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Dasein Und Zeitgeist

Thursday, July 30, 2015. Http:/ mp.weixin.qq.com/s? Sunday, June 21, 2015. The New York Times. Henri Cartier-Bresson:‘There Are No Maybes’. By THE NEW YORK TIMES. June 21, 2013. In 1971, Sheila Turner-Seed interviewed Henri Cartier-Bresson. 160;in his Paris studio for a film-strip series on photographers that she produced, with Cornell Capa, for Scholastic. After her death. The second part of that interview, transcribed from tape by Sheila Turner-Seed, continues where we left off yesterday. I am comple...

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Thursday, July 30, 2015. Http:/ mp.weixin.qq.com/s? Sunday, June 21, 2015. The New York Times. Henri Cartier-Bresson:‘There Are No Maybes’. By THE NEW YORK TIMES. June 21, 2013. In 1971, Sheila Turner-Seed interviewed Henri Cartier-Bresson. 160;in his Paris studio for a film-strip series on photographers that she produced, with Cornell Capa, for Scholastic. After her death. The second part of that interview, transcribed from tape by Sheila Turner-Seed, continues where we left off yesterday. I am comple...

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Dasein Und Zeitgeist | oioixixi.blogspot.com Reviews

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Thursday, July 30, 2015. Http:/ mp.weixin.qq.com/s? Sunday, June 21, 2015. The New York Times. Henri Cartier-Bresson:‘There Are No Maybes’. By THE NEW YORK TIMES. June 21, 2013. In 1971, Sheila Turner-Seed interviewed Henri Cartier-Bresson. 160;in his Paris studio for a film-strip series on photographers that she produced, with Cornell Capa, for Scholastic. After her death. The second part of that interview, transcribed from tape by Sheila Turner-Seed, continues where we left off yesterday. I am comple...

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Dasein Und Zeitgeist: December 2014

http://www.oioixixi.blogspot.com/2014_12_01_archive.html

Friday, December 26, 2014. 街頭攝影師訪談 / 劉濤 (合肥, 安徽). BY 森爸 / ETHAN. 四月 15, 2013. 我去年在臉書上成立了一個街頭攝影社團，讓喜歡街頭攝的朋友將作品放上來分享切磋，有很多優秀的攝影師願意大方分享他們的作品。今天介紹的這位是近期才加入的，我第一次看到他的作品時覺得他的觀察力很特別，覺得他要不是非常有天分，要不就是萬中選一嚴格的將作品做篩選後分享，幾乎是張張精彩。他的作品有種黑色幽默，帶點小丑般的悲歡交雜，畫面中衝突，抑鬱，及幽默感往往能並存著，我有時會盯著他的作品看很久都說不上來我為什麼會一直盯著看。他叫做劉濤，來自中國安徽，合肥，是位抄自來水錶的工人。也許是因為他的工作必須要大街小巷的到處走，才培養出他如此特別的觀察力，與他交談的過程中他很一直都謙虛，但他的作品卻將他的天分表露無疑，以下是劉濤的訪談以及他的作品。照片很多，但每一張都很棒。Enjoy。我是劉濤，31歲，我在中國安徽合肥的一家供水公司從事抄水錶工作，每天穿梭在城市的大街小巷，抄見地上一千多塊各種大小口徑的水錶...我覺得街頭攝影最有趣的事情是。每天在...

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Dasein Und Zeitgeist: June 2014

http://www.oioixixi.blogspot.com/2014_06_01_archive.html

Wednesday, June 25, 2014. 25885;影藝術家王慶松以擺拍細說中國社會問題攝影札記 Photoblog - 新奇好玩的攝影資訊、攝影技巧教學. Thursday, June 19, 2014. Filme Home 香港銅鑼灣耀華街25號丹納中心14樓B 星期一至日:12:30 - 21:00. Photographic services and equipment. Subscribe to: Posts (Atom). LACP workshop: Introduction to PhotoBook design. 9609; 關於身體 ▉ 3 ▉ 孩子 ▉ 生活. Invisible Ph t grapher Asia (IPA). Kurt Tong: Sweet Water, Bitter Earth. Voices of PhotographyVoices of Photography Voices of Photography. PostscriptX - Diary written with a camera by Lee Ka-sing 李家昇. 90年代在...

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Dasein Und Zeitgeist: July 2014

http://www.oioixixi.blogspot.com/2014_07_01_archive.html

Wednesday, July 16, 2014. Extraordinary photos capture the true spirit of New York City at night. Extraordinary photos capture the true spirit of New York City at night. French artist and photographer Franck Bohbot. Has the ability to make New York City look even more cinematic than it normally does by manipulating color very carefully. According to him, he plays with melancholic light and hues to create an "enigmatic atmosphere with a documentary-style approach.". Born in France, Franck Bohbot. 169; Dmi...

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Dasein Und Zeitgeist

http://www.oioixixi.blogspot.com/2015/07/httpmp.html

Thursday, July 30, 2015. Http:/ mp.weixin.qq.com/s? Subscribe to: Post Comments (Atom). LACP workshop: Introduction to PhotoBook design. 9609; 關於身體 ▉ 3 ▉ 孩子 ▉ 生活. 9609; 關於身體 ▉ 孩子 ▉ 生活 ▉ 快一個月沒有寫blog。時常想很多無聊事，但沒有寫下來：例如我夢見S開了一座美術館，她的作品是把她做的湯和食物放在一層樓那麼高的透明抽屜裡展出。上班下班一個月又一個月，一個人坐夜車回家，也不知道生活要怎樣。1984的開頭幾頁重覆地讀，但總沒有進展，Winston和我重覆每天。 Invisible Ph t grapher Asia (IPA). Kurt Tong: Sweet Water, Bitter Earth. Voices of PhotographyVoices of Photography Voices of Photography. In memory of K.H. 47 羽仁未央，溫子，垂水景. 90年代在香港&#65...

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Dasein Und Zeitgeist: http://www.vivianmaier.com

http://www.oioixixi.blogspot.com/2015/06/httpwwwvivianmaiercom.html

Tuesday, June 9, 2015. Http:/ www.vivianmaier.com. Subscribe to: Post Comments (Atom). LACP workshop: Introduction to PhotoBook design. 9609; 關於身體 ▉ 3 ▉ 孩子 ▉ 生活. 9609; 關於身體 ▉ 孩子 ▉ 生活 ▉ 快一個月沒有寫blog。時常想很多無聊事，但沒有寫下來：例如我夢見S開了一座美術館，她的作品是把她做的湯和食物放在一層樓那麼高的透明抽屜裡展出。上班下班一個月又一個月，一個人坐夜車回家，也不知道生活要怎樣。1984的開頭幾頁重覆地讀，但總沒有進展，Winston和我重覆每天。 Invisible Ph t grapher Asia (IPA). Kurt Tong: Sweet Water, Bitter Earth. Voices of PhotographyVoices of Photography Voices of Photography. In memory of K.H. 47 羽仁未央，溫子，垂水景. 90年代在香港&#652...

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onphotography.com

（不真實）攝影論初稿: 石頭的肖像

http://www.onphotography.com/2010/12/blog-post_5593.html

昨天讀到一段博文，大意是說現在文學的悶極，都在穿揭社會的瘡疤。沒有認同卻令人洞開去遠處想。又讀到另一段博文談論關於肖像攝影。在拍這許石頭的肖像時它們臉部已沒有了感情跳動的區域我便專注去往其他部份。左邊的曾經顯赫於一場偉大戰役，由於事隔遠古，我已經不能一瞬之間確定我的政治立場。右下角的曾經殺死一人，至於是事出自衛還是謀財害命卻沒有詳細記載可以來個道德判斷。右上角的一說它是最無暇，也有的說最無奈。不曾沾過一滴血水便被牢牢關進博物館裡。 Hasselblad X1D-50c shipments delayed until September 15. Shipment of the Hasselblad X1D-50C has been delayed for a couple of weeks, according to a listing on B&H Photo. The retailer’s product page now shows a . Super sword and the anti-sword system. THE STUDY (Part 3. August, 2016). 2016-01...

onphotography.com

（不真實）攝影論初稿: 迷戀陽光

http://www.onphotography.com/2010/12/blog-post.html

八九十年代我們迷戀陽光。很多工作照片都以陽光為光源，甚至在影室也用一支很大功率的鎂光燈模擬陽光作為唯一光源。至於不想要光的地方我們就設計東西把光遮擋去了，所以拍照布燈的過程也即是布置障礙物的過程。我們稱此為減光法。關於這點卻後. Hasselblad X1D-50c shipments delayed until September 15. Shipment of the Hasselblad X1D-50C has been delayed for a couple of weeks, according to a listing on B&H Photo. The retailer’s product page now shows a . Super sword and the anti-sword system. Close Range with the Zeiss Batis 18mm f/2.8. 專門拍攝 70kg 以上大碼女性的日本攝影師 Poko，展現不受認可的美感與「肌の地平面」. THE STUDY (Part 3. August, 2016). 2016-01-04 踏马行者圆...

onphotography.com

（不真實）攝影論初稿: 閱讀森山大道

http://www.onphotography.com/2014/04/blog-post_18.html

森山大道以粗粒子見稱。坊間有種評論方法是把他放大五十倍，然後與他再放大二百五十倍作比較，在交疊的部份乘上人氣值。我想套用這種方法去討論一首詩。詩也畢竟追求空間但又往往掌握於排字工房人手裡。 Hasselblad X1D-50c shipments delayed until September 15. Shipment of the Hasselblad X1D-50C has been delayed for a couple of weeks, according to a listing on B&H Photo. The retailer’s product page now shows a . Super sword and the anti-sword system. Close Range with the Zeiss Batis 18mm f/2.8. 專門拍攝 70kg 以上大碼女性的日本攝影師 Poko，展現不受認可的美感與「肌の地平面」. PostscriptX - Diary written with a camera by Lee Ka-sing. 平安夜，在網誌...

onphotography.com

（不真實）攝影論初稿: 荒木因禁毛條例被罰

http://www.onphotography.com/2014/04/blog-post_16.html

荒木因禁毛條例被罰，因而創作並出版了「墨汁綺譚」及「猥亵寫真」（1994）。毛禁解除後，不少人的創作意念也同時被解除了。我們拿著這具放大鏡在另一個時空又看懂了一些東西。 Hasselblad X1D-50c shipments delayed until September 15. Shipment of the Hasselblad X1D-50C has been delayed for a couple of weeks, according to a listing on B&H Photo. The retailer’s product page now shows a . Super sword and the anti-sword system. Close Range with the Zeiss Batis 18mm f/2.8. 專門拍攝 70kg 以上大碼女性的日本攝影師 Poko，展現不受認可的美感與「肌の地平面」. PostscriptX - Diary written with a camera by Lee Ka-sing. 平安夜，在網誌貼了一張照片&#65...

onphotography.com

（不真實）攝影論初稿: 怎樣可以影一張「靚」（美也）相

http://www.onphotography.com/2014/06/blog-post.html

怎樣可以影一張「靚」（美也）相. 昨天在朋友家中遇到一個第一次見面的人，她悉知我曾經幹過攝影工作便問怎樣可以影一張「靚」（美也）相。想了一想剛看到窗外黃昏陽光下的樹。我說起碼可以有兩個層次：第一是眼看到，第二才是用甚麼技術（或器材）把你看到的保留（拍攝）下來。我補充說看到的美還是因人而異，美學觀不盡同也。我強調第一點，看到的重要。怎樣去拍那還是隨之而來之事。她拿起放在枱上我送予朋友我的遠年影集，她翻了數頁又翻好像怎的也找不著美照開來。我又再補充還有另一層次的攝影只是一項表達的手段，美或不美未必是終極歸依。 Hasselblad X1D-50c shipments delayed until September 15. Shipment of the Hasselblad X1D-50C has been delayed for a couple of weeks, according to a listing on B&H Photo. The retailer’s product page now shows a . Super sword and the anti-sword system.

onphotography.com

（不真實）攝影論初稿

http://www.onphotography.com/p/blog-page_22.html

Subscribe to: Posts (Atom). Hasselblad X1D-50c shipments delayed until September 15. Shipment of the Hasselblad X1D-50C has been delayed for a couple of weeks, according to a listing on B&H Photo. The retailer’s product page now shows a . Super sword and the anti-sword system. Close Range with the Zeiss Batis 18mm f/2.8. News/Blog Monday, August 29, 2016 Search: Sony A7R II, Zeiss Batis, Zeiss 18mmm See my Sony mirrorless wish list at B&H Photo. Read more. THE STUDY (Part 3. August, 2016). 平安夜，在網誌...

onphotography.com

（不真實）攝影論初稿: 針孔照相遠古關連物

http://www.onphotography.com/2010/12/blog-post_10.html

許多年前已經有了攜帶如眼鏡的電視屏，但好像不怎的流行過來。說到照相機，設在電話手機上的可謂已經普及如潮，甚至影響了人們拍照行為的運作。我不喜歡用手機，自然沾不到這近世行為學之光。不過我倒渴望有一具如眼鏡帶在臉上的照相機，它和我的眼睛同步，當然最好不過的是與我的大腦同想。不然，照片只得半條生命而已。有人說針孔照相是攝影之源，最近發現這具眼罩式之很可能是攜行針孔照相遠古關連物。而且，它還是多焦曝光區域的那種。 Hasselblad X1D-50c shipments delayed until September 15. Shipment of the Hasselblad X1D-50C has been delayed for a couple of weeks, according to a listing on B&H Photo. The retailer’s product page now shows a . Super sword and the anti-sword system. Close Range with the Zeiss Batis 18mm f/2.8. 2016-01-0...

onphotography.com

（不真實）攝影論初稿: 有一回草間彌生相遇了Roy Lichtenstein

http://www.onphotography.com/2014/04/blog-post.html

有一回草間彌生相遇了Roy Lichtenstein。我有兩管廣角鏡頭，都是以特濶視場而不失真著名 - Canon FD 14mm與及固定在Hasselblad的Distagon 38mm。問題是怎的都解決不了圓的還原論。如果不是手的原故，那一定是主觀的問題。亮點： Canon FD 14mm. Hasselblad X1D-50c shipments delayed until September 15. Shipment of the Hasselblad X1D-50C has been delayed for a couple of weeks, according to a listing on B&H Photo. The retailer’s product page now shows a . Super sword and the anti-sword system. Close Range with the Zeiss Batis 18mm f/2.8. PostscriptX - Diary written with a camera by Lee Ka-sing. 2016-0...

onphotographydotcom.blogspot.com

ON PHOTOGRAPHY: Nobuyoshi Araki, Eroto series

http://onphotographydotcom.blogspot.com/2011/09/nobuyoshi-araki.html

Close Range with the Zeiss Batis 18mm f/2.8. News/Blog Monday, August 29, 2016 Search: Sony A7R II, Zeiss Batis, Zeiss 18mmm See my Sony mirrorless wish list at B&H Photo. Read more. PostscriptX - Diary written with a camera by Lee Ka-sing 李家昇. THE STUDY (Part 3. August, 2016). Minolta Rokkor-QF 40mm f1.8 Conversion Part Deux. I first converted this lens with filter ring and glue, as I wrote in this post with more pictures here. It was a relatively easy conversion so I decided t. 2016-01-04 踏马行者圆明园是每个中国...

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Dasein Und Zeitgeist

Thursday, July 30, 2015. Http:/ mp.weixin.qq.com/s? Sunday, June 21, 2015. The New York Times. Henri Cartier-Bresson:‘There Are No Maybes’. By THE NEW YORK TIMES. June 21, 2013. In 1971, Sheila Turner-Seed interviewed Henri Cartier-Bresson. 160;in his Paris studio for a film-strip series on photographers that she produced, with Cornell Capa, for Scholastic. After her death. The second part of that interview, transcribed from tape by Sheila Turner-Seed, continues where we left off yesterday. I am comple...

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