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Why we laugh: A Terezín cabaret » Performing the Jewish Archive

http://ptja.leeds.ac.uk/events/why-we-laugh-a-terezin-cabaret

Performing the Jewish Archive. School of Music, University of Leeds. Sign up for our mailing list. Why we laugh: A Terezín cabaret. Why we laugh: A Terezín cabaret. Ndash; Sunday 27th September. Fortune’s Fool Theatre presents a North American premiere. September 12-27 2015, Open Eye Figure Theatre. Original cabaret by Felix Porges, Vítĕzslav Horpatzky, Pavel Weisskopf and Pavel Stránský. English translation and dramaturgy by Lisa Peschel. PtJA at European Researchers’ Night in York.

ptja.leeds.ac.uk

Accessibility » Performing the Jewish Archive

http://ptja.leeds.ac.uk/accessibility

Performing the Jewish Archive. School of Music, University of Leeds. Sign up for our mailing list. The University of Leeds endeavours to promote equality and diversity in their policies, practice and services. We are committed to making all web pages accessible to as wide a range of visitors as possible. As part of this, we are committed to making our pages as compliant as possible with the Web Accessibility Initiative’s guidelines. Or the University Webmaster, webmaster@leeds.ac.uk.

ptja.leeds.ac.uk

News » Performing the Jewish Archive

http://ptja.leeds.ac.uk/news

Performing the Jewish Archive. School of Music, University of Leeds. Sign up for our mailing list. Performance sheds new light on life and work of Gideon Klein. October 26, 2016. PtJA Project Consultant Dr David Fligg’s interview by Ruth Fraňková on Radio Praha, 20 September 2016. Listen to the interview here. David Fligg, photo: David Vaughan. The festival is one of five international festivals. All of them are called Out of the Shadows. The first one was in Madison, Wisconsin. We have had o...In all of...

nickyhaire.com

About NickyHaire - Nicky Haire

http://www.nickyhaire.com/about.html

My love of improvisation and new music was ignited during my time at The University of York where I led the orchestra for 2 years and was part of many different ensembles within the vibrant and experimental music department. After completing a Masters in Performance at Leeds, I toured with Errollyn Wallen. As part of the multi-media project Jordantown. I qualified as a music therapist from Anglia Ruskin University. And The Dowsing Sound Collective. Qualifications: BA (Hons) Music, University of York.

performingbrahms.leeds.ac.uk

Accessibility » Performing Brahms in the Twenty-first Century

http://performingbrahms.leeds.ac.uk/about/accessibility

Performing Brahms in the Twenty-first Century. The University of Leeds endeavours to promote equality and diversity in their policies, practice and services. We are committed to making all web pages accessible to as wide a range of visitors as possible. As part of this, we are committed to making our pages as compliant as possible with the Web Accessibility Initiative’s guidelines. Or the University Webmaster, webmaster@leeds.ac.uk.

performingbrahms.leeds.ac.uk

Programme » Performing Brahms in the Twenty-first Century

http://performingbrahms.leeds.ac.uk/programme

Performing Brahms in the Twenty-first Century. The Symposium programme has been confirmed by the Committee as follows:. 930 Clive Brown, Neal Peres Da Costa, and Kate Bennett Wadsworth – Symposium welcome: Introducing the Brahms Sonatas edition. 1100 Kai Köpp, Johannes Gebauer, and Sebastian Bausch – Embodying the sound of the Joachim-School . (Finish time: 12.00.). 1215 Sarah Potter – Singing Brahms in context: Evidence of nineteenth-century vocal practices. 1130 Miaoyin Qu and Clive Brown – Readi...

performingbrahms.leeds.ac.uk

Privacy » Performing Brahms in the Twenty-first Century

http://performingbrahms.leeds.ac.uk/about/privacy

Performing Brahms in the Twenty-first Century. The information made available by the University of Leeds over the World Wide Web does not form part of any contract. Changing circumstances may cause the University to have to change its provisions at any time. Whilst every effort has been made to ensure the accuracy of the information presented, the University cannot accept responsibility for errors. 1 Purpose of this notice. 2 Automated collection of personal information. Our website uses first party cook...

performingbrahms.leeds.ac.uk

Copyright » Performing Brahms in the Twenty-first Century

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Performing Brahms in the Twenty-first Century. No material may be reproduced or altered to any degree without the University’s written consent.

trevorjonesfilm.leeds.ac.uk

Impact » The Professional Career and Output of Trevor Jones

http://www.trevorjonesfilm.leeds.ac.uk/impact

The Professional Career and Output of Trevor Jones. University of Leeds, School of Music. PUBLIC SECTOR: The project will capitalise on impact opportunities provided by neighbouring Bradford’s status as UNESCO’s first City of Film, and the CI has met with David Wilson, Director of City of Film (CoF). And Michael Terwey, the Deputy Director and Head of Public Programmes at Bradford’s National Media Museum (NMM). And the British Film Institute (BFI). Privacy and Legal Statements.