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Artist Statement Artist Statement Nazlı Dinçel’s work reflects on experiences of disruption. Dinçel records the body in context with arousal, immigration, dislocation and desire in juxtaposition with the medium’s material: texture, color and the passing of emulsion. Her use of text as image, language and sound attempts the failure of memory and her own displacement within a western society. Her 16mm films are entirely hand-made by herself, from the beginning to the completion of each piece. She only uses a

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nazlidincel.com | nazlidincel.com Reviews

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Artist Statement Artist Statement Nazlı Dinçel’s work reflects on experiences of disruption. Dinçel records the body in context with arousal, immigration, dislocation and desire in juxtaposition with the medium’s material: texture, color and the passing of emulsion. Her use of text as image, language and sound attempts the failure of memory and her own displacement within a western society. Her 16mm films are entirely hand-made by herself, from the beginning to the completion of each piece. She only uses a

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2 manifesto

3 exhibition history

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nazlidincel.com | nazlidincel.com Reviews

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Artist Statement Artist Statement Nazlı Dinçel’s work reflects on experiences of disruption. Dinçel records the body in context with arousal, immigration, dislocation and desire in juxtaposition with the medium’s material: texture, color and the passing of emulsion. Her use of text as image, language and sound attempts the failure of memory and her own displacement within a western society. Her 16mm films are entirely hand-made by herself, from the beginning to the completion of each piece. She only uses a

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Nazlı Dinçel’s hand-made work reflects on experiences of disruption. She records the body in context with arousal, immigration, dislocation and desire with the film object: its texture, color and the tractable emulsion of the 16mm material. Her use of text as image, language and sound imitates the failure of memory and her own displacement within a western society.

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