Co-directed by artists Brian Getnick and Tanya Rubbak, Native Strategies (NS) is a network of performance makers, producers and critical thinkers who seek to invigorate and make globally visible Los Angeles’s performance art community.
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NATIVESTRATEGIES
BRIAN GETNICK
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NATIVESTRATEGIES
BRIAN GETNICK
4955 SY●●●●●●●TERRACE
LOS●●●LES , CA, 90042
UNITED STATES
View this contact
NATIVESTRATEGIES
BRIAN GETNICK
4955 SY●●●●●●●TERRACE
LOS●●●LES , CA, 90042
UNITED STATES
View this contact
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Native Strategies | nativestrategiesla.com Reviews
https://nativestrategiesla.com
Co-directed by artists Brian Getnick and Tanya Rubbak, Native Strategies (NS) is a network of performance makers, producers and critical thinkers who seek to invigorate and make globally visible Los Angeles’s performance art community.
GLOC Infinite Loop |
http://julesgimbrone.com/gloc-infinite-loop
GLOC Infinite Loop – JULES GIMBRONE. ISSUE Project Room, January 11th, 2013, BOMB Magazine benefit. Mariana Valencia – movement. Julia Read – voice. William Lang – trombone. Jules Gimbrone – voice. With electronics, objects, and spaceG-LOC Infinite Loop is an exploration of divisions. By dividing performers from each other, their own sensory perceptions, and the room into areas of action and nonaction, I hope to stimulate a third indivisible space. January 21, 2014. Larr; Previous post. Next post →.
DAD MASK TENDER BALLS |
http://julesgimbrone.com/dad-mask-tender-balls
DAD MASK TENDER BALLS – JULES GIMBRONE. DAD MASK TENDER BALLS. Dad Mask / Tender Balls. TRANSIENT EXHIBITION – November 2014. The Transference Part 1 – Mailer from Dad. Sent from Pittsburgh, PA to Los Angeles, CA August 2014. Contained mask. The Transference Part 2 – Dad mask atrophied after shipping. The Score – Dad Mask Tender Balls 2014 – Digital Print of Dad wearing mask with email. The Transference Part 3 – Carcases of dueling balloons from The Transference System. December 23, 2014. Next post →.
THERE IS NO THERE THERE |
http://julesgimbrone.com/there-is-no-there-there
THERE IS NO THERE THERE – JULES GIMBRONE. THERE IS NO THERE THERE. Resonant sound sculptural installation and live composition. “The minute you or anybody else knows what you are you are not it, you are what you or anybody else knows you are and as everything in living is made up of finding out what you are it is extraordinarily difficult really not to know what you are and yet to be that thing.”. 8220;…There is no there there.”. 8211; Everybody’s Autobiography, Gertrude Stein. Recording of cat purring.
THIS BODY IS NOT that SOLID |
http://julesgimbrone.com/this-body-is-not-that-solid
THIS BODY IS NOT that SOLID – JULES GIMBRONE. THIS BODY IS NOT that SOLID. Video, Steel sheets, Rebar, Piezo microphones, Tactile transducer speakers, Concrete blocks, Dirt from that valley behind CalARTS, 5.1 Surround speakers, 4-channel microphones, Players, Misc. medias (2013). This Body is not. November 5, 2013. Larr; Previous post. Next post →.
OUTER EDGES |
http://julesgimbrone.com/outer-edges
OUTER EDGES – JULES GIMBRONE. Vox Populi and the AUX performance Space on November 10, 2013. Gregg Cornish – Accordion. Tony Gimbrone – Accordion. Jules Gimbrone – Movement/Building/Unbuilding. Special thanks to curator Marissa Perel. January 2, 2014. Larr; Previous post. Next post →.
TAKING UP SPACE |
http://julesgimbrone.com/taking-up-space
TAKING UP SPACE – JULES GIMBRONE. June 27th, 7 PM, 2014. Cover, Junk, Strike. With Corey Fogel, Jules Gimbrone, and Rosalind Nashashibi. Curated by Suzy M. Halajian. 2245 E Washington Blvd Los Angeles, CA 90021. PART 1 WRITING THE WORDS / SPEAKING THE WORDS. PART 2 LEARNING THE WORDS. PART 3 PLAYING THROUGH (TRANSDUCERS ON OBJECTS). PART 4 FEEDBACK THROUGH. Performed by Mariana Valencia, Lydia Okrent and Jules Gimbrone. August 7, 2014. Larr; Previous post. Next post →.
SPOOKY ACTION / FLESH WEDGE |
http://julesgimbrone.com/spooky-action-flesh-wedge
SPOOKY ACTION / FLESH WEDGE – JULES GIMBRONE. SPOOKY ACTION / FLESH WEDGE. FOCA office space, condenser, dynamic, and contact microphones, mixer, amp, tactile transducer speakers, metal chair, blue paint, modeling clay, 2014. Fellows of Contemporary Art. 970 N Broadway, Suite 208. Los Angeles, CA 90012. FOCA’s Exhibition Space is open Tuesdays thru Fridays from 10 am 5 pm. In the same way that the third eye is a metaphor for a real or imagined sensory organ. Maryanne Amacher, The Third Ear explores the s...
PASTOR PASTURE |
http://julesgimbrone.com/pastor-pasture-2
PASTOR PASTURE – JULES GIMBRONE. JEN ROSENBLIT and JULES GIMBRONE. Recorded live at ISSUE PROJECT ROOM, May 11th, 2012. One for the dream structure. With in or with out home. Two for the eyes. We do not see so we don’t know. Each a ghost pair. Mirror mirror mirror mirror. We do not die. Five, in the dark. Left with the other. Won’t you hold me together? Performed Jules Gimbrone (music), Reenat Pinchas (cello), Addys Gonzalez (dance) and Jen Rosenblit (dance). Lighting design E Jenetopulos.
IN MY ABSENCE |
http://julesgimbrone.com/in-my-absence
IN MY ABSENCE – JULES GIMBRONE. June 20th, 2014. Video with audio transmitted through the audience’s metal chairs. All Sound is Queer. 8220;Queerness abides in the refusal to preserve, in the willingness to end the space of ruinous, risky anonymity, to let sound pull us with it into the black hole of an experience that is not yet stable.”. Keir Neuringer (improvisational music). Alex Smith (improvisational music). Ex By V. (featuring Leah B.). Megan McShea (sound poetry). June 29, 2014. Next post →.
PISS POT with CRYSTAL GLASSES |
http://julesgimbrone.com/piss-pot-with-crystal-glasses
PISS POT with CRYSTAL GLASSES – JULES GIMBRONE. PISS POT with CRYSTAL GLASSES. The New Century Players Ensemble. Guest Conductor, Christopher Rountree. Monday, February 10th, 2014 at 8:00 pm. Herb Alpert School of Music. California Institute of the Arts. Roy O Disney Hall. March 12, 2014. Larr; Previous post. Next post →.
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Co-directed by artists Brian Getnick and Tanya Rubbak, Native Strategies (NS) is a network of performance makers, producers and critical thinkers who seek to invigorate and make globally visible Los Angeles’s performance art community. We are engaged in a 6 year study (2011 2017) of LA performance modalities through the creation of 10 differently themed performance series and 10 uniquely designed journals, resulting in a book. So Funny It Hurts.
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