Documentary film 'Naata' on peace and conflict resolution direced by Anjali Monteiro and K.P. Jayasankar, Produced by the Centre for Media and Cultural Studies, Tata Institute of Social Sciences, Mumbai, India
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Naata | naata2003.tripod.com Reviews
https://naata2003.tripod.com
Documentary film 'Naata' on peace and conflict resolution direced by Anjali Monteiro and K.P. Jayasankar, Produced by the Centre for Media and Cultural Studies, Tata Institute of Social Sciences, Mumbai, India
naata2003.tripod.com
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Open Space - Ranchi: August 2009
http://openspace-ranchi.blogspot.com/2009_08_01_archive.html
Open Space - Ranchi. Blog space to reflect upon the processes amongst the youth and civil society through 'Open Space' concepts, discussions and creative initiatives at Ranchi. Tuesday, August 11, 2009. Naata - On Practising Communal Harmony. Directed by Anjali Monteiro and KP Jayashankar. Was screened during the video festival on diversity and aspirations - Rang De Basanti on 29-30th July 2009. It is a wonderful documentary on communal harmony. Naata is about Bhau Korde and Waqar Khan. Uced and used var...
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NAATA | The Bond
Centre for Media and Cultural Studies-TISS. August 17, 2008 in Uncategorized. 2003, 45 mins. Hindi with English Subtitles. Produced by the School for Media and Cultural Studies, Tata Institute of Social Sciences www.smcs.tiss.edu. Enquiries: sales.cmcs[AT]tiss.edu. Khan, two activists and friends, who have been involved in conflict resolution, working with neighbourhood. Peace committees in Dharavi. Naata is the second in a series on the people and the city of Mumbai. It is a sequel to Saacha. As a text ...
Naata
English, 2003, 45 Mins. Stills from the Film. KP Jayasankar and Anjali Monteiro. Khan, two activists and friends, who have been involved in conflict resolution, working with neighbourhood. Peace committees in Dharavi. Mumbai, reputedly, the largest 'slum' in Asia. This film explores their work, which has included the collective production and use of visual media for ethnic amity. And the 'stories' of the filmmakers, thereby attempting to foreground a critical and active viewership. The Loom), 2001. The F...
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