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Museum Cultures

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Museum Cultures | museumcultures.wordpress.com Reviews
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Museum Cultures | museumcultures.wordpress.com Reviews

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Gaming the suffragettes | Museum Cultures

https://museumcultures.wordpress.com/2013/08/12/gaming-the-suffragettes

Pank-a-Squith board game. Courtesy Museum of Australian Democracy. In a provocative post about museum games. Kevin Bacon asks the $64k question about applying game mechanics to historical subjects. He observes that military and economic history may be amenable to the same kind of rule-based play that made Launchball. It’s a very good question, and the women’s suffrage movement is a particularly good example. A contentious cause whose supporters used bombs, arson and violence. That’s about all I can...

2

Coursework | Museum Cultures

https://museumcultures.wordpress.com/coursework

Here you can download all the coursework I submitted on the Museum Cultures MA at Birkbeck (including a module at the University of East London). It is licensed under a Creative Commons Attribution 3.0 Unported License. Which means that you can do pretty much anything you like with it, including use it commercially, but you must credit me, Danny Birchall. If you’d like to do that. Course: Medicine and Visual Culture (Birkbeck). Length: 5,000 words. This work received a distinction grade. This essay uses ...

3

Papers & presentations | Museum Cultures

https://museumcultures.wordpress.com/papers-presentations-and-other-writing

Recent papers, presentations and writings about museums, digital media and games. Links to full texts/downloads are given where possible. Papers, chapters and journal articles. 8216;Creating magic on mobile’ [forthcoming], in proceedings of Electronic Visualisation and the Arts, London, July 2013 (with Alex Butterworth and Martha Henson). 8216;Using web games to engage new audiences’, in Journal of Digital Media Management. Volume 1, Number 4, 2013 (with Martha Henson). The Brain as Game. In Museum iD Is...

4

Collecting and playfulness | Museum Cultures

https://museumcultures.wordpress.com/2014/05/09/collecting-and-playfulness

One of the collector cards from our game. We’re working on a big digital project at Wellcome Collection. This year (and you’re going to hear lots more about it in October, I promise). We’ve been working in partnership with Brighton agency Clearleft. On a process which began with some pretty vaguely-defined objectives for a digital product, and is now in code production. We wanted to spread the joy, and communicate some of the more playful aspects of what’s sometimes been a difficult project to our ...

5

What is a ‘science’ exhibition? | Museum Cultures

https://museumcultures.wordpress.com/2013/08/23/what-is-a-science-exhibition

What is a ‘science’ exhibition? Santiago Sierra, 5 Anthropometric Modules Made From Human Faeces. It’s a gift to work with people who know what they want to do and how they want to do it. This is more or less verbatim from a recent email exchange with Wellcome Collection Senior Curator Kate Forde. I can’t disagree with a single word of it. She says:. 8220;I hope that our exhibitions can give people a sense of confidence and ownership when discussing issues that affect us all and I think the collection is...

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Rhiannon Looseley's blog: Twelve things I took away from the Culture24 Let's Get Real conference

http://rhiannonlooseley.blogspot.com/2011/10/twelve-things-i-took-away-from.html

A blog commenting on articles/lectures/presentations/training days linked to Digital projects in Museums, and occasional other random stuff as well. Friday, 14 October 2011. Twelve things I took away from the Culture24 Let's Get Real conference. On 21 September I attended Culture24's Let's Get Real. Here are 10 things I took away from the conference:. In the 'failing forward' section, Matthew Cock. There's going to be a second round of the Action Research Project led by Culture24 that this conference cam...

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Example Defiant Object: Beacon | Defiant Objects

https://defiantobjects.wordpress.com/2012/04/12/example-defiant-object-beacon

Non-standard research outputs in institutional repositories. April 12, 2012. Example Defiant Object: Beacon. By Jon Thomson and Alison Craighead. Beacon online version screen grab. This work is interesting from a D. O. perspective because of the multiple versions, locations and formats. Which is the best one to archive in a repository? Currently on UCL Discovery with just title, author, date and item type ‘Other’. Next post →. Defiant Objects deposit guide. Example Defiant Object: Beacon. Says new connec...

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Variable Media Network | Defiant Objects

https://defiantobjects.wordpress.com/2012/03/26/variable-media-network

Non-standard research outputs in institutional repositories. March 26, 2012. Although the Variable Media Network is more concerned with capturing characteristics of artworks and the contextual information necessary to preserve them in the long-term; a lot of this work could be useful to bear in mind when describing works for an institutional repository that deals with complex or defiant objects as research outputs. On page 46 of their publication. Permanence Through Change: The Variable Media Approach.

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Example Defiant Object: idonthaveyourmarbles | Defiant Objects

https://defiantobjects.wordpress.com/2012/04/12/example-defiant-object-idonthaveyourmarbles

Non-standard research outputs in institutional repositories. April 12, 2012. Example Defiant Object: idonthaveyourmarbles. This example was sent to me from the University of the West of England repository. The item type is ‘Show/Exhibition.’. By J Dean and K.Klega. Here is the abstract from the UWE repository:. 8220;An international ongoing collaborative project operating within a pre-existing economic framework (ebay), in which artefacts are exhibited alongside their virtual counterparts.”. Queen Mary R...

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Collaborative Creatorship | Defiant Objects

https://defiantobjects.wordpress.com/2012/05/11/collaborative-creatorship

Non-standard research outputs in institutional repositories. May 11, 2012. I have seen, in the worst cases, the instigator of supposedly “egoless” productions getting all the credit for the work of his nameless collaborators. There is also the weighting of ‘impact’ of collaborative works to consider when deciding what to deposit in a repository, for example in the context of REF, a solo exhibition might be weighted more heavily than a group show. Next post →. Defiant Objects deposit guide. Enter your com...

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Introducing the Defiant Objects project at ULCC’s Institutional Repository Manager’s Workshop 2012 | Defiant Objects

https://defiantobjects.wordpress.com/2012/06/18/introducing-the-defiant-objects-project-at-ulccs-institutional-repository-managers-workshop12

Non-standard research outputs in institutional repositories. June 18, 2012. Introducing the Defiant Objects project at ULCC’s Institutional Repository Manager’s Workshop 2012. But hopefully it was coherent enough, and several people approached me afterwards showing an interest in the project and it’s outcomes, offering to tell us about ‘defiant objects’ in their repositories. Presenting in the imposing Senate Room at Senate House. The flickr gallery from the event is here. Next post →. Some defiant objec...

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Museum Cultures

Ropes, tropes and bots (or: What the Museum Finds Hard to Say). This is the text of a talk delivered at the Freud Museum symposium, Beyond the White Cube Exploring Artists Interventions at the Freud Museum and Beyond. On Saturday 22 April 2017, accompanying the exhibition Temporarily Accessioned: Freud’s Coat Revisited. 1 Museums and artists. This talk is a story of ropes and connections, galleries and websites, artists and museums, and the question of what any of us can say with the means at our disposal.

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Art + Factum: presented by Museum Curiosa

The Arte and Factum exhibition featured art and artifacts from the Museum Curiosa collection and other private collections. It combined visionary art with ritual and supernatural objects. Curated by Dawn Black, Erin Elliott. And David Tallitsch for Los Medanos College. Museum Curiosa is a small museum located in Oakland, California. It's mission is to collect and preserve visionary, ritual and supernatural art and artifacts. For more information, please email us: info@museumcurosa.com. Ester Brennen had ...

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