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Music Law Seminar

About Me & This Blog. Class Schedule and Readings. It Isn’t Unfair If It Isn’t Infringement. Capitol Records, LLC v. Vimeo, LLC,. 826 F3d 78, 81 (2d Cir. 2016), cert. denied, 137 S. Ct. 1374 (2017), Vimeo can add another notch on its belt. Harbor therefore applies to Plaintiffs’ unfair-competition claims to the extent that Vimeo. Otherwise meets the statute’s requirements.”. The opinion and order is below:. Capitol Records v Vimeo (Op Re Unfair Comp) (3-31-18). By Christopher S. Harrison. April 4, 2018.

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Music Law Seminar | musiclawseminar.com Reviews
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About Me & This Blog. Class Schedule and Readings. It Isn’t Unfair If It Isn’t Infringement. Capitol Records, LLC v. Vimeo, LLC,. 826 F3d 78, 81 (2d Cir. 2016), cert. denied, 137 S. Ct. 1374 (2017), Vimeo can add another notch on its belt. Harbor therefore applies to Plaintiffs’ unfair-competition claims to the extent that Vimeo. Otherwise meets the statute’s requirements.”. The opinion and order is below:. Capitol Records v Vimeo (Op Re Unfair Comp) (3-31-18). By Christopher S. Harrison. April 4, 2018.
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Music Law Seminar | musiclawseminar.com Reviews

https://musiclawseminar.com

About Me & This Blog. Class Schedule and Readings. It Isn’t Unfair If It Isn’t Infringement. Capitol Records, LLC v. Vimeo, LLC,. 826 F3d 78, 81 (2d Cir. 2016), cert. denied, 137 S. Ct. 1374 (2017), Vimeo can add another notch on its belt. Harbor therefore applies to Plaintiffs’ unfair-competition claims to the extent that Vimeo. Otherwise meets the statute’s requirements.”. The opinion and order is below:. Capitol Records v Vimeo (Op Re Unfair Comp) (3-31-18). By Christopher S. Harrison. April 4, 2018.

INTERNAL PAGES

musiclawseminar.com musiclawseminar.com
1

Termination of Transfer | Music Law Seminar

http://musiclawseminar.com/category/termination-of-transfer

About Me & This Blog. Class Schedule and Readings. Category Archives: Termination of Transfer. A Fool for Who? Can the Ray Charles Foundation Challenge Terminations? The Circuit’s decision is here:. Ray Charles Foundation 9th Cir. Appeal. August 7, 2015. Santa Claus Is Comin’ To EMI. As a condition to its taking effect. On April 6, 2004, Gloria Coots Baldwin, Patricia Bergdahl, and Christine Palmitessa (Coots’ heirs). January 1, 2014. 721 F Supp.2d 85 (D. Mass. 2010). In reducing the jury...517 US. 5...

2

Royalties | Music Law Seminar

http://musiclawseminar.com/category/royalties

About Me & This Blog. Class Schedule and Readings. If “Ambient” Music Is “as ignorable as it is interesting,” Can It Be Worth $15mm? So how much does BMI want ESPN to pay for this ambient but “critical component”? However, in 2005, the last year of ESPN’s prior license with BMI, ESPN’s annual revenue was “just” $5b. BMI’s answer is below:. Espn v Bmi (Bmi Answer). Http:/ www.bloomberg.com/news/articles/2005-10-16/in-the-zone ↩. This entry was posted in BMI. And tagged Blanket License. March 14, 2016.

3

Paper Topics | Music Law Seminar

http://musiclawseminar.com/papertopics

About Me & This Blog. Class Schedule and Readings. By Christopher S. Harrison. By Christopher S. Harrison. EC Directive Collective Rights Mgt. By Christopher S. Harrison. WNET v Aereo (2nd Cir 2013). By Christopher S. Harrison. Fair Use and Mass Digitization. By Christopher S. Harrison. Capitol Records v ReDigi (Order). By Christopher S. Harrison. Sony v Tenenbaum (1st Cir Op). By Christopher S. Harrison. Harper v. Maverick Records Supreme Court Denial of Cert. and Alito Dissent. Marley v Island (Order).

4

Class Schedule and Readings | Music Law Seminar

http://musiclawseminar.com/class-schedule

About Me & This Blog. Class Schedule and Readings. Class Schedule and Readings. Tentative Schedule of Classes (* denotes required reading). 8/26 Course Introduction: brief overview of course; goals for semester/survey of interests. 9/2 Music 101: 17 USC 106*. 9/9 What is a public performance? Guest: Katy Merk, King and Spalding]. What is a performance? Download v. Streams (. 627 F3d 64 (2d Cir. 2010)*, Cellco. 663 F Supp. 2d 363 (S.D.N.Y. 2009). What makes a performance public? 29 F Supp. 3d 487. Bob Mar...

5

Pre 72 | Music Law Seminar

http://musiclawseminar.com/category/pre-72

About Me & This Blog. Class Schedule and Readings. Category Archives: Pre 72. CRO Smack Down: 2nd Cir. Holds 512 covers Pre-72. The Second Circuit points out that. The Report begins its analysis by asserting that 512(c)’s term. Definitions are set forth in 101, and do not include a definition for infringement. The Second Circuit rejects the Office’s conclusion, reasoning. The statement that one who violates rights. Violates a law is not. The same thing as saying that conduct. There were also questions of...

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Location & Parking | TEXAS REVIEW OF ENTERTAINMENT & SPORTS LAW

https://uttresl.wordpress.com/symposium/2014-2015-symposium/location-parking

TEXAS REVIEW OF ENTERTAINMENT and SPORTS LAW. Providing Quality Legal Articles in the Areas of Sports and Entertainment Law. Lance Armstrong Legal Team Forum. 2014 Schedule and Speaker Bios. The 2012-2013 Symposium will be held in the Eidman Courtroom, located on the second floor of the University of Texas School of Law in room 2.306. The law school is located near IH-35 on Dean Keeton. For directions, refer to this campus map. A printable visitor’s map. Law School Second Floor Map. TRESL's goal is to ch...

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Volume 7 | TEXAS REVIEW OF ENTERTAINMENT & SPORTS LAW

https://uttresl.wordpress.com/issues/volume-7

TEXAS REVIEW OF ENTERTAINMENT and SPORTS LAW. Providing Quality Legal Articles in the Areas of Sports and Entertainment Law. Lance Armstrong Legal Team Forum. 2014 Schedule and Speaker Bios. Volume 7:1, Fall 2006 Abstracts. Entertainment, Arts and Sports Law Blog. IP and Entertainment Law Blog. National Sports Law Institute. The University of Texas. The University of Texas School of Law. TRESL Sharepoint (for staff only). Music Law Seminar at UT Law. The Texas Program in Sports and Media. Follow “T...

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Volume 9 | TEXAS REVIEW OF ENTERTAINMENT & SPORTS LAW

https://uttresl.wordpress.com/issues/volume-9

TEXAS REVIEW OF ENTERTAINMENT and SPORTS LAW. Providing Quality Legal Articles in the Areas of Sports and Entertainment Law. Lance Armstrong Legal Team Forum. 2014 Schedule and Speaker Bios. Volume 9:2, Spring 2008. Creative Malpractice: The Cinematic Lawyer, 231. William G. Hyland, Jr. A Proper Analysis of the National Football League Under Section One of the Sherman Act, 281. The Dixie Chicks: A Case Study for the Politics of Hollywood, 307. Whose Stats Are They Anyway? Stacey B. Evans. Address never m...

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Professional Events | TEXAS REVIEW OF ENTERTAINMENT & SPORTS LAW

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TEXAS REVIEW OF ENTERTAINMENT and SPORTS LAW. Providing Quality Legal Articles in the Areas of Sports and Entertainment Law. Lance Armstrong Legal Team Forum. 2014 Schedule and Speaker Bios. For additional information about our professional events, please contact our Symposium Editor, Marissa Cohn at symposiumeditor.tresl@gmail.com. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). Notify me of new comments via email.

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Volume 8 | TEXAS REVIEW OF ENTERTAINMENT & SPORTS LAW

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TEXAS REVIEW OF ENTERTAINMENT and SPORTS LAW. Providing Quality Legal Articles in the Areas of Sports and Entertainment Law. Lance Armstrong Legal Team Forum. 2014 Schedule and Speaker Bios. Volume 8:2, Spring 2007 Abstracts. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. The University of Texas.

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Student Attendees | TEXAS REVIEW OF ENTERTAINMENT & SPORTS LAW

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TEXAS REVIEW OF ENTERTAINMENT and SPORTS LAW. Providing Quality Legal Articles in the Areas of Sports and Entertainment Law. Lance Armstrong Legal Team Forum. 2014 Schedule and Speaker Bios. Everyone is expected to refrain from using their computers at any time during the symposium. Anyone causing any disruption will be asked to leave. Please enter and exit the room during transitions between discussions so as to reduce disruptions. Entertainment, Arts and Sports Law Blog. IP and Entertainment Law Blog.

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Volume 6 | TEXAS REVIEW OF ENTERTAINMENT & SPORTS LAW

https://uttresl.wordpress.com/issues/volume-6

TEXAS REVIEW OF ENTERTAINMENT and SPORTS LAW. Providing Quality Legal Articles in the Areas of Sports and Entertainment Law. Lance Armstrong Legal Team Forum. 2014 Schedule and Speaker Bios. Volume 6:1, Spring 2005 Table of Contents. A Glance at the Purview of the Antitrust Labor Exemptions, 1. Reversing the Refs: An Argument For Limited Review in Horse Racing, 23. Anti-Scalping Laws: Should They Be Forgotten? Jonathan C. Benitah. Clay Calvert and Robert D. Richards. IP and Entertainment Law Blog. An inj...

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Volume 11 | TEXAS REVIEW OF ENTERTAINMENT & SPORTS LAW

https://uttresl.wordpress.com/issues/volume-11

TEXAS REVIEW OF ENTERTAINMENT and SPORTS LAW. Providing Quality Legal Articles in the Areas of Sports and Entertainment Law. Lance Armstrong Legal Team Forum. 2014 Schedule and Speaker Bios. Volume 11:2, Spring 2010 Table of Contents. Volume 11:1, Fall 2009 Table of Contents. Entertainment, Arts and Sports Law Blog. IP and Entertainment Law Blog. National Sports Law Institute. The University of Texas. The University of Texas School of Law. TRESL Sharepoint (for staff only). Music Law Seminar at UT Law.

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Volume 10 | TEXAS REVIEW OF ENTERTAINMENT & SPORTS LAW

https://uttresl.wordpress.com/issues/volume-10

TEXAS REVIEW OF ENTERTAINMENT and SPORTS LAW. Providing Quality Legal Articles in the Areas of Sports and Entertainment Law. Lance Armstrong Legal Team Forum. 2014 Schedule and Speaker Bios. Volume 10:2, Spring 2009 Table of Contents. Volume 10:1, Fall 2008 Table of Contents. Entertainment, Arts and Sports Law Blog. IP and Entertainment Law Blog. National Sports Law Institute. The University of Texas. The University of Texas School of Law. TRESL Sharepoint (for staff only). Music Law Seminar at UT Law.

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2014 Schedule and Speaker Bios | TEXAS REVIEW OF ENTERTAINMENT & SPORTS LAW

https://uttresl.wordpress.com/symposium/2014-2015-symposium/2014-schedule

TEXAS REVIEW OF ENTERTAINMENT and SPORTS LAW. Providing Quality Legal Articles in the Areas of Sports and Entertainment Law. Lance Armstrong Legal Team Forum. 2014 Schedule and Speaker Bios. 2014 Schedule and Speaker Bios. Shifting Landscapes: New Approaches to Entertainment and Sports Law. September 12, 2014. The TRESL symposium is accredited for 5.50 TX MCLE Hours from the State Bar of Texas. Issues of Ownership: How will Streaming Change the Industry? 1:00-1:30 pm –. On the television side, Brandt joi...

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Know your rights - Protect your rights. For Musicians and Music industry professionals. If you don’t understand it, and the laws under which it will be executed, then don’t sign it! No matter how much profit may appear to be in store. Too lazy and too eager can ruin you. Robert A. Heinlein. On May 30, 2013, Billy Joel made a surprise appearance at the Frank Sinatra School of the Arts in New York. When a student asked what had been the biggest mistake of his career, he replied:.

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Music Law Seminar

About Me & This Blog. Class Schedule and Readings. It Isn’t Unfair If It Isn’t Infringement. Capitol Records, LLC v. Vimeo, LLC,. 826 F3d 78, 81 (2d Cir. 2016), cert. denied, 137 S. Ct. 1374 (2017), Vimeo can add another notch on its belt. Harbor therefore applies to Plaintiffs’ unfair-competition claims to the extent that Vimeo. Otherwise meets the statute’s requirements.”. The opinion and order is below:. Capitol Records v Vimeo (Op Re Unfair Comp) (3-31-18). By Christopher S. Harrison. April 4, 2018.

musiclawupdate.blogspot.com musiclawupdate.blogspot.com

Music Law Update

Monday, January 16, 2012. What is a Song, Legally. As you may know, I am an entertainment attorney, but also a musician and producer. Along with representing musical artists, I also run a small label and publishing company. Music comes in all flavors, but the laws of music apply across the board. So when I ask, What is a Song? I get many answers. The performance or publishing royalty is typically collected by ASCAP or BMI, usually through a music publisher who pays the songwriter. 3345 Music Xmas Gift Mi...

musiclawupdates.com musiclawupdates.com

Music Law Updates

Links & Further Reading. UK Solicitors & Legal Consultants. Contact & Disclaimer. US Appellate Court majority rules that ‘Blurred Lines’ DID infringe Gaye classic. BMI hail 100% licensing win. Country music songwriter seeks $1.3 million in premium payments from ASCAP. Viola player’s claim for damaged hearing succeeds in the High Court. ASA clamps down on the secondary ticketing platforms. PPL and PRS for Music combine for joint licence. West wins payout in insurance battle. CONTRACT Live events sector Ra...

musiclawupdates.org musiclawupdates.org

Music Law Updates

Links & Further Reading. UK Solicitors & Legal Consultants. Contact & Disclaimer. US Appellate Court majority rules that ‘Blurred Lines’ DID infringe Gaye classic. BMI hail 100% licensing win. Country music songwriter seeks $1.3 million in premium payments from ASCAP. Viola player’s claim for damaged hearing succeeds in the High Court. ASA clamps down on the secondary ticketing platforms. PPL and PRS for Music combine for joint licence. West wins payout in insurance battle. CONTRACT Live events sector Ra...

musiclawyer.wordpress.com musiclawyer.wordpress.com

musiclawyer musings | comments on the complex music business

Comments on the complex music business. Oops, there goes another civil right! December 23, 2010. IP amen; I.P. amen; I.P. amen; together: I.P. amen; I.P. amen; hail to the RIAA: Hallelujah! Amen; amen; amen. Can Paul Williams come out and play? July 30, 2010. ASCAP PRESIDENT PAUL WILLIAMS REFUSES TO DEBATE WITH ATTORNEY LAWRENCE LESSIG ON THE SUBJECT OF THE CREATIVE COMMONS LICENSE. PAUL WILLIAMS IS A DISGRACE. ASCAP IS A DISGRACE. Listen to CJC music on blogtalk radio. July 28, 2010. July 14, 2010.