bashgraphics.blogspot.com
BASHgraphics: March 2015
http://bashgraphics.blogspot.com/2015_03_01_archive.html
Monday, 30 March 2015. The new issue of Highsnobiety. S annual journal has been released and to coincide with the website's ten year history, there will two editions available; the first of which you can buy here. Sunday, 29 March 2015. Nice product/fashion photography used for clean and simple web banners to promote current brands being stocked by UK streetwear vendor, END. Tuesday, 24 March 2015. A fun typeface by UK-based designer Paul Hollingworth. Which was inspired by the retro toy Slinky. Simple t...
antoniahuber.com
Studio Antonia Huber The Photographers’ Gallery
http://antoniahuber.com/deutsche-borse-prize-2
For a series of five shows I designed the entire communication for The Photographers’ Gallery. Including gallery guides, posters, ad campaigns, print and digital invites and the wayfinding inside and outside the gallery. Royal College of Art Jewellery and Metal. Sebastian Winkler musée des matériaux. The Photographers’ Gallery. Deutsche Börse Photography Prize 2014. Johanna Jaeger, ‘studio-based’. Karin Huth, ‘vis-à-vis’.
oliverbothwell.co.uk
Oliver Bothwell — Artteas
http://oliverbothwell.co.uk/artteas.php
I designed the website. And some of the packaging and literature for this new tea shop in Abu Dhabi.
antoniahuber.com
Studio Antonia Huber 750mph stencil font
http://antoniahuber.com/stencil-font
750mph is an audio post-production company in Soho, London. The bespoke typeface is based on DIN Regular, their current identity font and was designed for their new wayfinding system. Royal College of Art Jewellery and Metal. Sebastian Winkler musée des matériaux. The Photographers’ Gallery. Deutsche Börse Photography Prize 2014. Johanna Jaeger, ‘studio-based’. Karin Huth, ‘vis-à-vis’.
duncanstevenson.co.uk
Duncan Stevenson. Digital Designer. | Jury's Doyle
http://duncanstevenson.co.uk/quarter-collection.html
PART OF THEIR REBRANDING. Jurys Doyle is a large chain of international hotels. They began rebranding (with the brand to be tackled by North Design, London. As "The Quarter Collection", at the time of designing (it later became The Doyle Collection). Reading Room won the pitch and was assigned the digital, web based elements of the rebranding. I used striking brand photography with simple, black interface that exudes quality.
fitzroyandfinn.co.uk
Projects: Tate Website | FITZROY & FINN
http://www.fitzroyandfinn.co.uk/projects/tate-website
Skip to main content. The fantastic design agency North have been working on the rationalisation and consolidation of the Tate brand, so we were lucky to be translating the great designs and typographic treatments they established for the exhibition campaigns, Tate Guide and marketing materia into a digital context. Cartledge Levine have been working with Tate on the wayfinding and signage for Tate Modern 2 so it was really exciting working with them too. EXHIBITION PROMO ON MOBILE.
paburt.com
paburt.com
http://www.paburt.com/links.htm
busaba.com
Busaba Eathai - Meet our collaborators
http://www.busaba.com/collaborators
Wang Wei's approach to photography aligns with Busaba's approach to food: clean, authentic, and . North Design has been a key collaborator for Busaba since the beginning. The design team, led by . Sean Perkins and Stephen Gilmore created Busaba's enigmatic visual identity. The Busaba menu, the logo and of course the illustration of the infamous toilet icons remain the same more than 15 years after opening the doors of Wardour Street back in 1999. Jason Lowe Photographer and Videographer. Agne Montrimaite...
fieldreadings.co.uk
Branding | FIELD READINGS
https://fieldreadings.co.uk/category/branding
On graphic design visual culture. Category Archives for Branding. Image source: It’s Nice That. There is a feature on It’s Nice That. About a supposed trend of nostalgic rebranding in graphic design at the moment. Invited designers discuss the recent Co-op and Natwest make-overs, which both revive previous incarnations of their graphic identities. AceJet 170 picks up the story. Whether this rebrand was a conscious decision to address these issues or not, the fact that it implicitly harks back to times wh...