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SUMERGIDOS - Omar Arraez

http://omararraez.com/sumergidos

Submerged is a metaphor of the human being, of the elusive liquid. Spirit , which is expressed by means of the submerged body. The self appears as an unstable component, in constant mutation. The. Water, far from giving us identity, insinuates that we could be others.". Sumergidos es metafora del ser y su ánima, del. Inaprensible espíritu líquido que se expresa a través del cuerpo sumergido. El sujeto se muestra como un compuesto inestable en constante mutación. Omar Arraez - 2011 -.

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NO SON NADIE - Omar Arraez

http://omararraez.com/no-son-nadie

No Son Nadie oil on white lacquered aluminium / 92 x 92 x 4 cm. No Son Nadie oil on white lacquered aluminium / 92 x 92 x 4 cm. No Son Nadie oil on white lacquered aluminium / 92 x 92 x 4 cm. No Son Nadie oil on white lacquered aluminium / 92 x 92 x 4 cm. No Son Nadie oil on white lacquered aluminium / 92 x 92 x 4 cm. No Son Nadie oil on white lacquered aluminium / 92 x 92 x 4 cm. No Son Nadie oil on white lacquered aluminium / 92 x 92 x 4 cm. No Son Nadie oil on white lacquered aluminium / 92 x 92 x 4 cm.

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Bio - Omar Arraez

http://omararraez.com/bio

Art was waiting at home for Omar Arráez when he was born in Elda, Alicante, in 1982. This art has taken him to produce bodies of work in mixed materials which draw strongly on his past and landscape. His work is inflected with wit and marked with a profound sense of humanity and awareness of the body. There is a subtle presence of intertextuality through his use of medium and location. Eoin Carey - 2012. Anónimos, retratos de papel. Instituto Cervantes New Delhi. PaperPortraits, Axolotl Gallery Edinburgh.

4

Retratos de Papel - Omar Arraez

http://omararraez.com/portex_portfolio/retratos-de-papel

RETRATOS DE PAPEL / PAPER PORTRAITS. Anonymous protagonists of unwritten stories, which reveal themselves through. The opaque, hidden and inscrutable memory of their skin. The ambiguous nature of these portraits defy definition, where the painted surface fuses with its own shadows, and these in turn acquire a pictorial importance. The paper transcends its role as a simple base to become the essential media of the works. Paharganj / Delhi woman . Charcoal on wrinkled paper (190 x 135 x 12 cm).

5

EXHIBITIONS - Omar Arraez

http://omararraez.com/exhibitions

LIGHT & SHADOWS – CURRENT EXHIBITION. RIMONIM ART GALLERY – MIAMI. ANONIMOS Retratos de papel. INSTITUTO CERVANTES – NEW DELHI. AXOLOTL GALLERY – EDINBURGH. CHIESINA DE L’EX HOSPEDALE DI MELDOLA (FORLI) – ITALIA. CAN TIXEDO ART CAFÉ – IBIZA. CASINO ELDENSE – ELDA. LA BOCA – MADRID. ANÓNIMOS/ Retratos de papel. Del 28 de Enero al 28 de Febrero de 2014 en Instituto Cervantes. Del 2 de Diciembre al 25 de Enero de 2011 en Axolotl Galery. Del 14 de Agosto al 3 de Septiembre de 2009 en Can Tixedo Art Café.

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Cat 'n mouse | Only playing | Page 2

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Cat 'n mouse. Newer posts →. Walking the razor’s edge. Guest post by Manjari Kaul on the process of creating. Several people responded to the call for auditions in March, curious about Yellowcat’s. And perform a physical, non-verbal improvised piece based on a theme/mood given to them. The three plays that make up. The Colour of August. A Night in The Subway –. Quijote Wallah gets set to ride again! We’ll be performing three shows today; the morning and afternoon are reserved exclusively for young ...

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