nicolakwong.blogspot.com

Nicola Kwong

Wednesday, June 17, 2009. Project 3 Model Presentation. The lighting of the gallery plays a big role in the experience of the building. The lighting of elevated floor plates creates a sense of glowing suspended elements, which carries on from the notions of the artworks depicted. Further more the large suspended balcony levels on each of the floors emphasises this notion of lightness. Sectional model showing the interweaving of spaces and open circulation of the gallery building. Project 3 Final Drawings.

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Wednesday, June 17, 2009. Project 3 Model Presentation. The lighting of the gallery plays a big role in the experience of the building. The lighting of elevated floor plates creates a sense of glowing suspended elements, which carries on from the notions of the artworks depicted. Further more the large suspended balcony levels on each of the floors emphasises this notion of lightness. Sectional model showing the interweaving of spaces and open circulation of the gallery building. Project 3 Final Drawings.

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Nicola Kwong | nicolakwong.blogspot.com Reviews

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Wednesday, June 17, 2009. Project 3 Model Presentation. The lighting of the gallery plays a big role in the experience of the building. The lighting of elevated floor plates creates a sense of glowing suspended elements, which carries on from the notions of the artworks depicted. Further more the large suspended balcony levels on each of the floors emphasises this notion of lightness. Sectional model showing the interweaving of spaces and open circulation of the gallery building. Project 3 Final Drawings.

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nicolakwong.blogspot.com

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Nicola Kwong: Project 3 Final Drawings

http://www.nicolakwong.blogspot.com/2009/06/project-3-final-plans.html

Wednesday, June 17, 2009. Project 3 Final Drawings. Detail of 2nd level installation room which opens to the upper level coutyard. Section from Eastern elevation. Water Colour perspective renderings. The choice of medium for the renderings further helps enhance the notion of lightness and suspension which is exhibited in the sculptural installations. Perspective from ground level entrance - and the interior sculptural garden. Ground level floating floor plates and suspended presentation system.

2

Nicola Kwong: March 2008

http://www.nicolakwong.blogspot.com/2008_03_01_archive.html

Monday, March 17, 2008. ARCH1101 WEEK 1 TASK. From Patricia Picinnini's work "undivided". From Sidney Nolan's work "Carcass". Beautiful Pic Wk 2. Tuesday, March 11, 2008. ARCH1101 Studio Session 1. Title: "Killing Time" (2003-2004). Media: Silicone, fibreglass, human hair, teddy, bed and linen. Media: synthetic polymer paint on composition board. 914 x 121.5 cm. Photograph of Something Beautiful. Lastly, I find this building very inspirational as it cleverly weaves its interior space with its outside env...

3

Nicola Kwong: Project 3 Model Presentation

http://www.nicolakwong.blogspot.com/2009/06/project-3-model-presentation.html

Wednesday, June 17, 2009. Project 3 Model Presentation. The lighting of the gallery plays a big role in the experience of the building. The lighting of elevated floor plates creates a sense of glowing suspended elements, which carries on from the notions of the artworks depicted. Further more the large suspended balcony levels on each of the floors emphasises this notion of lightness. Sectional model showing the interweaving of spaces and open circulation of the gallery building. Project 3 Final Drawings.

4

Nicola Kwong: April 2009

http://www.nicolakwong.blogspot.com/2009_04_01_archive.html

Sunday, April 5, 2009. Design Studio 3 Project 1. In 1961 the house in Alfred House Road that had been designed for a Burgher doctor called Noel Bartholomeusz was cancelled as it was nearing completion and Bawa persuaded his partners at E. R. and B. to take it over as their office. The original design was developed in the spirit of the Ena de Silva House, though the plot was narrower and longer. Source:Robson, David. 2002. Geoffrey Bawa: The Complete Works. London: Thames and Hudson. Photos of 1:50 Model.

5

Nicola Kwong: May 2009

http://www.nicolakwong.blogspot.com/2009_05_01_archive.html

Monday, May 11, 2009. Vermeer's Girl reading an Letter at an Open Window. The project was inspired by the narrative in behind the painting of a young woman longing for her lover, and Vermeer’s prevalent use of drapery as a room partition which is common in many of his paintings. My narrative in the end was: A young woman is hidden away in a tower from her lover as she weaves long lengths of drapery in order for her lost lover to find. As one moves up to a different level, the stairs begin to move inwards...

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Shaowen Wang: How To Start?

http://shaowenwang-arch1201-2009.blogspot.com/2009/04/how-to-start.html

Tuesday, April 7, 2009. P2 - Room and Narrative. We will discuss one aspect of interpreting and translating pictorial suggestions "accumulated" in Piranesi's Imaginary Prisons. Plate VI) into several possible spatial relations in plan. . Notice that this is only one of the many "attempts" to draw out the . Architectural possibilities either inspired by or embedded in a piece of. Valentina Ricciuti, " Architectural Scripts,". Subscribe to: Post Comments (Atom). ARCH1201-2009(UNSW) - SHAOWEN WANG'S STUDIO.

shaowenwang-arch1201-2009.blogspot.com

Shaowen Wang: March 2009

http://shaowenwang-arch1201-2009.blogspot.com/2009_03_01_archive.html

Tuesday, March 24, 2009. 1309 - 1316, France (Paris). As it is easier to understand what is geometry in general, the geometry in architecture demands certain understanding of history. In this beautifully didactic illustration, geometry can be understood in two parts of a whole: the measuring instruments(a set-square and a compass), and the world of triangle, circle, square, and rectangle. The painting connotes a real world and an abstracted world that signify one and another. Quoted from: Christian Hubert.

arch1142atlasofcolour2008.blogspot.com

ARCH1142_Atlas of Colour_2008: October 2008

http://arch1142atlasofcolour2008.blogspot.com/2008_10_01_archive.html

Tuesday, October 21, 2008. Atlas of Colour Rotation #3. Http:/ www.nickagnew.blogspot.com/. Http:/ nickbrennan-arch1142-2008.blogspot.com/. Http:/ www.mihira-rb.blogspot.com/. Http:/ joeburraston.blogspot.com/. Http:/ www.yuwendu.blogspot.com/. Http:/ www.architecture-jip.blogspot.com/. Http:/ domhill.blogspot.com/. Http:/ www.vinooopy.blogspot.com/. Http:/ www.arch1142brad.blogspot.com/. Http:/ www.nicolakwong.blogspot.com/. Http:/ muranlin-arch1142-08.blogspot.com/. Subscribe to: Posts (Atom).

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ARCH1142_Atlas of Colour_2008

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Tuesday, October 21, 2008. Atlas of Colour Rotation #3. Http:/ www.nickagnew.blogspot.com/. Http:/ nickbrennan-arch1142-2008.blogspot.com/. Http:/ www.mihira-rb.blogspot.com/. Http:/ joeburraston.blogspot.com/. Http:/ www.yuwendu.blogspot.com/. Http:/ www.architecture-jip.blogspot.com/. Http:/ domhill.blogspot.com/. Http:/ www.vinooopy.blogspot.com/. Http:/ www.arch1142brad.blogspot.com/. Http:/ www.nicolakwong.blogspot.com/. Http:/ muranlin-arch1142-08.blogspot.com/. Subscribe to: Post Comments (Atom).

arch1142fluidthoughts2008.blogspot.com

ARCH1142_Fluid Thoughts_2008: August 2008

http://arch1142fluidthoughts2008.blogspot.com/2008_08_01_archive.html

ARCH1142 Fluid Thoughts 2008. Wednesday, August 13, 2008. This blog showcases the work of Architecture students in the Architecture Communications course,. Faculty of the Built Environment, University of NSW, Semester 2, 2008. Fluid Thoughts to Actions. Was a series of workshops, designed by Chrissie Ianssen and Anton Pulvirenti, from an initiative of course convenor, Ainslie Murray. Blogs of the students from the Fluid Thoughts to Actions. Can be navigated to from the sidebar on this page.

shaowenwang-arch1201-2009.blogspot.com

Shaowen Wang: April 2009

http://shaowenwang-arch1201-2009.blogspot.com/2009_04_01_archive.html

Wednesday, April 15, 2009. Getting Inside - Micro Environment. These are a series of engraving, fresco and paintings depicting St. Jerome in His Study. It is essential for you to explore the "ways" to get inside of an architectonic object at this stage. Narrative constructed from the reading of your selected painting is just a beginning to launch a simultaneously inward and outward search for a project. Can it be a series of opposites held together by a vertical structure, sort of a metaphysical "tower"?

shaowenwang-arch1201-2009.blogspot.com

Shaowen Wang: Wall

http://shaowenwang-arch1201-2009.blogspot.com/2009/04/wall_07.html

Tuesday, April 7, 2009. Theme 1 - The Cutting. In my buildings, walls play a dual role, serving both to reject and affirm. This tense relationship between inside and outside is based on the act of cutting (as with a sword). Which to the Japanese is not cruel and destructive but is instead sacred; it is a ceremonial act symbolizing a new disclosure. To the Japanese this act has become an end in itself. It provides a spiritual focus both in space and time. In that tense moment, an object.

shaowenwang-arch1201-2009.blogspot.com

Shaowen Wang: Opening-Variations of a Theme

http://shaowenwang-arch1201-2009.blogspot.com/2009/04/openings-variations-of-theme.html

Monday, April 6, 2009. Opening-Variations of a Theme. Wall Section With Opening(s):. Drawing of a handle for ceremonial door of Mill Owner's Association Building, Ahmedabad, Le Corbusier(1954). Section through niche Norte-Dame du Haut, Ronchamp, Le Corbusier (1950-54). Norte-Dame, Cathedral of Amiens (1220-1269): wall system, vaulting and buttressing. Light Revealed, or, How To Stage Light:. Norte-Dame du Haut, Ronchamp, Le Corbusier (1950-54). Le Corbusier, Toward a New Architecture. Open eyes that looks.

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Nicola Kwong

Wednesday, June 17, 2009. Project 3 Model Presentation. The lighting of the gallery plays a big role in the experience of the building. The lighting of elevated floor plates creates a sense of glowing suspended elements, which carries on from the notions of the artworks depicted. Further more the large suspended balcony levels on each of the floors emphasises this notion of lightness. Sectional model showing the interweaving of spaces and open circulation of the gallery building. Project 3 Final Drawings.

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