filmeditingtips.blogspot.com
Editing Film in a Non-Linear Environment: Dolby Digital
http://filmeditingtips.blogspot.com/2008/10/dolby-digital.html
Editing Film in a Non-Linear Environment. The DI process explained from an editor's perspective. Frame rates, keycodes, scanning, file formats, list generation, Dolby Digital, answer prints and more. Friday, October 3, 2008. If the audio on the answer print does not line up for whatever reason (which is common), then you adjust the relationship between the master negative and the Dolby strip and create a new answer print for that reel. Tim, Sarah, Emily, Kyle. Subscribe to: Post Comments (Atom).
cynosurenewmedia.com
Cynosure New Media, Inc.
http://www.cynosurenewmedia.com/services.htm
A full spectrum of training and communication services, Cynosure's core competency is in the production and delivery of e-learning content. Through our proprietary online training system, TrainingWay (. And using our rapid course development process. We are able to provide instructional design and production, content hosting, and student administration services to our clients at a price point tailored to the needs of. Small and medium sized businesses. Web design and programming.
filmeditingtips.blogspot.com
Editing Film in a Non-Linear Environment: Overview and Project Background
http://filmeditingtips.blogspot.com/2008/10/overview-and-project-background.html
Editing Film in a Non-Linear Environment. The DI process explained from an editor's perspective. Frame rates, keycodes, scanning, file formats, list generation, Dolby Digital, answer prints and more. Wednesday, October 15, 2008. Overview and Project Background. If you find value in this information please pass it on to fellow editors or user groups. Thank you. Tim, Sarah, Emily, Kyle. Subscribe to: Post Comments (Atom). Overview and Project Background. Optical vs. Scanning workflow. 24P vs 23.98P.
filmeditingtips.blogspot.com
Editing Film in a Non-Linear Environment: Scanning Workflow
http://filmeditingtips.blogspot.com/2008/10/scanning-workflow.html
Editing Film in a Non-Linear Environment. The DI process explained from an editor's perspective. Frame rates, keycodes, scanning, file formats, list generation, Dolby Digital, answer prints and more. Wednesday, October 8, 2008. Tim, Sarah, Emily, Kyle. Subscribe to: Post Comments (Atom). Overview and Project Background. Optical vs. Scanning workflow. 24P vs 23.98P. Project Setup and Ingestion. Creating an .EDL, QuickTime and Audio Track. Color Grading, Titles and Reel Breaks. Answer Print and Duplication.
filmeditingtips.blogspot.com
Editing Film in a Non-Linear Environment: October 2008
http://filmeditingtips.blogspot.com/2008_10_01_archive.html
Editing Film in a Non-Linear Environment. The DI process explained from an editor's perspective. Frame rates, keycodes, scanning, file formats, list generation, Dolby Digital, answer prints and more. Wednesday, October 15, 2008. Overview and Project Background. If you find value in this information please pass it on to fellow editors or user groups. Thank you. Tim, Sarah, Emily, Kyle. Tuesday, October 14, 2008. Optical vs. Scanning workflow. Today we are seeing more and more films being created from a "D...
filmeditingtips.blogspot.com
Editing Film in a Non-Linear Environment: 24P vs 23.98P
http://filmeditingtips.blogspot.com/2008/10/24p-vs-2398p.html
Editing Film in a Non-Linear Environment. The DI process explained from an editor's perspective. Frame rates, keycodes, scanning, file formats, list generation, Dolby Digital, answer prints and more. Monday, October 13, 2008. 24P vs 23.98P. When you working in a 24fps project, the Avid gives you a few ways of looking at timecode. You can either have "regular" TC30 (. :27,28,29,00) or you can have TC24 (. :21,22,23,00) - this can be selected above the master timeline window. Tim, Sarah, Emily, Kyle. Answe...
filmeditingtips.blogspot.com
Editing Film in a Non-Linear Environment: Project Setup and Ingestion
http://filmeditingtips.blogspot.com/2008/10/project-setup-and-ingestion.html
Editing Film in a Non-Linear Environment. The DI process explained from an editor's perspective. Frame rates, keycodes, scanning, file formats, list generation, Dolby Digital, answer prints and more. Sunday, October 12, 2008. Project Setup and Ingestion. Tim, Sarah, Emily, Kyle. Subscribe to: Post Comments (Atom). Overview and Project Background. Optical vs. Scanning workflow. 24P vs 23.98P. Project Setup and Ingestion. Creating an .EDL, QuickTime and Audio Track. Color Grading, Titles and Reel Breaks.
filmeditingtips.blogspot.com
Editing Film in a Non-Linear Environment: Optical vs. Scanning workflow
http://filmeditingtips.blogspot.com/2008/10/optical-vs-scanning-workflow.html
Editing Film in a Non-Linear Environment. The DI process explained from an editor's perspective. Frame rates, keycodes, scanning, file formats, list generation, Dolby Digital, answer prints and more. Tuesday, October 14, 2008. Optical vs. Scanning workflow. In the case of this project we did not use the optical method for the main reason that we had mixed media formats (35mm and 65mm) that would not physically cut together. Another advantage of the DI work flow. Tim, Sarah, Emily, Kyle. Optical vs. S...
