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Notations: Drawing as Idea and Process

Online exhibition catalogue for "Notations: Drawing as Idea and Process," an exhibition of contemporary drawings from the Kramarsky Collection at the

http://notations.aboutdrawing.org/

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Notations: Drawing as Idea and Process | notations.aboutdrawing.org Reviews
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Online exhibition catalogue for Notations: Drawing as Idea and Process, an exhibition of contemporary drawings from the Kramarsky Collection at the
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KEYWORDS
1 kramarsky
2 kemper
3 drawings
4 contemporary art
5 contemporary drawing
6 wynn kramarsky
7 online exhibition catalogue
8 washington university
9 st. louis
10 new york
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foreword,essay,thanks,events,jasper johns,notations,artists,william anastasi,carl andre,frank badur,jennifer bartlett,mel bochner,john cage,janet cohen,n dash,nicole fein,dan flavin,teo gonzález,robert grosvenor,eva hesse,christine hiebert,kristin holder
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Notations: Drawing as Idea and Process | notations.aboutdrawing.org Reviews

https://notations.aboutdrawing.org

Online exhibition catalogue for "Notations: Drawing as Idea and Process," an exhibition of contemporary drawings from the Kramarsky Collection at the

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notations.aboutdrawing.org notations.aboutdrawing.org
1

Jennifer Padgett on Eva Hesse | Notations: Contemporary Drawing as Idea and Process

http://notations.aboutdrawing.org/eva-hesse

Figure 1. Eva Hesse,. Collage, gouache, watercolor, and ink on paper, 22 x 30 inches (55.9 x 76.2 cm). The Estate of Eva Hesse, Hauser and Wirth Zürich London. Unlike the rational and impersonal serial strategies of some Minimal artists, however, Hesse’s use of accumulation and repetition takes on a more introspective, even obsessive quality. Figure 2. Eva Hesse,. Ink on graph paper, 11 x 8 1/2 inches (27.9 x 21.6 cm). The Estate of Eva Hesse, Hauser and Wirth Zürich London. The repeated forms in the unt...

2

Matthew Bailey on Mel Bochner | Notations: Contemporary Drawing as Idea and Process

http://notations.aboutdrawing.org/mel-bochner

Figure 1. Mel Bochner,. Study for Sculpture (3/5/7). Ink on isometric paper, 8 1/2 x 11 inches (21.6 x 27.9 cm). Working Drawings and Other Visible Things on Paper Not Necessarily Meant to Be Viewed as Art. Bochner regarded drawing as a medium perfectly suited to Conceptual practices because of its flexible and provisional nature, and he wrote extensively about its role in artistic practice. For Bochner, the medium offered a directness of means with an ease of revision. Acting, in his words, as the resid...

3

Frank Badur in Conversation | Notations: Contemporary Drawing as Idea and Process

http://notations.aboutdrawing.org/frank-badur

Figure 1. Frank Badur,. Gouache and graphite on paper, 14 1/4 x 18 inches (36.2 x 45.7 cm). In Conversation with Wynn Kramarsky & Rachel Nackman. The process of making a drawing begins with an impulse. Very often my drawings stem from my interest in architecture or in nature. I may also be thinking about music, Asian philosophy, or Asian poetry. But and this is important my work is never narrative; those sources provide only the impulse to start my drawings. For example, when I was in Kyoto, I was absolu...

4

Janet Cohen in Conversation | Notations: Contemporary Drawing as Idea and Process

http://notations.aboutdrawing.org/janet-cohen

Figure 1. Janet Cohen,. San Francisco at New York, 10-8-2000, Mets win 4-0. Graphite on paper, 9 1/4 x 13 inches (23.5 x 33 cm). In Conversation with Rachel Nackman & Michael Randazzo. April 2012, New York. Can you tell us how you became acquainted with baseball and started making these drawings? I do with this? That led to the past twenty-something years of work. A moment of high tension? Well, not high tension just the moment when one team took the lead, and that was it for the rest of the game. Th...

5

Thanks | Notations: Contemporary Drawing as Idea and Process

http://notations.aboutdrawing.org/thanks

We would like to thank the following people and organizations, without whose generosity and support this exhibition and online catalog would not have been possible. The Museum of Modern Art, New York. Glenn D. Lowry. Chief Curator of Drawings. Kathleen S. Curry. Assistant Curator, Research and Collections, Department of Drawings. Department Manager, Department of Drawings. The online exhibition catalog for. Notations: Contemporary Drawing as Idea and Process. Is a collaboration of About Drawing.

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Notations: Contemporary Drawing as Idea and Process - graham white /art·work

http://grahamwhite.us/artwork/exhibitions/notations-contemporary-drawing-idea-process

Graham white /art work. Notes studio and field. Notations: Contemporary Drawing as Idea and Process. Notations: Contemporary Drawing as Idea and Process,. A website for the exhibition. Curated by Meredith Malone for the Kemper Art Museum September 14, 2012, to January 7, 2013. The focus is on the variety of drawing practices used by artists making Minimal and Conceptual art in the 1960’s and 70’s. July 1, 2014. March 5, 2015. Leave a Reply Cancel reply. Your email address will not be published.

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A call for unrealized projects | Desenho 3 [fbaup]

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Skip to search - Accesskey = s. A call for unrealized projects. By palmeida on 16.05.2011. Unlike unrealized architectural projects, which are frequently exhibited and circulated, unrealized artworks tend to remain unnoticed or little known. But perhaps there is another form of artistic agency in the partial expression, the incomplete idea, the projection of a mere intention? Comments Off on A call for unrealized projects. Ciclo RSVP: algumas notas sobre projecto. Apresentações anteriores (em construção).

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2. Das ideias à formalização das hipóteses | Desenho 3 [fbaup]

https://d3fbaup.wordpress.com/2-das-ideias-a-formalizacao-das-hipoteses

Skip to search - Accesskey = s. 2 Das ideias à formalização das hipóteses. O desenho como elemento catalisador da ideia; as relações com o pensamento lateral. Alguns autores/projectos a pesquisar. Blogue de apoio à unidade de Desenho III, Licenciatura em Artes Plásticas, FBAUP, dedicado à interacção entre metodologias de projecto e processos do desenho, na perspectiva das artes plásticas. Ciclo RSVP: algumas notas sobre projecto. An Incomplete Manifesto for Growth (Bruce Mau). 4 Simulação e Ilustração.

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Desenho 3 [fbaup]

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Skip to search - Accesskey = s. By palmeida on 15.02.2012. Reality Positions: Fake Estates, “Staten Island,” Block 1224, Lot 12. Fotografias coladas, escritura e documentos, 113 x 74.9 cm. Untitled (series for The Modern Procession, June 23, 2002, New York City). Lápis de grafite, lápis de cor, tinta, guache, esferográfica, marcador e papel impresso sobre papel translúcido com fita adesiva, impressões a cor, postais, clipes e mapas sobre mesas de pinho, 101.6 x 81.3 x 213.4 cm. 8220;Is Drawing Dead?

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1. Reconhecimento e Contextualização | Desenho 3 [fbaup]

https://d3fbaup.wordpress.com/1-levantamento-e-caracterizacao

Skip to search - Accesskey = s. 1 Reconhecimento e Contextualização. O desenho como processo de reconhecimento e contextualização de um problema. Alguns autores a pesquisar…. Blogue de apoio à unidade de Desenho III, Licenciatura em Artes Plásticas, FBAUP, dedicado à interacção entre metodologias de projecto e processos do desenho, na perspectiva das artes plásticas. Ciclo RSVP: algumas notas sobre projecto. An Incomplete Manifesto for Growth (Bruce Mau). Apresentações anteriores (em construção).

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Transparência e sequência | Desenho 3 [fbaup]

https://d3fbaup.wordpress.com/2013/03/08/transparencia-e-sequencia

Skip to search - Accesskey = s. By palmeida on 08.03.2013. Dinâmicas processuais no desenho como instrumento operativo: sequência e transparência. Francis Alys: The Last Clown (1995-2000). Laquo; “Is Drawing Dead? 8221; Symposyum at Yale University. O Desenho como prática instrumental. Deixar uma Resposta Cancelar resposta. Escreva o seu comentário aqui. Preencha os seus detalhes abaixo ou clique num ícone para iniciar sessão:. O endereço nunca será tornado público). Notify me of new comments via email.

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3. Formalização e validação da hipótese | Desenho 3 [fbaup]

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Skip to search - Accesskey = s. 3 Formalização e validação da hipótese. ALGUNS CASOS DE ESTUDO APRESENTADOS NA AULA, PARA DESENVOLVIMENTO DA PESQUISA. O DESENHO COMO FUNÇÃO OPERATIVA. A desconstrução do problema pela representação gráfica. ENSAIO DAS DINÂMICAS PROCESSUAIS DO DESENHO NO PROJETO. O desenho de montagem. A aplicação da lógica cinematográfica à composição do desenho; a acção direta sobre o a imagem impressa; combinação de diferentes sistemas de representação no mesmo plano. The Centre for Dra...

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4. Simulação e Ilustração | Desenho 3 [fbaup]

https://d3fbaup.wordpress.com/4-simulacao-e-ilustracao

Skip to search - Accesskey = s. 4 Simulação e Ilustração. SIMULAÇÃO DO PROJETO E FUNÇÃO COMUNICATIVA DO DESENHO. O desenho como simulação e ilustração. ENSAIO DAS DINÂMICAS PROCESSUAIS DO DESENHO NO PROJETO. O desenho de montagem:. A aplicação da lógica cinematográfica à composição do desenho; a acção direta sobre o a imagem impressa; combinação de diferentes sistemas de representação no mesmo plano. Articulação de vários pontos de vista sobre o problema; o desenho como variante da mesma solução. Riet Ee...

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Programa Desenho III | Desenho 3 [fbaup]

https://d3fbaup.wordpress.com/programa-desenho-iii

Skip to search - Accesskey = s. Relacionar a actividade projectual e a dinâmica processual. Desenvolver metodologias de investigação projectual pelo desenho. Explorar e desenvolver ferramentas criativas no desenvolvimento projectual. Reconhecer e trabalhar as diferentes fases do desenvolvimento projectual nas suas múltiplas conexões e interrelações. Trabalhar as acções e dinâmicas processuais. Desenvolver conhecimentos de análise das imagens do desenho. Adequar e explorar os meios, suportes e instrumentos.

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Ciclo RSVP: algumas notas sobre projecto | Desenho 3 [fbaup]

https://d3fbaup.wordpress.com/ciclo-rsvp-algumas-notas

Skip to search - Accesskey = s. Ciclo RSVP: algumas notas sobre projecto. O ciclo RSVP é uma ferramente de projecto e um modelo processual desenvolvido por Lawrence Halprin em finais dos anos 60, numa relação estreita com a coreográfa Ann Halprin. Ao contrário de outras concepções de projecto e das suas dinâmicas processuais, esta está directamente implicada com a prática artística e com a resolução criativa de problemas. R] é a inícial de. S] refere-se ao campo da. No sentido de pauta ou partitura), que...

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