both in terms of cleanliness and the inability to procreate) is of great significance in the film as it removes the burden of pregnancy and birth from the female, creating the potential for male impregnation. Click any image to enlarge. Concerns itself with sexual equality&#...

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Reel 3 : a film criticism blog (+more) by Jason Haggstrom

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Where are the new articles? They're coming. I haven't dedicated any time to this particular hobby for a while, but I will return! The Movies of my Childhood, Coming in 2011:. By Jason Haggstrom, December 26, 2011. What, exactly, does Tintin mean to you? Is a passion that has been with me for most of my life. Was my gateway drug to the world of comics, a medium that I grew to adore as much as any other, and that I still love today. Creating a Poster: Tetsuo for President! Around the concept of If A Movie ...

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The Dirtiest Sex Scene of 1951 (in Technicolor!) | Reel 3

http://reel3.com/the-dirtiest-sex-scene-of-1951-in-technicolor

The Dirtiest Sex Scene of 1951 (in Technicolor! By Jason Haggstrom, March 31, 2012. I know what you're thinking. Last year for April Fools I doctored up the infamous joke ending of Alfred Hitchcock's. In order to make it just a. More obvious. Y'know, for the people that only felt the rush of wind as the original joke sailed right over their heads. So you might be expecting that this post will be a joke too, right? We wouldn't have instances of sexual metaphors like the one that ends. To Catch a Thief.

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Violence as Fetish in Zach Snyder’s Watchmen | Reel 3

http://reel3.com/violence-as-fetish-in-zach-snyders-watchmen

Violence as Fetish in Zach Snyder's. By Jason Haggstrom, April 18, 2010. Alan Moore and Dave Gibbons' comic book series. Has often been cited as a deconstructionist text. 1. Director Zach Snyder has elevated the violent aspects of the source text in ways that often alter the thematic purposes that the violence originally represented in the comic series. In an interview with. Dawn of the Dead. Mdash;while turning off the average viewer and alienating the book's thematic use of violence as a method of supe...

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Point "Heart" Break, or: Why Bodhi and Johnny Utah Just Want to Bang Each Other | Reel 3

http://reel3.com/point-heart-break-or-why-bodhi-and-johnny-utah-just-want-to-bang-each-other

Or: Why Bodhi and Johnny Utah Just Want to Bang Each Other. By Anthony Manzi, February 12, 2014. In 1991, Kathryn Bigelow directed. The film was a box office success, it was praised by critics for its stylistic action sequences, and it made stars Keanu Reeves and Patrick Swayze into even bigger stars than they already were. Since the film's release, it's achieved a fan base large enough to exalt it into the pantheon of the. A 2000 remake that doesn't admit to being a remake but clearly is (. Lies—t...

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Mad Men in Still Life – Season Five | Reel 3

http://reel3.com/mad-men-in-still-life-season-five

In Still Life - Season Five. By Jason Haggstrom, March 25, 2012. Frank Ockenfels 3 has once again produced a series of gorgeous character portraits ahead of AMC's new season of. Like the portraits he did for season four. These images are dramatic works of art that capture some of the characters and themes from the show and its upcoming season. After a year and a half hiatus, it's nice to finally see these characters again. Below are some of my favorites. But this year he comes off like Michael Corleone in.

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Film Theory & Criticism | Reel 3

http://reel3.com/category/film-theory-and-criticism

Categories » Film Theory and Criticism. Or: Why Bodhi and Johnny Utah Just Want to Bang Each Other. By Anthony Manzi, February 12, 2014. Short-siding - How David Fincher and Nicolas Winding Refn Get it Right. By Jason Haggstrom, January 30, 2013. In my recent takedown of. As with any artistic choice available to a director, short-siding is not inherently evil. But by making it the default mode of framing in. Below are but two recent examples where short-siding was used by a director to great effect.

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Maleficent: For the Love of Purple & Green… | Reel 3

http://reel3.com/maleficent-for-the-love-of-purple-green

For the Love of Purple and Green. By Jason Haggstrom, October 31, 2012. It's October, and with the changes of Autumn come fall colors. Between the descending leaves and the presence of pumpkins, we're accustomed to seeing plenty of orange and yellow at this time of year. But the Halloween season brings forth another, less natural combination of colors. It's a union of colors that resonates with me more than any other. It's that luscious pairing of purple. I have the distinct memory of seeing Disney's.

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Homage or Theft? The Artist, and the Sound of Vertigo | Reel 3

http://reel3.com/homage-or-theft-the-artist-and-the-sound-of-vertigo

And the Sound of. By Jason Haggstrom, February 26, 2012. There's been a lot of buzz lately about. Especially with tonight's Academy Awards looming. But the conversation hasn't just been about the merits of the film on the whole, but also about its appropriation of one of the most famous musical cues to ever be attached to a film. That piece would be Bernard Herrmann's Scene d'Amour from Alfred Hitchcock's 1958 masterpiece,. Is its use in. Intended as a loving homage as. Narrative as Scene d'Amour is play...

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Movies in 203 : An exhibition in writing from the Film Studies program at the University of Colorado Denver

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