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St. Donatian Home

On 14 October 1487. At seven in the morning. The Saint Donatian Mass. Composed by Jacob Obrecht. Commissioned by Adriane de Vos. In memory of her husband. Was first sung at Mass. In the Jacobskerk in Bruges. This website features an audiovisual recreation. Of that liturgical service. Complete with plainsong and Obrecht's polyphony. Sung by the Cappella Pratensis. And linked to an annotated copy of the score. Essays and images illuminate. The rich social, cultural, and theological context.

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CONTACTS AT OBRECHTMASS.COM

M. Jennifer Bloxam

Williams ●●●●●●●●●sic Dept.

54 Cha●●●●●●all Dr

Will●●●●town , Massachusetts, 01267

United States

(413)●●●●●-2007

(413)●●●●●-3100

jb●●●●●@williams.edu

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M. Jennifer Bloxam

Williams ●●●●●●●●●sic Dept.

54 Cha●●●●●●all Dr

Will●●●●town , Massachusetts, 01267

United States

(413)●●●●●-2007

(413)●●●●●-3100

jb●●●●●@williams.edu

View this contact

M. Jennifer Bloxam

Williams ●●●●●●●●●sic Dept.

54 Cha●●●●●●all Dr

Will●●●●town , Massachusetts, 01267

United States

(413)●●●●●-2007

(413)●●●●●-3100

jb●●●●●@williams.edu

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St. Donatian Home | obrechtmass.com Reviews

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On 14 October 1487. At seven in the morning. The Saint Donatian Mass. Composed by Jacob Obrecht. Commissioned by Adriane de Vos. In memory of her husband. Was first sung at Mass. In the Jacobskerk in Bruges. This website features an audiovisual recreation. Of that liturgical service. Complete with plainsong and Obrecht's polyphony. Sung by the Cappella Pratensis. And linked to an annotated copy of the score. Essays and images illuminate. The rich social, cultural, and theological context.

<META> KEYWORDS

1 experience the mass

2 examine the score

3 explore the era

4 donaes de moor

5 williams college

6 credits

7 glossary

8 feedback

9 coupons

10 reviews

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St. Donatian Home | obrechtmass.com Reviews

https://obrechtmass.com

On 14 October 1487. At seven in the morning. The Saint Donatian Mass. Composed by Jacob Obrecht. Commissioned by Adriane de Vos. In memory of her husband. Was first sung at Mass. In the Jacobskerk in Bruges. This website features an audiovisual recreation. Of that liturgical service. Complete with plainsong and Obrecht's polyphony. Sung by the Cappella Pratensis. And linked to an annotated copy of the score. Essays and images illuminate. The rich social, cultural, and theological context.

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obrechtmass.com

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Feedback

http://obrechtmass.com/feedbackform.php

I welcome your comments, questions, or suggestions—please use the form below to contact me. Form by thesitewizard.com. Created by M. Jennifer Bloxam, Professor of Music.

2

Glossary

http://obrechtmass.com/glossary.php

A chant sung as a refrain to the verses of a psalm; also, a polyphonic setting of an antiphon. A book containing the texts, both said and sung, for the daily performance of the hours of the Divine Office required of monks and priests. In Obrecht s time there were eight such Office hours: matins, lauds, prime, terce, sext, none, vespers, and compline. A prescribed set of pitches that signals the end of a phrase when a recitation tone is employed. A solo singer to whom the choir or congregation responds.

3

Credits

http://obrechtmass.com/credits.php

Website concept and design:. M Jennifer Bloxam, Professor of Music, Williams College. Stratton Bull, Director, Cappella Pratensis. For the perfect collaboration. Reinhard Strohm, Heather Professor of Music, University of Oxford, for the discoveries and insights into music in late-medieval Bruges that brought the story behind Obrecht s Missa de Sancto Donatiano. Rob C Wegman, Associate Professor of Music, Princeton University, for breathing new life into Obrecht s legacy. Director: Rob van den Berg. Proje...

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bustena.wordpress.com

Unidad 5 – Suavitas y humanismo en el siglo XV | HISTORIA DE LA MÚSICA

https://bustena.wordpress.com/historia-de-la-musica-online/la-musica-en-el-renacimiento-s-xv-xvi/unidad-05

HISTORIA DE LA MÚSICA. La Segunda Edad de la música occidental. Historia de la música online. Introducción – Las tres edades de la música occidental. La música en la Edad Media. Unidad 1 – El canto gregoriano. Unidad 2 – La monodia medieval. Unidad 3 – Las primeras polifonías. Unidad 4 – Ars antiqua y Ars nova. La música en el Renacimiento. Unidad 5 – El siglo XV. Unidad 6 – Música sacra y religión en el siglo XVI. Unidad 7 – Música profana renacentista. La música en la era Barroca. Unidad 27 – Nac...

robert-buckland.com

Recordings - Robert Buckland

http://www.robert-buckland.com/recordings.html

For current sound please go to the section media. There you'll find some audio. I have joined my first LP with the Regensburger Domspatzen at the age of 12. Since 1987 there has been numerous recordings, that I have participated, either as a chorister, a member of a small ensemble or as a soloist. Here is a little choice of the many discs, that I've joined, those are available in CD stores, on amazon, other webstores or the itunes store. For more information, please click the picture of the disc. The Ams...

4andmoremusic.com

4andmoremusic | Missa De Sancto Donatiano (bruges 1487) - Cappella Pratensis

http://www.4andmoremusic.com/product/missa-de-sancto-donatiano-bruges-1487/1235562481

Missa De Sancto Donatiano (Bruges 1487). 0608917241426 FL 72414 1CD 1DVD. Superius Christopher Kale, Peter Van Heyghen:. Altus, Robert Buckland. An evocation of a commemorative mass composed by Jacob Obrecht and commisioned by Adriane de Vos - in memory of her late husband, the fur merchant Donaes de Moor - and first sung in the Sint Jacobskerk in Bruges in October 1487, opening a window onto the world of late-medieval Bruges. Is a division of. Sverkman Consulting Agency AB. Phone: 46-(0)706 00 98 22.

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St. Donatian Home

On 14 October 1487. At seven in the morning. The Saint Donatian Mass. Composed by Jacob Obrecht. Commissioned by Adriane de Vos. In memory of her husband. Was first sung at Mass. In the Jacobskerk in Bruges. This website features an audiovisual recreation. Of that liturgical service. Complete with plainsong and Obrecht's polyphony. Sung by the Cappella Pratensis. And linked to an annotated copy of the score. Essays and images illuminate. The rich social, cultural, and theological context.

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