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John Cage to Philip Guston. When you start working, everybody is in your studio—the past, your friends, enemies, the art world, and above all, your own ideas—all are there. But as you continue painting, they start leaving, one by one, and you are left completely alone. Then, if you're lucky, even you leave. Pp 171-172 Night Studio, A Memoir of Philip Guston, by Musa Mayer, Da Capo Press 1997. Our ignorance of history causes us to slander our own times. I believe in God, only I spell it Nature. Thoughts T...

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MUTE PAINTER | mutepainter.blogspot.com Reviews

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John Cage to Philip Guston. When you start working, everybody is in your studio—the past, your friends, enemies, the art world, and above all, your own ideas—all are there. But as you continue painting, they start leaving, one by one, and you are left completely alone. Then, if you're lucky, even you leave. Pp 171-172 Night Studio, A Memoir of Philip Guston, by Musa Mayer, Da Capo Press 1997. Our ignorance of history causes us to slander our own times. I believe in God, only I spell it Nature. Thoughts T...

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MUTE PAINTER | mutepainter.blogspot.com Reviews

https://mutepainter.blogspot.com

John Cage to Philip Guston. When you start working, everybody is in your studio—the past, your friends, enemies, the art world, and above all, your own ideas—all are there. But as you continue painting, they start leaving, one by one, and you are left completely alone. Then, if you're lucky, even you leave. Pp 171-172 Night Studio, A Memoir of Philip Guston, by Musa Mayer, Da Capo Press 1997. Our ignorance of history causes us to slander our own times. I believe in God, only I spell it Nature. Thoughts T...

INTERNAL PAGES

mutepainter.blogspot.com

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MUTE PAINTER: April 2014

http://www.mutepainter.blogspot.com/2014_04_01_archive.html

Painting is a calculated response to perception. Http:/ www.aci-iac.ca/jack-chambers/biography. Subscribe to: Posts (Atom). Season 8 Screening Society: December 2016. BLAKE GOPNIK on art: Archive. The Art of Citizenship: Mierle Laderman Ukeles at the Queens Museum. HOME: IMPEACH paints my garage. How to draw a tree. Painters' Table Daily Links to Painting Posts on Artist Blogs and Art Websites. Laurie Fendrich @ Louis Stern Fine Arts. The Daily Pic - The Daily Beast. Thoughts That Cure Radically.

2

MUTE PAINTER: December 2013

http://www.mutepainter.blogspot.com/2013_12_01_archive.html

Lucian Freud: Some Thoughts on Painting. My object in painting pictures is to try and move the senses by giving an intensification of reality. Whether this can be achieved depends on how intensely the painter understands and feels for the person or object of his choice. Because of this, painting is the only art in which the intuitive qualities of the artist may be more valuable to him than actual knowledge or intelligence. Freud "Some Thoughts on Painting," Encounter III, no. 1 (Julv 1954): 23-24. The Da...

3

MUTE PAINTER: John Cage to Philip Guston

http://www.mutepainter.blogspot.com/2015/02/john-cage-to-philip-guston.html

John Cage to Philip Guston. When you start working, everybody is in your studio—the past, your friends, enemies, the art world, and above all, your own ideas—all are there. But as you continue painting, they start leaving, one by one, and you are left completely alone. Then, if you're lucky, even you leave. Pp 171-172 Night Studio, A Memoir of Philip Guston, by Musa Mayer, Da Capo Press 1997. Subscribe to: Post Comments (Atom). Season 8 Screening Society: December 2016. BLAKE GOPNIK on art: Archive.

4

MUTE PAINTER: Matisse Cutouts

http://www.mutepainter.blogspot.com/2014/12/matisse-cutouts.html

At first, Matisse worried that working with cut paper was cheating—a shortcut to painting—and he kept it a secret. “It is necessary not to say anything about this,” he wrote to his son Pierre, in 1931. Http:/ www.newyorker.com/culture/culture-desk/moma-cutouts-sophie-matisse? Subscribe to: Post Comments (Atom). Season 8 Screening Society: December 2016. BLAKE GOPNIK on art: Archive. The Art of Citizenship: Mierle Laderman Ukeles at the Queens Museum. HOME: IMPEACH paints my garage. How to draw a tree.

5

MUTE PAINTER: Mies van der Rohe

http://www.mutepainter.blogspot.com/2015/01/mies-van-der-rohe.html

Mies van der Rohe. My thoughts are guiding my hand, and my hand reveals the value of the thought. Subscribe to: Post Comments (Atom). Season 8 Screening Society: December 2016. BLAKE GOPNIK on art: Archive. The Art of Citizenship: Mierle Laderman Ukeles at the Queens Museum. HOME: IMPEACH paints my garage. How to draw a tree. Painters' Table Daily Links to Painting Posts on Artist Blogs and Art Websites. Laurie Fendrich @ Louis Stern Fine Arts. The Daily Pic - The Daily Beast. Thoughts That Cure Radically.

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No place | 2002-3 - Mara Korkola

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Winter was hard 2011. Winter was hard 2007-8. No place 21 oil on 4 wood panels 5" x 5.5" each. No place 40 oil on 2 wood panels 5" x 5.5" each. No place 43 oil on 2 wood panels 6" x 5" each. No place 61 oil on 2 wood panels 6" x 5" each. No place 25 oil on 9 wood panels 5.5" x 5" each. Winter was hard 2011. Winter was hard 2007-8.

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No place | 2014 - Mara Korkola

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Winter was hard 2011. Winter was hard 2007-8. No place 345 oil on panel 48" x36". No place 339 oil on panel 48" x36". No place 338 oil on panel 48" x36". No place 332 oil on panel 48" x 42". No place 330 oil on panel 48" x 36". No place 334 oil on panel 48" x 42". No place 333 oil on panel 48" x 36". No place 326 oil on panel 48" x 36". Winter was hard 2011. Winter was hard 2007-8.

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No place | 2012 - Mara Korkola

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Winter was hard 2011. Winter was hard 2007-8. No place 256, 258, 260 oil on aluminum panels 10" x 8"/panel. No place 260, 261 oil on aluminum panel 12" x 9". No place 250 oil on 5 aluminum panels 8" x 10" each. Winter was hard 44 oil on aluminum panel 12" x 9". Winter was hard 45 oil on aluminum panel 9" x 12". Winter was hard 2011. Winter was hard 2007-8.

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No place | 2006-7 - Mara Korkola

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Winter was hard 2011. Winter was hard 2007-8. No place 157 oil on 2 aluminum panels 8.5" x 11" each. No place 139 oil on aluminum panel 7" x 14". No place 152 oil on aluminum panel 8" x 20". No place 140 oil on 2 aluminum panels 7" x 14" each. Winter was hard 2011. Winter was hard 2007-8.

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No place | 2010 - Mara Korkola

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Winter was hard 2011. Winter was hard 2007-8. No place 245 diptych oil on panel 8" x 10" each. No place 243 oil on 6 panels 9" x 12", 12" x 9", 11" x 14". No place 242 oil on 6 panels 8" x 10" each. No place 241 oil on 8 panels 8" x 10" each. Winter was hard 2011. Winter was hard 2007-8.

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John Cage to Philip Guston. When you start working, everybody is in your studio—the past, your friends, enemies, the art world, and above all, your own ideas—all are there. But as you continue painting, they start leaving, one by one, and you are left completely alone. Then, if you're lucky, even you leave. Pp 171-172 Night Studio, A Memoir of Philip Guston, by Musa Mayer, Da Capo Press 1997. Our ignorance of history causes us to slander our own times. I believe in God, only I spell it Nature. Thoughts T...

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