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noteface

Monday, April 2, 2018. Somewhere just outside a small town, on a windy coastal road. The traffic flows past our picnic spot. In waves, crashing over us in the same rhythm. As the tides of the ocean. Large campervans, stock trucks, cars with boat trailers,. All seem to have the same gravity as. The burgeoning moon,. Collecting a long line of vehicular planets behind them,. Snaking along the windy põhutukawa-lined perimeter. Of the Coromandel coast,. Their patient celestial dance. We sleep with our heads.

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noteface | noteface.blogspot.com Reviews
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Monday, April 2, 2018. Somewhere just outside a small town, on a windy coastal road. The traffic flows past our picnic spot. In waves, crashing over us in the same rhythm. As the tides of the ocean. Large campervans, stock trucks, cars with boat trailers,. All seem to have the same gravity as. The burgeoning moon,. Collecting a long line of vehicular planets behind them,. Snaking along the windy põhutukawa-lined perimeter. Of the Coromandel coast,. Their patient celestial dance. We sleep with our heads.
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1 their collective orbit
2 for kilometers
3 and kilometers
4 a born again boomer
5 pressed against either
6 what matters is
7 a search for
8 present nostalgia
9 tangible
10 by daylight
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their collective orbit,for kilometers,and kilometers,a born again boomer,pressed against either,what matters is,a search for,present nostalgia,tangible,by daylight,glimpse,and i'm sure,our great escape,to the summer,of another hemisphere,thinkings by,poem
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noteface | noteface.blogspot.com Reviews

https://noteface.blogspot.com

Monday, April 2, 2018. Somewhere just outside a small town, on a windy coastal road. The traffic flows past our picnic spot. In waves, crashing over us in the same rhythm. As the tides of the ocean. Large campervans, stock trucks, cars with boat trailers,. All seem to have the same gravity as. The burgeoning moon,. Collecting a long line of vehicular planets behind them,. Snaking along the windy põhutukawa-lined perimeter. Of the Coromandel coast,. Their patient celestial dance. We sleep with our heads.

INTERNAL PAGES

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1

noteface: April 2015

http://noteface.blogspot.com/2015_04_01_archive.html

Friday, April 24, 2015. There's a cyst in my wrist. That likes to balloon up every now. And then, it makes my. Wrist look larger than. Normal, in flexion. It feels likes it's shuffling. My little wrist bones. Making space for itself. It wakes up and sleeps. And sleep and sleeps, and then. Wakes up to let me. Know it's still here -. Just when I thought it departed. On some permanent vacation. It wiggles up my forearm, my. Shoulder, my neck. It sits behind my skull. Then wanders down my left sacrum. In tha...

2

noteface: July 2015

http://noteface.blogspot.com/2015_07_01_archive.html

Thursday, July 30, 2015. You believed you could transcend the body . You believed you could rise above it, to a serene, non-physical realm. But it's only through ecstasy you can do that, and ecstasy is achieved through the body itself. Without the bone and sinew of wings, no flight. Without that ecstasy, you can only be dragged further down by the body, into its machinery.". Stone Mattress, Margaret Atwood. Monday, July 27, 2015. How's this for irony. I asked a question. Hoping to avoid the situation.

3

noteface: forward back

http://noteface.blogspot.com/2015/07/forward-back.html

Wednesday, July 15, 2015. Remembering various de ja vu with. Lovers and would-be lovers. And unloveds, precarious night-drives. And sunshine also,. More than one of them. Tinted with smokey hues. Anticipating earth-staining my pristine white singlet,. In my haste to get under your skin. I'm glad you pulled me backwards into you. Driving one hour for a stranger. And seeing into the future. With the hard-edged certainty that frequently carries me. Into choices that surprise. Who needs to travel.

4

noteface: December 2014

http://noteface.blogspot.com/2014_12_01_archive.html

Tuesday, December 30, 2014. There's a particular skin. To camping, to. This time of year:. Sleeps next to the shhh. It has a new ochre colour. Summer's skin knows long nights,. Waking up stuffy, it wears. It has friends and lovers. Brush up against it. At the same time. Like the particles of me are. The essence of me. That as equally as I am. This time of year. Perhaps that's why travelling. Pulls so strong -. I'm in the wrong place. At the wrong time, half the year. Tawhitokino at New Year's.).

5

noteface: June 2015

http://noteface.blogspot.com/2015_06_01_archive.html

Tuesday, June 30, 2015. To begin and end with drugs,. Some of the most. Are the most nostalgic -. Only half there,. Is a different color. Tagged as auckland city. Sunday, June 28, 2015. Like me, please. Of course you're beautiful," I tell him. "You're sixteen and you're drunk.". He shifts his chin higher, hearing sarcasm despite my subordinate sincerity. Who's being looked at. Wrong, of course, but closer to the truth than my own skin. Is it because I'm beautiful? Then I write about it. And it's not even.

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Crivellity: Paper Chains

http://crivellity.blogspot.com/2012/01/paper-chains.html

A source of ideas and celebration of the everyday. Help People Et Cetera. Yesterday I came across Carnaby Street in Auckland with its party of paper chains. They're feasible as an alternative to bunting and just as fun! Throw in some paper (or fabric if you're that way inclined) chains and add an element of childhood nostalgia to the mix at your next shindig slash during the next festive season. Popped up detailed instructions and although it's not rocket science, isn't her vintage how-to.

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Crivellity: May 2012

http://crivellity.blogspot.com/2012_05_01_archive.html

A source of ideas and celebration of the everyday. Help People Et Cetera. There's something about flowers in glass vessels. Jars. Twigs. Gerberas. Wine bottles. Roses. Aren't these arrangements just adorable? Eat Drink Chic's Again. Do have a peep: Inspiration Lane. Cheap Colourful. Economical. Beautiful. Resourceful. Earthy. Textured. Quaint. Posted by Caitlyn x. Links to this post. Subscribe to: Posts (Atom). Havent used this blog in a while, have moved mainly to tumblr! Come and say hi!

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choreography - natalie maria clarkchoreographer, dancer& producer

http://www.nataliemariaclark.com/choreography.html

I would only believe in a God that knows how to dance." - Nietzsche. Everything anyone ever wanted. How to make friends and still appear normal. C h o r e o g r a p h y [stage]. For screen choreographic credits, please see here. Commissioned for the 2015 NOW (New Original Work) season. Read reviews: Theatreview (Wellington). An outdoor light, sound and dance spectacle at the. Hamilton Gardens' Turtle Lake. Presented as part of Hamilton Fringe, March 2015. With thanks to Hamilton City Council funding.

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shows - natalie maria clarkchoreographer, dancer& producer

http://www.nataliemariaclark.com/shows.html

I would only believe in a God that knows how to dance." - Nietzsche. Everything anyone ever wanted. How to make friends and still appear normal. Click on images for more information. Dancer: Sofia McIntyre Photo: Blair McTaggart Design: Jared Pallesen. Dancers: Rosa Strati and Matiu Hamuera Photo: Blair McTaggart Design: Jared Pallesen. All content and intellectual property Natalie Maria Clark 2015. Please do not re-use in any way. Create a free website. Create your own free website.

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faux pas - natalie maria clarkchoreographer, dancer& producer

http://www.nataliemariaclark.com/faux-pas.html

I would only believe in a God that knows how to dance." - Nietzsche. Everything anyone ever wanted. How to make friends and still appear normal. A short and comical 'pop-up' dance piece in cafes, about the strangeness of PUBLIC ETIQUETTE. NOMINATED AT 2012 DUNEDIN FRINGE FESTIVAL AWARDS:. Choreography: Natalie Maria Clark. Dancers: Natalie Maria Clark, Shani Dickins, Joshua Graves, Sofia McIntyre, Taofia Pelesasa and Coco Reed. Alleluya Cafe (Auckland), August 2012. With thanks to funding from:.

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credits - natalie maria clarkchoreographer, dancer& producer

http://www.nataliemariaclark.com/credits.html

I would only believe in a God that knows how to dance." - Nietzsche. Everything anyone ever wanted. How to make friends and still appear normal. An archive of previous work and performance. Solo in Standard Behaviour (2011). Choreography: Shani Dickins. Photo: Konstantin Tanner. All content and intellectual property Natalie Maria Clark 2015. Please do not re-use in any way. Create a free website. Create your own free website. Start your own free website.

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Crivellity: November 2012

http://crivellity.blogspot.com/2012_11_01_archive.html

A source of ideas and celebration of the everyday. Help People Et Cetera. Up, Up and Away. Why the lack of posts? Well, my friends, I flew up, up and away to The United States of America. I lived and breathed Morry's Camp. I had the best summer of my short life. The official camp photographer for 2012 was a hilarious guy from San Francisco who took gorgeous snaps that can be seen at his site: Africano Fotografia. For those in New Zealand. Is by far the most well-known. Also offer the same experience.

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other performance - natalie maria clarkchoreographer, dancer& producer

http://www.nataliemariaclark.com/other-performance.html

I would only believe in a God that knows how to dance." - Nietzsche. Everything anyone ever wanted. How to make friends and still appear normal. A Chatter of Starlings. Red Leap Theatre and POP Projects. Various pop-up performances, Auckland CBD. 9, 10, 18 and 19 May 2016. An interactive solo performance experiment titled. And still appear normal). April 2016, Auckland. Little Child of Miracle. A devised theatre work - in collaboration with Christopher Stratton. Co-Producer, Creative Support and Performer.

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dance - natalie maria clarkchoreographer, dancer& producer

http://www.nataliemariaclark.com/dance.html

I would only believe in a God that knows how to dance." - Nietzsche. Everything anyone ever wanted. How to make friends and still appear normal. Little Child of Miracle. Created by Christopher STratton. Dancer and actress in a new devised theatre work, created in collaboration with Christopher Stratton. Performing as a the Bird, Princess and a Fish. The Basement theatre, Auckland. The Art of Colour. Photos - Left: Derek Tearne. Right: Miss Ren Photography. Aotea Square, Auckland December, 2015. Queen's W...

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reviews - natalie maria clarkchoreographer, dancer& producer

http://www.nataliemariaclark.com/reviews.html

I would only believe in a God that knows how to dance." - Nietzsche. Everything anyone ever wanted. How to make friends and still appear normal. R E V I E W S and M E D I A. EVERYTHING ANYONE EVER WANTED. Choreography: Natalie Maria Clark. 8203;in collaboration with dancers Sofia McIntyre, Benjamin Mitchell, Emmanuel Reynaud and Rosa Strati. Composition: Sean Kelly a.k.a. Seth Frightening. Natalie has trumped her previous works. Quietly raging . This generation of artists [are] a powerful force.". NZ Her...

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noteface

Monday, April 2, 2018. Somewhere just outside a small town, on a windy coastal road. The traffic flows past our picnic spot. In waves, crashing over us in the same rhythm. As the tides of the ocean. Large campervans, stock trucks, cars with boat trailers,. All seem to have the same gravity as. The burgeoning moon,. Collecting a long line of vehicular planets behind them,. Snaking along the windy põhutukawa-lined perimeter. Of the Coromandel coast,. Their patient celestial dance. We sleep with our heads.

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Welcome to the King's Fabulous homepage, Enjoy your stay! For problems or questions regarding this web contact bill at kane-king.com. Be sure to remove the word at and replace it with the @ sign. Last updated: April 11, 2007.

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