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Nina Pops sent me, this week, several photos of new work. The geometric forms are still evident, various and complicated and as simple as forms in the context of other forms can be. New is the cutout. Nina has put knife to paper, augmenting and subtracting from what she has done with pencils and paper. 8220;I want to move beyond the surface,” she wrote. “Emptiness. The void. Cutout. But still with the forms. The odyssey continues.”. The paper. The pencil. And the knife.

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NinaPops | ninart.org Reviews

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Nina Pops sent me, this week, several photos of new work. The geometric forms are still evident, various and complicated and as simple as forms in the context of other forms can be. New is the cutout. Nina has put knife to paper, augmenting and subtracting from what she has done with pencils and paper. 8220;I want to move beyond the surface,” she wrote. “Emptiness. The void. Cutout. But still with the forms. The odyssey continues.”. The paper. The pencil. And the knife.

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NinaPops | ninart.org Reviews

https://ninart.org

Nina Pops sent me, this week, several photos of new work. The geometric forms are still evident, various and complicated and as simple as forms in the context of other forms can be. New is the cutout. Nina has put knife to paper, augmenting and subtracting from what she has done with pencils and paper. 8220;I want to move beyond the surface,” she wrote. “Emptiness. The void. Cutout. But still with the forms. The odyssey continues.”. The paper. The pencil. And the knife.

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NinaPops

http://www.ninart.org/index.html

Nina Pops sent me, this week, several photos of new work. The geometric forms are still evident, various and complicated and as simple as forms in the context of other forms can be. New is the cutout. Nina has put knife to paper, augmenting and subtracting from what she has done with pencils and paper. 8220;I want to move beyond the surface,” she wrote. “Emptiness. The void. Cutout. But still with the forms. The odyssey continues.”. The paper. The pencil. And the knife.

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NinaPops

http://www.ninart.org/crbst_2.html

Museum für gegenstandsfreie Kunst Ottendorf. Köln Süd Offen. Galerie Art d’Oeuvre, Köln. Galerie Artemis, Istanbul. Geboren 1973 in Belgrad, Serbien. Kunstgymnasium für Industriedesign, Belgrad. Gaststudent an der Kunsthochschule St. Petersburg, Fachrichtung Malerei. Studium der Fachrichtung Freie Malerei an der Académie royal des Beaux-Arts de Bruxelles. Studium der Fachrichtung Grafik Design/ Visuelle Kommunikation an der Fachhochschule Aachen. Nina Pops lebt und arbeitet in Köln.

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NinaPops

http://www.ninart.org/crbst_3.html

Angaben gemäß § 5 TMG:. Brühler Straße 116. Quelle: http:/ www.e-recht24.de. Haftung für Inhalte. Haftung für Links. Die Nutzung unserer Webseite ist in der Regel ohne Angabe personenbezogener Daten möglich. Soweit auf unseren Seiten personenbezogene Daten (beispielsweise Name, Anschrift oder eMail-Adressen) erhoben werden, erfolgt dies, soweit möglich, stets auf freiwilliger Basis. Diese Daten werden ohne Ihre ausdrückliche Zustimmung nicht an Dritte weitergegeben. Brühler Straße 116.

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NinaPops

Nina Pops sent me, this week, several photos of new work. The geometric forms are still evident, various and complicated and as simple as forms in the context of other forms can be. New is the cutout. Nina has put knife to paper, augmenting and subtracting from what she has done with pencils and paper. 8220;I want to move beyond the surface,” she wrote. “Emptiness. The void. Cutout. But still with the forms. The odyssey continues.”. The paper. The pencil. And the knife.

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