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Rene_Barge_Visual Score5_2010 | Nautical Miami
https://nauticalmiami.wordpress.com/2012/12/03/porous-scores/rene_barge_visual-score5_2010
Two Ways of Listening to Nothing. Bullion Algorithms and Drifts. Rene Barge Visual Score5 2010. Rene Barge Visual Score. More Pieces, More Systems. December 6th, 2012. Above is an instance of the evolving performative score posted on November 23, 2012. Through computer science, my consoles and…. December 3rd, 2012. The visual scores began to emerge around 2010. Above is probably one of the first, generated after exhibiting a porous…. In Systems I Find Pieces; How to Make a Good Thing Better.
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In Systems I Find Pieces; How to Make a Good Thing Better | Nautical Miami
https://nauticalmiami.wordpress.com/2012/11/23/in-systems-i-find-pieces-how-to-make-a-good-thing-better
Two Ways of Listening to Nothing. Bullion Algorithms and Drifts. In Systems I Find Pieces; How to Make a Good Thing Better. November 23, 2012. Below are two photographs of my installation during the time I prepared the sounds for the Listening Gallery using a piano altered by Alison Knowles and processing. In the background are a series of posters by my apprentice Stacey D’Andelet for performances by Jaap Blonk. The posters are unique as a result of glitches employed with my printer. Pack Shot / Art Work.
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Listen to Nautical Miami Part One, Part Two, and Part Three (excerpt) | Nautical Miami
https://nauticalmiami.wordpress.com/2012/08/26/listen-to-nautical-miami-part-one-part-two-and-part-three-excerpt
Two Ways of Listening to Nothing. Bullion Algorithms and Drifts. Listen to Nautical Miami Part One, Part Two, and Part Three (excerpt). August 26, 2012. Kerry Ware and I have settled on a conceptually and visually restrained version from multiple sketches we explored over the summer for the. Where you will find other projects as they become available. Pack Shot / Art Work. Larr; Unique, Limited Edition Nautical Miami Release 01 Coming. Listen to Bullion Algorithm and Drifts by Rene Barge. Enter your emai...
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Nautical Miami | Nautical Miami
https://nauticalmiami.wordpress.com/projects/nautical-miami-2
Two Ways of Listening to Nothing. Bullion Algorithms and Drifts. Field Recordings and Processing by Rene Barge and Kerry Ware, 2011. Arranged and Mastered by Rene Barge, 2011. Art by Rene Barge. Free Streaming and $4 Downloadable. Published January, 2013. CD Release Date TBD 2013. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. More Pieces, More Systems.
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Listen to Bullion Algorithm and Drifts by Rene Barge | Nautical Miami
https://nauticalmiami.wordpress.com/2012/08/27/listen-to-bullion-algorithm-and-drifts-by-rene-barge
Two Ways of Listening to Nothing. Bullion Algorithms and Drifts. Listen to Bullion Algorithm and Drifts by Rene Barge. August 27, 2012. Bullion Algorithm and Drifts. Was produced from experiments held at Bridge Red Project Space. Alludes to strategies that explore acoustic phenomena such as our perception of spatial resonance or phase interference between closely tuned pitches popularized by Alvin Lucier. In the title,. To listen and purchase. Bullion Algorithm and Drifts. Pack Shot / Art Work. Fill in y...
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Rene Barge, David Dunn, and Gustavo Matamoros: Multi-Channel Installation at the Listening Gallery, Lincoln Road, Miami Beach | Nautical Miami
https://nauticalmiami.wordpress.com/2012/08/30/rene-barge-david-dunn-and-gustavo-matamoros-multi-channel-installation-at-the-listening-gallery-lincoln-road-miami-beach
Two Ways of Listening to Nothing. Bullion Algorithms and Drifts. Rene Barge, David Dunn, and Gustavo Matamoros: Multi-Channel Installation at the Listening Gallery, Lincoln Road, Miami Beach. August 30, 2012. Rene Barge, David Dunn. Are installed at the Listening Gallery. David Dunn, Gustavo Matamoros, and I are an artist collective known as FM. FM is less an ensemble than a confluence of strategies for sonically activating a space, additional perspectives can be found at Sound Expanse. Enter your email ...
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Bullion Algorithms and Drifts | Nautical Miami
https://nauticalmiami.wordpress.com/projects/bullion-algorithms-and-drifts
Two Ways of Listening to Nothing. Bullion Algorithms and Drifts. Bullion Algorithms and Drifts. Site-specific Processing by Rene Barge, 2012. Spatially Arranged at Bridge Red Project Space by Rene Barge. Mastered for Stereo by Rene Barge, 2012. Art by Rene Barge. Free Streaming and $3 Downloadable. Published August, 2012. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). Notify me of new comments via email.
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More Pieces, More Systems | Nautical Miami
https://nauticalmiami.wordpress.com/2012/12/06/334
Two Ways of Listening to Nothing. Bullion Algorithms and Drifts. More Pieces, More Systems. December 6, 2012. Above is an instance of the evolving performative score posted on November 23, 2012. Filed under Pack Shot / Art Work. Rene Barge Sound Artist. Larr; Porous Scores. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. More Pieces, More Systems. Enter ...
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Vibration Sensitive 2 | Nautical Miami
https://nauticalmiami.wordpress.com/2012/09/16/vibration-sensitive-2
Two Ways of Listening to Nothing. Bullion Algorithms and Drifts. September 16, 2012. This portrait was taken while working during the summer 2012. I was building an immersive system informed by my interests in thoughtful interaction design, sensory motor coupling, augmented reality, and story telling using sensors, Processing, and Java; here I am game basing my sound art practice. Filed under Rene Barge. Rene Barge Sound Artist. Larr; Vibration Sensitive. Leave a Reply Cancel reply. Pack Shot / Art Work.
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Salt Air | Nautical Miami
https://nauticalmiami.wordpress.com/2012/11/09/salt-air
Two Ways of Listening to Nothing. Bullion Algorithms and Drifts. November 9, 2012. Kerry Ware has been processing audio recordings from aerial footage shot by William Kaddell. You can listen to additional work by Kerry Ware at his soundsketches. Larr; Vibration Sensitive 2. In Systems I Find Pieces; How to Make a Good Thing Better. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). Notify me of new comments via email.
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