NINAPOPS.COM

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Nina Pops sent me, this week, several photos of new work. The geometric forms are still evident, various and complicated and as simple as forms in the context of other forms can be. New is the cutout. Nina has put knife to paper, augmenting and subtracting from what she has done with pencils and paper. 8220;I want to move beyond the surface,” she wrote. “Emptiness. The void. Cutout. But still with the forms. The odyssey continues.”. The paper. The pencil. And the knife.

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NinaPops | ninapops.com Reviews

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Nina Pops sent me, this week, several photos of new work. The geometric forms are still evident, various and complicated and as simple as forms in the context of other forms can be. New is the cutout. Nina has put knife to paper, augmenting and subtracting from what she has done with pencils and paper. 8220;I want to move beyond the surface,” she wrote. “Emptiness. The void. Cutout. But still with the forms. The odyssey continues.”. The paper. The pencil. And the knife.

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NinaPops | ninapops.com Reviews

https://ninapops.com

Nina Pops sent me, this week, several photos of new work. The geometric forms are still evident, various and complicated and as simple as forms in the context of other forms can be. New is the cutout. Nina has put knife to paper, augmenting and subtracting from what she has done with pencils and paper. 8220;I want to move beyond the surface,” she wrote. “Emptiness. The void. Cutout. But still with the forms. The odyssey continues.”. The paper. The pencil. And the knife.

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Nina Pops sent me, this week, several photos of new work. The geometric forms are still evident, various and complicated and as simple as forms in the context of other forms can be. New is the cutout. Nina has put knife to paper, augmenting and subtracting from what she has done with pencils and paper. 8220;I want to move beyond the surface,” she wrote. “Emptiness. The void. Cutout. But still with the forms. The odyssey continues.”. The paper. The pencil. And the knife.

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Museum für gegenstandsfreie Kunst Ottendorf. Köln Süd Offen. Galerie Art d’Oeuvre, Köln. Galerie Artemis, Istanbul. Geboren 1973 in Belgrad, Serbien. Kunstgymnasium für Industriedesign, Belgrad. Gaststudent an der Kunsthochschule St. Petersburg, Fachrichtung Malerei. Studium der Fachrichtung Freie Malerei an der Académie royal des Beaux-Arts de Bruxelles. Studium der Fachrichtung Grafik Design/ Visuelle Kommunikation an der Fachhochschule Aachen. Nina Pops lebt und arbeitet in Köln.

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Nina Pops sent me, this week, several photos of new work. The geometric forms are still evident, various and complicated and as simple as forms in the context of other forms can be. New is the cutout. Nina has put knife to paper, augmenting and subtracting from what she has done with pencils and paper. 8220;I want to move beyond the surface,” she wrote. “Emptiness. The void. Cutout. But still with the forms. The odyssey continues.”. The paper. The pencil. And the knife.

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Nina Pops sent me, this week, several photos of new work. The geometric forms are still evident, various and complicated and as simple as forms in the context of other forms can be. New is the cutout. Nina has put knife to paper, augmenting and subtracting from what she has done with pencils and paper. 8220;I want to move beyond the surface,” she wrote. “Emptiness. The void. Cutout. But still with the forms. The odyssey continues.”. The paper. The pencil. And the knife.

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