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Ofill Echevarria Art

OIL PASTEL ON RAW CANVAS. PAINTINGS 2001 TO DATE. THE CRADLE OF LIFE SERIES. Would be so different if we weren't living in a constant pursuit of the future; absorbed in the frantic nightmare of the undone. When contemplating the world, a medieval theologian asserted that furtive images, those which he could gaze upon only for a fleeting instant, coincided or came very close to the divine. For De Quincey, on the other hand, vertigo is nothing more than one of various incarnations of death.

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Ofill Echevarria

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Ofill Echevarria

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Ofill Echevarria

257 ●●●●h St

10●●FL

New●●●ork , New York, 10018

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Ofill Echevarria Art | ofillart.com Reviews
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OIL PASTEL ON RAW CANVAS. PAINTINGS 2001 TO DATE. THE CRADLE OF LIFE SERIES. Would be so different if we weren't living in a constant pursuit of the future; absorbed in the frantic nightmare of the undone. When contemplating the world, a medieval theologian asserted that furtive images, those which he could gaze upon only for a fleeting instant, coincided or came very close to the divine. For De Quincey, on the other hand, vertigo is nothing more than one of various incarnations of death.
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2 news
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Ofill Echevarria Art | ofillart.com Reviews

https://ofillart.com

OIL PASTEL ON RAW CANVAS. PAINTINGS 2001 TO DATE. THE CRADLE OF LIFE SERIES. Would be so different if we weren't living in a constant pursuit of the future; absorbed in the frantic nightmare of the undone. When contemplating the world, a medieval theologian asserted that furtive images, those which he could gaze upon only for a fleeting instant, coincided or came very close to the divine. For De Quincey, on the other hand, vertigo is nothing more than one of various incarnations of death.

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Ofill Echevarria Art

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Rozas-Botran Foundation grants certificate of recognition to Ofill Echevarria In the context of Festival Arte en Mayo 2016. May 11th, 2016. MIAMI, In the context of Festival Arte en Mayo 2016, Rozas-Botran Foundation grants certificate of recognition to Ofill Echevarria for his participation in the Awards and Auction Rozas-Botran Foundation, October 2015 event. Quiero decirle a. Many go to Cuba to obtain what here would cost them a pretty penny (originally published in Spanish-speaking blogs.). In Illumi...

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Ofill Echevarria Art

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SELECTED PAINTINGS 2001 TO DATE. 163 x 183 cm. Andantes, 2014: An-dan-te (a walking pace); a group of people moving away. From the series Moonbeams. Produced: Studios 39; Midtown, NY. Arte al Dia International, issue #145, year 2014; page 81. G16 2015 / E. 163 x 183 cm. Runners, 2014: Twirl-motion scene; three bodies on the run. From the series Moonbeams. Produced: Chesea studio, NY. 163 x 203 cm. The Commuting, 2014: Commuters; urbanscape. From the series Moonbeams. 81 x 163 cm. Morton Casa de Subastas.

3

Ofill Echevarria Art

http://www.ofillart.com/index.php

OIL PASTEL ON RAW CANVAS. PAINTINGS 2001 TO DATE. THE CRADLE OF LIFE SERIES. Would be so different if we weren't living in a constant pursuit of the future; absorbed in the frantic nightmare of the undone. When contemplating the world, a medieval theologian asserted that furtive images, those which he could gaze upon only for a fleeting instant, coincided or came very close to the divine. For De Quincey, on the other hand, vertigo is nothing more than one of various incarnations of death.

4

Ofill Echevarria Art

http://www.ofillart.com/editions.php

El Mundo de los Vivos/The Real World. Etching, Aquatint, Drypoint. Edition of 30. Signed, 2013. This engraving is based on the original painting. 2001) It was produced by Ofill in Cuernavaca, Mexico, at the renowned La Siempre Habana workshop. Dimensions: 20.5 x 29 Inches. *Print area size: 14.5 x 24 Inches. Punto de Vista/Board Of Directors. Etching, Aquatint, Drypoint. Edition of 50. Signed, 2006. From the same year. Dimensions: 18 x 29.5 Inches. *Print area size: 7.5 x 22 Inches. Cradle Of Life Series.

5

Ofill Echevarria Art

http://www.ofillart.com/more.php

Introductory Text By Alejandro Robles. Written in 2004. Used as well as the introductory text at ofillechevarria.com (its previous version, 2005-2014). Preface: «El Mundo de los vivos/The Real World». 124 page hand bound cloth cover hardback book. Un-Gyve Press, Boston, MA. USA. Our existence would be so different if we weren’t living in a constant pursuit of the future;. In Ofill Echevarría’s work cityscapes and characters struggle between these two radical alternatives. The main characters in his work ...

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Ofill Echevarria Art

OIL PASTEL ON RAW CANVAS. PAINTINGS 2001 TO DATE. THE CRADLE OF LIFE SERIES. Would be so different if we weren't living in a constant pursuit of the future; absorbed in the frantic nightmare of the undone. When contemplating the world, a medieval theologian asserted that furtive images, those which he could gaze upon only for a fleeting instant, coincided or came very close to the divine. For De Quincey, on the other hand, vertigo is nothing more than one of various incarnations of death.

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Ofill Echevarria Art

OIL PASTEL ON RAW CANVAS. PAINTINGS 2001 TO DATE. THE CRADLE OF LIFE SERIES. Would be so different if we weren't living in a constant pursuit of the future; absorbed in the frantic nightmare of the undone. When contemplating the world, a medieval theologian asserted that furtive images, those which he could gaze upon only for a fleeting instant, coincided or came very close to the divine. For De Quincey, on the other hand, vertigo is nothing more than one of various incarnations of death.

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