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Old Mistresses Week 5

Tuesday, 14 August 2007. Sheela-na-Gigs and other unruly women, Catherine E Karkov. Sheela-na-gig, are or Irish origin and are gender ambiguous and carved from wood. They are grotesque females to negate the lustful sexualisation of the female body.The article shows that the history of the sheela na gigs is as important as their origin. Appropriated as signs of power, sovereignty and land. There is a relationship between the fertility of the female body and the land. Posted by the dancing goat. I was a wa...

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Old Mistresses Week 5 | oldmistressesweek5.blogspot.com Reviews
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Tuesday, 14 August 2007. Sheela-na-Gigs and other unruly women, Catherine E Karkov. Sheela-na-gig, are or Irish origin and are gender ambiguous and carved from wood. They are grotesque females to negate the lustful sexualisation of the female body.The article shows that the history of the sheela na gigs is as important as their origin. Appropriated as signs of power, sovereignty and land. There is a relationship between the fertility of the female body and the land. Posted by the dancing goat. I was a wa...
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Old Mistresses Week 5 | oldmistressesweek5.blogspot.com Reviews

https://oldmistressesweek5.blogspot.com

Tuesday, 14 August 2007. Sheela-na-Gigs and other unruly women, Catherine E Karkov. Sheela-na-gig, are or Irish origin and are gender ambiguous and carved from wood. They are grotesque females to negate the lustful sexualisation of the female body.The article shows that the history of the sheela na gigs is as important as their origin. Appropriated as signs of power, sovereignty and land. There is a relationship between the fertility of the female body and the land. Posted by the dancing goat. I was a wa...

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Old Mistresses Week 5: August 2007

http://www.oldmistressesweek5.blogspot.com/2007_08_01_archive.html

Tuesday, 14 August 2007. Sheela-na-Gigs and other unruly women, Catherine E Karkov. Sheela-na-gig, are or Irish origin and are gender ambiguous and carved from wood. They are grotesque females to negate the lustful sexualisation of the female body.The article shows that the history of the sheela na gigs is as important as their origin. Appropriated as signs of power, sovereignty and land. There is a relationship between the fertility of the female body and the land. Posted by the dancing goat. I was a wa...

2

Old Mistresses Week 5: Sheela-na-Gigs and other unruly women, Catherine E Karkov

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Tuesday, 14 August 2007. Sheela-na-Gigs and other unruly women, Catherine E Karkov. Sheela-na-gig, are or Irish origin and are gender ambiguous and carved from wood. They are grotesque females to negate the lustful sexualisation of the female body.The article shows that the history of the sheela na gigs is as important as their origin. Appropriated as signs of power, sovereignty and land. There is a relationship between the fertility of the female body and the land. Posted by the dancing goat. I was a wa...

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old mistress: Nanette Salomon 'The Art Historical Canon: Sins of Omission'

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Wednesday, 7 February 2007. The Art Historical Canon: Sins of Omission'. Vasari and Janson maintain there canon through the consistency of a standard or norm. The function of this norm, she points out, is to create and maintain a hierarchy of insiders and outsiders. Their standard is judge by how close the artist comes to accepting classicism as the paradigm. Labels: Reading for portfolio week one. Subscribe to: Post Comments (Atom). WELCOME to my blog for the module. Old Mistresses: Women and Gender.

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old mistress: February 2007

http://oldmistress.blogspot.com/2007_02_01_archive.html

Wednesday, 7 February 2007. The Art Historical Canon: Sins of Omission'. Vasari and Janson maintain there canon through the consistency of a standard or norm. The function of this norm, she points out, is to create and maintain a hierarchy of insiders and outsiders. Their standard is judge by how close the artist comes to accepting classicism as the paradigm. Labels: Reading for portfolio week one. Feminist Interventions in Arts Histories'. Labels: Reading for portfolio week one. John Stuart Mill,. She d...

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old mistress: Griselda Pollock; 'Cockfights and Other Parades'

http://oldmistress.blogspot.com/2007/02/griselda-pollock-cockfights-and-other.html

Wednesday, 7 February 2007. Cockfights and Other Parades'. Labels: week one lecture reading. Subscribe to: Post Comments (Atom). WELCOME to my blog for the module. Old Mistresses: Women and Gender. Taught at the University of. I consider contemporary thinkers on the gender issues, theories of the body, and new approaches to writing art history. Memories of Helena Week 3. Memories of Helena Week 3. Hildegarde Von Bingen Week 4. Hildegarde Von Bingen Week 4. Week 5 The Monstrous and Marvelous.

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old mistress: What is a Feminist intervention???

http://oldmistress.blogspot.com/2007/02/what-is-feminist-intervention.html

Tuesday, 6 February 2007. What is a Feminist intervention? It seems that the challenge posed by the traditional approach to art history, as construted by Vasari in his book. Le Vite De' piu eccelenti Architetti, Pittori et Scultori Italiani'. Is that it is heavily biased towards the. The basic historical canon was formed purely on value judgements, where only men were accorded the title 'genius', a title which was not restricted to singular use, but was purposefully constructed as a. What becomes clear i...

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old mistress: Griselda Pollock, 'Feminist Interventions in Arts Histories'

http://oldmistress.blogspot.com/2007/02/griselda-pollock-feminist-interventions.html

Wednesday, 7 February 2007. Feminist Interventions in Arts Histories'. Taken from Vision and Difference, 1998, (Routledge Classics 2003) England. Labels: Reading for portfolio week one. Subscribe to: Post Comments (Atom). WELCOME to my blog for the module. Old Mistresses: Women and Gender. Taught at the University of. I consider contemporary thinkers on the gender issues, theories of the body, and new approaches to writing art history. Memories of Helena Week 3. Memories of Helena Week 3.

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old mistress: Joan wallach Scott: 'Gender: A Useful Category in Historical Analysis'

http://oldmistress.blogspot.com/2007/02/joan-wallach-scott-gender-useful.html

Wednesday, 7 February 2007. Gender: A Useful Category in Historical Analysis'. This was too complicated for me to read, i gave up half way through! Labels: week one lecture reading. Subscribe to: Post Comments (Atom). WELCOME to my blog for the module. Old Mistresses: Women and Gender. Taught at the University of. I consider contemporary thinkers on the gender issues, theories of the body, and new approaches to writing art history. Memories of Helena Week 3. Memories of Helena Week 3.

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old mistress: Linda Nochlin: 'Why Have There Been No Great Women Artists?'

http://oldmistress.blogspot.com/2007/02/linda-nochlin-why-have-there-been-no.html

Wednesday, 7 February 2007. Why Have There Been No Great Women Artists? In her case study of two artists, Linda Nochlin suggests that it is not prsonal circumstances that are directly responsible for the exclusion of women from the art scene, but rather it is the social and institutional errors which have made it impossible for female paricipation. John Stuart Mill,. The Subjection of Women'. Had attended that major stepping stone to artistic success, the Ecole des Beaux-Arts." pp 25-26 Nochlin. This is ...

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Wednesday, 7 February 2007. The Art Historical Canon: Sins of Omission'. Vasari and Janson maintain there canon through the consistency of a standard or norm. The function of this norm, she points out, is to create and maintain a hierarchy of insiders and outsiders. Their standard is judge by how close the artist comes to accepting classicism as the paradigm. Labels: Reading for portfolio week one. Feminist Interventions in Arts Histories'. Labels: Reading for portfolio week one. John Stuart Mill,. She d...

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Old Mistresses

Quotes taken from Vision and Difference (Griselda Pollock) - in reference to the Covered Body ( my essay topic). Ch 6 Woman as Sign- Psychoanalytic readings. Are Rossetti's paintings meaningless? These were not faces, not portraits but fantasy" p168. Which function as a screen across which masculine fantasies of knowledge, power and possession can be enjoyed in a ceaseless play on the visible obviousness woman and the puzzling enigmas reassuringly disguised behind that mask of beauty" p170. A memorial ev...

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Old Mistresses Week 5

Tuesday, 14 August 2007. Sheela-na-Gigs and other unruly women, Catherine E Karkov. Sheela-na-gig, are or Irish origin and are gender ambiguous and carved from wood. They are grotesque females to negate the lustful sexualisation of the female body.The article shows that the history of the sheela na gigs is as important as their origin. Appropriated as signs of power, sovereignty and land. There is a relationship between the fertility of the female body and the land. Posted by the dancing goat. I was a wa...

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Old Mistresses Week 7

Wednesday, 30 May 2007. Kathe Kollwitz (German) 187-1945. She was a German painter, printmaker and sculptor. She used drawing, etching, lithography, and woodcut to express the struggles of modern life during the beginning of the 20th century embracing visions of poverty, hunger, and war. Her later work took on a more expressionistic role. Posted by the dancing goat. Geogia O Keffe (American) 1887-1986. She was married to the photographer Alfred Stieglitz in 1929, and they begun a collaborative carrer.

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