elvisrichardson.com
Elvis Richardson
http://www.elvisrichardson.com/growth2.html
Growth, Growth, Growth. Ocular Lab Inc @ Margaret Lawrence Gallery, VCA. This collection of images is the bedroom, the most private of rooms, which includes of course, the bed, the place most of us are born and most of us will die. Review by Eve Sulliivan on Stamm. Growth, Growth, Growth. 45m(h) x 6m x 1m. Slideshow of digital image archive 90 mins.
elvisrichardson.com
Elvis Richardson
http://www.elvisrichardson.com/haveyouever.html
Art Projects in partnership with the Ian Potter Museum of Art. Artists Pages in RUNWAY Issue 18 Expectations. My answers to a ‘problem’ gambling questionnaire told me my financial woes were not caused by pokie machines. But it was crossing my mind if they were asking me the same questions about being an artist -I would be scoring off the charts. I asked myself: Is being an artist a gamble? Do I have an art problem? And if so is it out of my control? Pasties, dimensions variable. Plan print at OfficeWorks).
elvisrichardson.com
Elvis Richardson
http://www.elvisrichardson.com/Versus.html
FWord curated by Caroline Phillips Gippsland Regional Gallery, Sale. Art and Australia magazine 1990-93 Various Issues - All the womens names have been cut out - grouped and arranged on a monumental trophy shaped background. It took 10 issues to fill this space. The second panel has the same shape reversed and all the mens names have been cut out grouped and arranged. This panel took 3 issues of Art and Australia to fill from the 1990s. Art and Australia 1990s.
elvisrichardson.com
Elvis Richardson
http://www.elvisrichardson.com/index.html
A Crafted History: curated by Lisa Byrne and Jane O'Neill. ArtSpace at REALM, Ringwood Town Centre. From the ArtSpace media release:. Elvis Richardson works in a variety of media including photography, sculpture and video. The artist's work is primarily concerned with the mediation of social relations via technology. This work gives form to personal experience and memory through the residue of defunct media. 2400 home recorded vhs cassettes donated by the local Maroondah community.
elvisrichardson.com
Elvis Richardson
http://www.elvisrichardson.com/femmo.html
Elvis Richardson and Virginia Fraser. Curating Feminism : Sydney College of the Arts Galleries. Benglis 73/74 Curated by Geoff Newton, Sutton Project Space. Re-Raising Conciousness curated by Katherine Hattam, Harriet Morgan, Fayen d’Evie, TCB Melbourne. The National Library of Australia declined to issue FEMMO with an International Standard Serial Number because it had no content . FEMMO disagrees. FEMMO is joining the surface litter of Australian art history. Elvis Richardson and Virginia Fraser.
elvisrichardson.com
Elvis Richardson
http://www.elvisrichardson.com/now7yearslater.html
Now 7 Years Later. The Fall before the fall @ UTS Gallery. With Daniel Mudie Cunningham. Part of Fertile Soil 50 years of the Fremantle City Collection. NOW7 YEARS LATER is a video and sculptural installation, and was first staged at the Fremantle Arts Centre as a commission in response to the 50th anniversary of the City of Fremantle's collection of art. Now 7 Years Later. Install @ UTS Gallery 2011 Photo: Silversalt. Now 7 Years Later. Now 7 Years Later. Install @ UTS Gallery 2011 Photo: Silversalt.
chrisbarry.com.au
CHRIS BARRY
http://chrisbarry.com.au/chrisbarry_performing_aboriginality.html
Encountering Culture: A Dialogue. Habitat: A Question of Place. Performing Aboriginality (2009 - current). My artistic practice and research has grown out of an on-going cycle of annual returning to Alice Springs/Central Australia which began in 1993 (December-March), fortuitously enabled by winning The Alice Prize in 1991 (Judge: Jenepher Duncan). Steve Gumerungi Hodder Watt. Encountering Culture: A Dialogue (2006). 1120cm x 106.5cm. The Artist as Ethnographer (Chris Barry). 800cm x 80.0cm. 1120cm x 106...
chrisbarry.com.au
CHRIS BARRY
http://chrisbarry.com.au/chrisbarry_wind_in_utopia.html
Encountering Culture: A Dialogue. Habitat: A Question of Place. Wind in Utopia (1996). Seductions and Tyrannies (Catalogue Essay by Ffion Murphy) in, Wind in Utopia. The Double Life of. Essay by Richard Nile). In, Wind in Utopia. X is the Site of Many Accumulations (1996). 1750cm x 240.0cm.
chrisbarry.com.au
CHRIS BARRY
http://chrisbarry.com.au/chrisbarry_displaced_objects.html
Encountering Culture: A Dialogue. Habitat: A Question of Place. Displaced Objects is a series of 14 photographic works originally produced in 1986 as Cibachrome prints or direct positive colour photographs (50.0cm x 50.0cm). In 1996, these same works were enlarged and reprinted as Type C photographic prints (127.0cm x 127.0cm) as part of a survey exhibition entitled, Wind in Utopia, staged at the Australian Centre for Contemporary Art (ACCA) in Melbourne. Displaced Objects, or. Sittings for a Family.
ianhill.net.au
IAN HILL
http://www.ianhill.net.au/about.html
GRAIN SILOS OF THE WIMMERA and MALLEE. GAS AND FUEL BUILDING. Ian Hill studied photography at Prahran College from 1986-88. He worked on several. Long term projects documenting urban redevelopments in Melbourne from 1992-2003. Two series of landscape photographs from his Flinders Ranges series were exhibited. Hill has photographs in the collections of the State Library of Victoria, National Library. Canberra, Mitchell Library NSW, Monash Gallery of Art, Horsham Regional Gallery,.
