robertjackson.info
My Holy Nacho? | Algorithm and Contingency
http://robertjackson.info/index/2014/03/my-holy-nacho
8230;returning to the artworks themselves…. BioShock: Decision, Forced Choice and Propaganda. Actor Recursion Theory (4). Local music stuff (3). Object Oriented Ontology (128). The New Aesthetic (2). On On having the last word. On On having the last word. On On having the last word. On Another boring GTA post about GTA (and the cinema industry). On Another boring GTA post about GTA (and the cinema industry). Angel Spike prose sketches. 7 Hours of Interviews. The economics of open access publishing. Will ...
we-make-money-not-art.com
My Holy Nacho, it’s all about the gaps in online communication – We Make Money Not Art
http://we-make-money-not-art.com/archives/2014/03/my-holy-nacho.php
March 10, 2014. My Holy Nacho, it’s all about the gaps in online communication. In the early 1920s, painter and photographer László Moholy-Nagy. Started creating artworks through instructions he gave over the phone:. With this series of paintings, Moholy-Nagy presents the artist as a producer of ideas rather than objects. László Moholy-Nagy. That’s how Moholy-Nagy became My Holy Nacho. The piece reveals the materiality of networks and the power of information infrastructures to enact physical change.
jamieallen.com
My Holy Nacho | jamie allen
http://www.jamieallen.com/my-holy-nacho
A single object is sent to different manufacturers and workshops to have various ‘processes’ applied to it. Each process is chosen, in secret and in turn, by the collaborating artists. After 10 processes, the object whatever it looks like and whatever it becomes is complete, and made public. My Holy Nacho is a. At Kunsthal Aarhus, March 18th, 2015 ( Video. We Make Money Not Art. ArtPapers comission (.pdf.
