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Analysis Unveiled

Music Theory III Final Analysis Project Fall 2008

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Analysis Unveiled | musictheoryiii.blogspot.com Reviews
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Music Theory III Final Analysis Project Fall 2008
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1 analysis unveiled
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6 no comments
7 der erlkonig score
8 the narrator
9 the father
10 the son
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Analysis Unveiled | musictheoryiii.blogspot.com Reviews

https://musictheoryiii.blogspot.com

Music Theory III Final Analysis Project Fall 2008

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1

Analysis Unveiled: The Neapolitan Chord in Der Erlkonig

http://musictheoryiii.blogspot.com/2008/12/neapolitan-chord-in-der-erlkonig.html

Music Theory III Final Analysis Project Fall 2008. Tuesday, December 9, 2008. The Neapolitan Chord in Der Erlkonig. Subscribe to: Post Comments (Atom). Part III - Conclusion. The Neapolitan Chord in Der Erlkonig. Fischer-Dieskau Sings Der Erlkonig. Part II - Analysis. Musical Motives in Erlkonig. Rammstein Take on Erlkonig. Direct Translation: Who rides, so late, through ni. Part I - Content. View my complete profile.

2

Analysis Unveiled: Rammstein Take on Erlkonig

http://musictheoryiii.blogspot.com/2008/12/rammstein-take-on-erlkonig.html

Music Theory III Final Analysis Project Fall 2008. Tuesday, December 9, 2008. Rammstein Take on Erlkonig. Subscribe to: Post Comments (Atom). Part III - Conclusion. The Neapolitan Chord in Der Erlkonig. Fischer-Dieskau Sings Der Erlkonig. Part II - Analysis. Musical Motives in Erlkonig. Rammstein Take on Erlkonig. Direct Translation: Who rides, so late, through ni. Part I - Content. View my complete profile.

3

Analysis Unveiled: Part II - Analysis

http://musictheoryiii.blogspot.com/2008/12/section-ii-analysis.html

Music Theory III Final Analysis Project Fall 2008. Tuesday, December 9, 2008. Part II - Analysis. The piece begins in g minor with open octaves in the right had of the piano part. The triplet movement in the bass, along with the falling staccato quarter notes give the introduction a sense of urgency and conjure the image of the horse quickly cutting through the night. The tempo marking, schnell. Directly translates to fast informing the performers of the sense of urgency. "The first bar of " Erlkonig.

4

Analysis Unveiled: Fischer-Dieskau Sings "Der Erlkonig"

http://musictheoryiii.blogspot.com/2008/12/fischer-dieskau-sings-der-erlkonig.html

Music Theory III Final Analysis Project Fall 2008. Tuesday, December 9, 2008. Fischer-Dieskau Sings "Der Erlkonig". Subscribe to: Post Comments (Atom). Part III - Conclusion. The Neapolitan Chord in Der Erlkonig. Fischer-Dieskau Sings Der Erlkonig. Part II - Analysis. Musical Motives in Erlkonig. Rammstein Take on Erlkonig. Direct Translation: Who rides, so late, through ni. Part I - Content. View my complete profile.

5

Analysis Unveiled

http://musictheoryiii.blogspot.com/2008/12/direct-translation-who-rides-so-late.html

Music Theory III Final Analysis Project Fall 2008. Monday, December 8, 2008. Who rides, so late, through night and wind? It is the father with his child. He holds the boy in the crook of his arm. He holds him safe, he keeps him warm. My son, why do you hide your face so anxiously? Father, do you not seee the Erlking? The ErlKing with the crown and cloak? My son, it is a wisp of fog.". You lovely chid, come, go with me! Many a beautiful game I'll play with you;. Some colorful flowers are on the shore,.

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Analysis Unveiled

Music Theory III Final Analysis Project Fall 2008. Tuesday, December 9, 2008. Part III - Conclusion. Can we make conclusions about a piece of music? The Neapolitan Chord in Der Erlkonig. Click to view larger. Fischer-Dieskau Sings "Der Erlkonig". Part II - Analysis. Directly translates to fast informing the performers of the sense of urgency. "The first bar of " Erlkonig. And set up the cadential. Movement in measure 7. The piece is written for voice and piano, with the vocalist singing four distinct "pa...

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