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Jennifer Pilch | N/A
https://nalitjournal.wordpress.com/2015/06/25/jennifer-pilch
DEUS EX MACHINA / Daguerre. Daguerre, once sprawled on his chaise, rises to approach the shuttered window. Brush dipped in silver made the world. Chorus: Pressed for time. He quickly opens and shuts the shades; /flash/ Rachel’s face. For what’s a world without before and after. Mercury behind glass created your face. Chorus: Nick of time. Quickly opens and shuts; /flash/ Rachel’s face. Quandary of the fixed and dwell. Your face a glint in aggregate world. Chorus: Out of time. So open shutters for a spell.
Susana Gardner | N/A
https://nalitjournal.wordpress.com/2014/07/13/sgardner
I am tired of the absence of light. Restrictions in the boxwood. Nothing but lust for this sideways self-cast. Each self tapped thus removed from sunshine and. I too form a second self in light. I also absent myself there. Blackbirds bluebirds heal the sky. In unknown energy in. 1000 points of light. Enroll it in the Sun. I want to be ruby-throated. And inevitable Solitary,. I often wake to the sound. Of a false sea. Anonymous I don’t want a poetics. Filled with air or a false sea. Or out of control even.
Emma Claire Foley | N/A
https://nalitjournal.wordpress.com/2015/06/28/emma-claire-foley
Now that you’ve memorized the brutal chains. Bead curtain on the dry earth. On baobab doorpost, a desert whose name you don’t know, means friendship,. There’s space made available in the cave. Of issue, oh, you,. I am the kitchen knife of psychology,. I am yours, my manufacture. Is complete, I laugh stainless. And quietly near you be (retire to drawer),. Am ready replacement for the one you ruined. On the souvenir figures, Venus. Of something, Hottentot,. They wanted the ones with the straw hair.
Adam Clay | N/A
https://nalitjournal.wordpress.com/2015/06/29/adam-clay
My daughter with enough mysticism. For us all, an obscene building. Drifting up from this main street filled. With a mania no one will bother to name,. For naming might as well be a flood. Of mirrors, a crack in the mind we’d rather. Not concede. No point in paragraphing. No point in boxes born from the mind’s. Darkest points, although train tunnels. A simpler shade of black spill. From the mouth of most animals. Even in daylight), an odd form of money. But not a place to begin. For this we do not. In lo...
Matina Stamatakis | N/A
https://nalitjournal.wordpress.com/2014/07/13/mstamatakis
As with some tiny pulse. The night feeds into. The kept stars, to keep behind a door. Wind and its dust-swept. As a game of boundaries. Of an open mouth. To swallow the sky. It is the swarming in the wax. As my skin knows it is inevitable rupture. Searches for the scent of a madhouse. Where all men go to the gallows. But not before begging. For the sweat of a final woman. The spinning of an unsteady. The breakable cracks of silence. Color of sand dollars. Holding within the silence. The Small of Things.
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Hybrids: N/A
http://hybrids11.blogspot.com/2014/07/na.html
Poetry art movies music other. Monday, July 14, 2014. Here's some new work of mine up at. Drawing by Francois Luong. Matina L. Stamatakis. Subscribe to: Post Comments (Atom). Les délices de l'enfer. Ek rzepka (official site). Translated Text of Automatic Form. The Flux I Share. Noncessence: A Journal of Nevercheology. Madame's Walls of Shake. Matina L. Stamatakis. Matina L. Stamatakis. View my complete profile. Simple template. Powered by Blogger.
Hybrids: July 2014
http://hybrids11.blogspot.com/2014_07_01_archive.html
Poetry art movies music other. Monday, July 14, 2014. Here's some new work of mine up at. Drawing by Francois Luong. Matina L. Stamatakis. Friday, July 11, 2014. Whiff and purges this salt. Becoming a late pink. Or void having depth. Of a soft blue. To peel from this waxen bed. All scales have turned upward. This is God's death. Matina L. Stamatakis. Subscribe to: Posts (Atom). Les délices de l'enfer. Ek rzepka (official site). Translated Text of Automatic Form. The Flux I Share. Madame's Walls of Shake.
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Tel: ( 27) 41 365 6126. Email: info@nalithuba.co.za. The values that guide NALITHUBA. NALITHUBA is an accredited training provider with UMALUSI - Council for Quality Assurance in General and further education and training (accreditation number ABT00048PA). NALITHUBA has been awarded Learning Programme Approval by CHIETA as a chemical industries education and training provider (accreditation number NAL101). South African Employers Association SEESA. South African Council of Educators SACE.
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Native American Literature Studies by Kitty | ENG 541
Native American Literature Studies by Kitty. In Mad Love and War- Harjo. March 18, 2013. Ceremony- Leslie Marmon Silko. February 25, 2013. I’ve struggled to narrow my focus in. So, although this blog post may seem a bit bipolar, I couldn’t abandon any of these ideas in favor of another. Please bear with my scattered ideas :-P. Cultural Hybridity and the Mexican Cattle. Cannibalism/Mistreatment of the Body. This last idea is a little less tied to the actual text of. I’ve worked with Bakhtin’s. Many years ...
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039;' The Beest Of The Beest ''. X Phσtσσ ↑ : Mèd YàSsiN NàLiiTô ,. 9679; ●. 9679;вιєиνєиυє ●. 9679; ●. 9733; NàLiiTô WàPiiTô. 305;lıllı. ßǾoииe viisiт℮ .ılıllı. PèàCe DràRi NebGHiiKooùM ♥! 9632;■■■■□□□□□□□□□ ]. 8467;σα∂ιиg. 9632;■■■■■■■■□□□□□ ]. 1085;αяgємєит. 9632;■■■■■■■■■■■■■ ]. 963;мρℓєтє∂. 10/12/2008 at 10:45 AM. 23/01/2012 at 7:53 PM. Subscribe to my blog! This blog has no articles. Post to my blog. Here you are free.
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