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The Necessary Stage » The Necessary Stage

M1 Singapore Fringe Festival. Creating challenging, indigenous, and innovative theatre that touches the heart. Personal Data Protection Policy. Those Who Can't, Teach. Those Who Can't, Teach. Actor, Forty 演员四十. Best Of (His Story). Gitanjali [I feel the earth move]. Mobile 2: Flat Cities. Encore IV: Love Life. Don't Know, Don't Care. M1 Singapore Fringe Festival. 2014 The Necessary Stage.

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The Necessary Stage » The Necessary Stage | necessary.org Reviews

https://necessary.org

M1 Singapore Fringe Festival. Creating challenging, indigenous, and innovative theatre that touches the heart. Personal Data Protection Policy. Those Who Can't, Teach. Those Who Can't, Teach. Actor, Forty 演员四十. Best Of (His Story). Gitanjali [I feel the earth move]. Mobile 2: Flat Cities. Encore IV: Love Life. Don't Know, Don't Care. M1 Singapore Fringe Festival. 2014 The Necessary Stage.

INTERNAL PAGES

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1

The Necessary Stage » The Project

http://www.necessary.org/index.php/outreach/external-projects/the-project

M1 Singapore Fringe Festival. Ryan, Farah and Wee Kiat are best friends in school. When the principal assigns them a special project to explore and research Singapores maritime industry, they take it in their stride. However, they later discover they have to make a presentation to the whole school. Can they rise up to the challenge? Will their friendship be tested by. Presented by The Necessary Stage and commissioned by Singapore Maritime Foundation (SMF),. School and community tours.

2

The Necessary Stage » Data Protection

http://www.necessary.org/index.php/home/data

M1 Singapore Fringe Festival. THE NECESSARY STAGE LTD and OUR DATA PROTECTION POLICY. If you have any queries on this policy or any other queries in relation to how we may manage, protect and/or process your personal data, please contact our General Manager who serves as our Data Protection Officer ("DPO") at Tel: 6440 8115 or email admin@necessary.org. 1 INTRODUCTION TO THE PDPA. 2 PURPOSES FOR COLLECTION, USE, DISCLOSURE AND PROCESSING OF PERSONAL DATA. 21 The personal data which we collect from you ma...

3

The Necessary Stage » Outreach

http://www.necessary.org/index.php/outreach

M1 Singapore Fringe Festival. Theatre For Youth And Community. In April 2008, The Necessary Stage launched the three-year Theatre For Seniors (TFS) programme, an innovative initiative geared towards training participants, aged 50 years and above, in various aspects of theatre-making and arts administration. The programme subsequently grew with the support from partners including the National Arts Council, Council for Third Age, Lee Foundation, Kwan Im Thong Hood Cho Temple and BinjaiTree. 2007) saw The N...

4

The Necessary Stage » Poor Thing

http://www.necessary.org/index.php/main-season/poor-thing

M1 Singapore Fringe Festival. Another day in Singapore. Another minor road accident. Another incident of road rage? The Necessary Stage's latest production by Alvin Tan and Haresh Sharma, grapples with the issue of road rage. A unique production involving social media interaction,. Will invite audiences to watch a video clip of an accident before they enter the theatre to catch the 'live' action on stage. During the performance, more clips will be posted online which audiences can view and comment on.

5

The Necessary Stage » Main Season

http://www.necessary.org/index.php/main-season

M1 Singapore Fringe Festival. For its Main Season, The Necessary Stage produces an average of two plays a year at its Black Box and at other venues. The plays are original, mostly devised pieces created in a collaborative process that is based on research, improvisation before scripting, and input from all members of the production. This process has produced many important works, including. Boxing Day: The Tsunami Project. 2002 and 2004),. 1994 and 2007),. 2013 and 2014) and. First staged in 1994 and the...

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华文剧场与表演: December 2013

http://chinese214.blogspot.com/2013_12_01_archive.html

本部落格是为南洋理工大学中文系的“HC2014华文剧场与表演”课程而设立的。课程介绍剧场与表演中的基本概念与技巧,讨论中国、台湾、香港、新加坡等地的现代华文剧场。本部落格将重点讨论上课期间所阅读的剧本和看过的演出。--不是本课程学生的读者,也欢迎留言。 Saturday, 28 December 2013. 九年剧场呈献法国当代名剧《艺术》 三个男人一台戏. 本地最年轻的华语剧团九年剧场,转眼间将在明年连续第三次参加华艺节,呈献法国才女剧作家勒扎创作的一流当代喜剧《艺术》。 对一个新成立不久的剧团来说,要连续三年受邀参加本地艺坛盛事之一“华艺节”,可不是件容易的事。 九年剧场虽是本地华语剧场界年纪最轻的剧团,但其创办人之一,也是艺术总监的谢燊杰,却早已在剧场界磨练多年。 他坦言,剧团的成立,不仅是要填补华语剧场的一个缺口,也希望为本地华语剧场“把把脉,看看我们是否还有能力搬演经典剧目”。 Who's Afraid of Virginia Woolf. 65311;),就是要测试本地华语剧场是否还有能力将经典剧目搬上舞台。 至于明年将在华艺节亮相的新作《艺术》(. 该剧另一主题在于探讨艺术的本质与价值&#...

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华文剧场与表演: December 2009

http://chinese214.blogspot.com/2009_12_01_archive.html

本部落格是为南洋理工大学中文系的“HC2014华文剧场与表演”课程而设立的。课程介绍剧场与表演中的基本概念与技巧,讨论中国、台湾、香港、新加坡等地的现代华文剧场。本部落格将重点讨论上课期间所阅读的剧本和看过的演出。--不是本课程学生的读者,也欢迎留言。 Tuesday, 29 December 2009. 探讨“改变”的真正含义 必要剧场新剧未演已引争议. 一个单身贵族,一个同性恋者,一个马克思主义者,三人原本都有着生活上的原则与理想,然而这些原则与理想却因一些事件的发生而改变了……. 12288; 在必要剧场明年呈献的艺穗节节目中,《 可改变》无疑是最令人期待的作品之一,这部由陈崇敬执导,哈里斯沙玛(Haresh Sharma)编写的创作,通过三段故事,大胆扭转某些族群的身份,颠覆这些人的理念,借此探索“改变”的真正含义。 12288; 哈里斯说:“虽然我不认同这种行为,但必须承认确实有这样的女性存在。她们也许是抱着打死也不嫁想法的单身贵族,最后却可能开心结婚。”. 9632;陈崇敬:“同志可改变”冲击最大. 12288; 据知,《同志可改变》一...12288; “年轻时你...12288;&#12...

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Meet an Artist: Pooja Nansi – thetalesoftwocities

https://thetalesoftwocities.wordpress.com/2013/11/17/meet-an-artist-pooja-nansi

Sydney and Singapore: on stage. November 17, 2013. Meet an Artist: Pooja Nansi. Part of my residency in Singapore involves the opportunity to hang out with a lot of very exciting artists – playwrights, directors, poets, musicians, and more – and learn about their practice. It works like this:. I meet an artist. I ask them a bunch of questions, which they answer beautifully. I share their answers with you. Who better to kick off the series than a very talented poet and teacher, Pooja Nansi. Which has attr...

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茶霓思剧团: 不知岛的欲望

http://ntuzwxdrama.blogspot.com/2009/03/blog-post_18.html

戏剧盒呈现的社区演出《不知岛》系列回来了!2007年,《不知岛的名字》带你探索了龙牙门及旧南大牌坊的记忆与故事。2009年,《不知岛的欲望》将让你身在芽笼,聆听、观看、感受芽笼的神、色、食、史! 12298;不知岛的欲望》将于3月27日预演,4月2至4日正式演出。 Http:/ www.gatecrash.com.sg/. 或拨电6100 2005,或到邮政局、SAM自动机及电力站售票处购票。 订阅: 帖子评论 (Atom). 1)欢迎您将您的剧场心得,或是对于本站的任何意见电邮到 ntuzwxdrama@gmail.com. 实践剧场 The Theatre of Practice. 十指帮 The Finger Players. The Necessary Stage 必要剧场. Toy 肥料厂 Toy Factory Theatre Ensemble. The Substation - A Home for the Arts. The Flying Inkpot Theatre Reviews.

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Getting My Niches in a Twist | From writer’s block to writer’s blog | Page 2

https://nichesinatwist.wordpress.com/page/2

Getting My Niches in a Twist. Newer posts →. Sunday 20 April 2008 · 6:00 pm. How Kyle Sandilands makes it work: caffeine and no sleep. This post was originally published on my other blog,. The Art of Work. The media is rife with success stories, but I find it much more interesting when the media is bold enough to reveal exactly what that success costs. First cab off the rank was Kyle Sandilands. Breakfast radio DJ for Austereo,. Judge and co-host for the upcoming 2008 series of. And has a doctor on call ...

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Tony Yap Company Performances

http://www.tonyyapdance.com/Performances.html

Recent and Coming Events. Premier Internation Collaboration between Nottle Theatre Company and TYC - http:/ castlemainefestival.com.au/2015/event/kekkai-beyond-fixed-boundaries/. KESUPEN Ndalem Suryowijayan, Yogyakarta. Creative development showing Collaboration between Surya Kencana and TYC . Forecourt, State Library of Victoria, Melbourne, Artistic Director. Melaka, Malaysia, Artistic Director. Melbourne International Arts Festival, Tony Yap, Yumi Umiumare and Matt Gingold. APAM, Seoul, South Korea.

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生命的文章: August 2010

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Wednesday, August 25, 2010. 这一趟从台南回来,本以为是该放松心情的时候,尽情地享受假期。可是不到两个星期,发现自己似乎后悔回来度假,因为要面对和处理的事情实在太多了。我真的快喘不过气来,已经块到达心力交瘁的地步了。 家里面临的经济危机和母亲生意上的周转不灵动用了我不少的积蓄,眼见银行里的钱一天比一天少,自己一直怀疑是否能顺利毕业,甚至还认为这不是我出国留学的时候。 母亲生意上的钱财问题要我帮忙、大弟弟没有钱却要结婚也要我帮忙、小弟弟为了舞狮比赛伟大地牺牲他的工作而无法帮补家用也让我操心。到底这些人是怎么想的?我真的感到很愤怒,却还要帮他们收拾烂摊子。 老实说,我的能力已经快要到达极限,我现在只是想安心地把书念完,毕业,然后工作,重新存钱。我真的很不想再为钱烦恼了。 我不要求家里人能像我一样成熟,有智慧地处理问题,但是他们能不能不要再制造麻烦,多为家里的状况多想一想呢? Subscribe to: Posts (Atom). 12298;见与不见》扎西拉姆•多多. View my complete profile. La Princess Et La.

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Come join the conversation at the Vibewire e-Festival of Ideas! | The Art of Work

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The Art of Work. Career advice for creative types. Come join the conversation at the Vibewire e-Festival of Ideas! 7 April 2008 in Business tips. This week is going to be really exciting because I am chairing a panel as part of Vibewire’s e-Festival of Ideas. For those of you not familiar with Vibewire. It’s an Australian youth media and arts organisation. Its flagship project is Vibewire.net. Which sent young journalists around Australia on the campaign buses during the 2004 Federal Election; Interface.

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Joy's space - space of Joy | Just another WordPress.com site | Page 2

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Joy's space – space of Joy. Just another WordPress.com site. Fool proof recipes :P – Series 1. May 25, 2008. According to Joy’s 101 Cook Book, anything that fulfills the following criteria makes good meals:. 1) ingredients for steamboat – once they float, they are cooked. no problem with ending up with raw food. 2) instant mixes – as easy as 123. 3) your favorite food – nice food 1 nice food 2 usually end up nice too. Hence, i came up with the following during my days when dear mum was away on holiday.

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华文剧场与表演: December 2012

http://chinese214.blogspot.com/2012_12_01_archive.html

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The Necessary Stage » The Necessary Stage

M1 Singapore Fringe Festival. Creating challenging, indigenous, and innovative theatre that touches the heart. Personal Data Protection Policy. Those Who Can't, Teach. Those Who Can't, Teach. Actor, Forty 演员四十. Best Of (His Story). Gitanjali [I feel the earth move]. Mobile 2: Flat Cities. Encore IV: Love Life. Don't Know, Don't Care. M1 Singapore Fringe Festival. 2014 The Necessary Stage.

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