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Museum Of Pop Archaeology: August 2008
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August 20, 2008. Exhibit 26: Partial Transcript, George Bird Grinnell Address to Audubon Society, 1886. If, by some chance, I should hasten to depart from your charms in the morrow, will your recollection of my entity be fervently preserved beyond this dalliance of our spirits? Links to this post. Subscribe to: Posts (Atom). One of Online Universities' "Top 100 Anthropology Blogs". P Pearson, Seattle. Exhibit 26: Partial Transcript, George Bird Grinne. Friends Of The Museum. The Stranger: Line Out.
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Museum Of Pop Archaeology: Exhibit 15: Meeting the Devil at the crossroads
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May 18, 2008. Exhibit 15: Meeting the Devil at the crossroads. The annals of popular music are filled with anecdotal legends featuring musicians who meet the Devil at the crossroads. In each of these myths, the Devil makes the musician a Faustian offer of fame and wealth, in exchange for the Devil's dominion of his or her immortal soul at the termination of his or her earthly existence. Say there, young man, - you, marching over there. Can I help you with that tuba? This thing is impossible to march with!
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Museum Of Pop Archaeology: July 2008
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July 31, 2008. Exhibit 25: Set list from a supergroup featuring Fall Out Boy, Panic At The Disco and Sufjan Stevens, 2006. Yes, President Lincoln, The Roadway To Heaven Is Paved With Tattoo Ink and Bridal Veils. That Joke Was Probably Sexist But There's Precious Little To Be Done About It Now Because I've Just Signed Out My Tab. When Used Properly Wheat Grass Has A Gentle Laxative Effect But I Wouldn't Do A Shot At The After Party. What's The Deal With These Airports? Can You Believe These Airports?
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Museum Of Pop Archaeology: Exhibit 20: Transcript from a Morrison family counseling session, 1958
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June 8, 2008. Exhibit 20: Transcript from a Morrison family counseling session, 1958. Why don't we talk about the Indians? The Indians. Again with the Indians. Oh, doctor,. We revisit that horrible episode? If a child of four years sees any kind of death – like the dying Indians your son saw after that car accident – the trauma can manifest itself slowly, gradually, throughout the course of his adolescence. And that makes the trauma harder to recognize. THE END OF OUR ELABORATE PLANS! He has access to our.
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Museum Of Pop Archaeology: Exhibit 24: Supergroups
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June 24, 2008. By the late 1960's, demand for rock and roll had increased to such a level that mere music groups were inadequate. As regular music groups were increasingly unable to repel NLF and NVA forces in Vietnam with their shimmering pop hooks and shaggy hairstyles, or stop the Watts Riots with their renditions of "Mrs. Brown You've Got A Lovely Daughter" on Wilmington Avenue, the need for more awe-inspiring combinations of pop musicians escalated. Based loosely on Nietzsche's concept of the. The U...
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Museum Of Pop Archaeology: June 2008
http://museumpoparch.blogspot.com/2008_06_01_archive.html
June 24, 2008. By the late 1960's, demand for rock and roll had increased to such a level that mere music groups were inadequate. As regular music groups were increasingly unable to repel NLF and NVA forces in Vietnam with their shimmering pop hooks and shaggy hairstyles, or stop the Watts Riots with their renditions of "Mrs. Brown You've Got A Lovely Daughter" on Wilmington Avenue, the need for more awe-inspiring combinations of pop musicians escalated. Based loosely on Nietzsche's concept of the. The U...
museumpoparch.blogspot.com
Museum Of Pop Archaeology: Exhibit 22: “Viva Viagra!”
http://museumpoparch.blogspot.com/2008/06/exhibit-22-viva-viagra.html
June 18, 2008. Exhibit 22: “Viva Viagra! Was a 2007 composition by Nashville songwriter Woodrow Shaft. The song enjoyed considerable popularity thanks to the success of an oft-televised music video, shown above. During the procurement of this exhibit, Shaft granted MOPA researchers a telephone interview, in which he extended the origins and writing process of the song. MUSEUM OF POP ARCHAEOLOGY:. Please, call me Woody. Very well. Woody Shaft, tell me about the origins of this composition. I am feelin' di...
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Museum Of Pop Archaeology: Exhibit 18: Irony
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June 3, 2008. Was invented by a French chemist, Claude Delashmit, in the late 1920's. Delashmit was commissioned by a Parisian sweets manufacturer to concoct a candy to compete with bubblegum, which was becoming increasingly popular in French villages and a few unlicensed opium dens. One afternoon Delashmit was in the process of mixing gum base and toffee for a candy he called. Si délicieux, vous voudrez s'empaler". Last Thursday At The Sunflower Farm With Bunnies. Oom Poppa Mow Mow. Brochure in my hand.
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Museum Of Pop Archaeology: May 2008
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May 30, 2008. All right, I'm missing my cigars. Somebody 'fess up. I thought you quit. What makes you think I quit? Didn't you say something about how self-denial of luxury was important to the revolution, how it aligns us with the peasantry? Why would I say something like that? Geez, you make me sound like a stick in the mud! I think I heard you say it too, Che. Come on, people! What have you been smoking? Look, man, why don't you just have a. Why you getting so uptight about symbolic gestures? The hipp...
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Museum Of Pop Archaeology: Exhibit 17: Tie-dye
http://museumpoparch.blogspot.com/2008/05/exhibit-17-tie-dye.html
May 30, 2008. All right, I'm missing my cigars. Somebody 'fess up. I thought you quit. What makes you think I quit? Didn't you say something about how self-denial of luxury was important to the revolution, how it aligns us with the peasantry? Why would I say something like that? Geez, you make me sound like a stick in the mud! I think I heard you say it too, Che. Come on, people! What have you been smoking? Look, man, why don't you just have a. Why you getting so uptight about symbolic gestures? The hipp...
