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Why I Sing

Musings on why I sing (and why you should too!), where I sing, when I sing, and other vocal minutiae.

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Why I Sing | omeallystudio.blogspot.com Reviews
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Musings on why I sing (and why you should too!), where I sing, when I sing, and other vocal minutiae.
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1 why i sing
2 3/3 don carlo
3 april fools
4 happy new year
5 posted by
6 christine thomas omeally
7 no comments
8 directing little women
9 friends' school cab
10 germano's see above
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Why I Sing | omeallystudio.blogspot.com Reviews

https://omeallystudio.blogspot.com

Musings on why I sing (and why you should too!), where I sing, when I sing, and other vocal minutiae.

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1

Why I Sing: Jul 27, 2013

http://omeallystudio.blogspot.com/2013_07_27_archive.html

Musings on why I sing (and why you should too! Where I sing, when I sing, and other vocal minutiae. Saturday, July 27, 2013. I will survive (I did survive). Once I was afraid, I was petrified. I'm okay. I managed to get control of my car and not hit the guardrail or go over the bridge. I didn't start crying till later, when traffic went down to one lane and I was crawling along at 3 miles per hour with a semi in front and in back. Then. But I, remarkably, survived. Subscribe to: Posts (Atom).

2

Why I Sing: Mar 20, 2014

http://omeallystudio.blogspot.com/2014_03_20_archive.html

Musings on why I sing (and why you should too! Where I sing, when I sing, and other vocal minutiae. Thursday, March 20, 2014. A few weeks ago, I had the honor and privilege of attending both a master class and a recital given by mezzo-soprano Joan Morris and her composer/pianist husband, William Bolcom. I have been a fan of Bolcom and Morris for a long time, dating back to my discovery of Mr. Bolcom's first two volumes of Cabaret Songs. And a few pieces by those great art song composers, Leiber and Stoll...

3

Why I Sing: Jul 19, 2013

http://omeallystudio.blogspot.com/2013_07_19_archive.html

Musings on why I sing (and why you should too! Where I sing, when I sing, and other vocal minutiae. Friday, July 19, 2013. Vocal Play and Deconstructing. It's a three day workshop, and this is what we covered today. Session I Foundational aspects of technique: Alignment, Breath Management, Range, Resonance, Articulation, and Connection, or the Acting dimension, as outlined in One Voice (Waveland 2012). The piece I sang was Yehuda Yannay's "Incantations," with a text by W.H. Auden. Get up in the dark.

4

Why I Sing: Catching up....

http://omeallystudio.blogspot.com/2015/07/catching-up.html

Musings on why I sing (and why you should too! Where I sing, when I sing, and other vocal minutiae. Monday, July 27, 2015. I'm going to write about the process of getting back into opera and how it's not. Like riding a bike. It's work, and I definitely am out of the practice of preparing a role. And that will be the subject of my next blog, which will probably be after the show opens and closes (unlike musical theater, which usually has extended runs, opera tends to be a single weekend).

5

Why I Sing: New Year, New Directions, and Keep Using Moisturizer

http://omeallystudio.blogspot.com/2014/01/new-year-new-directions-and-keep-using.html

Musings on why I sing (and why you should too! Where I sing, when I sing, and other vocal minutiae. Friday, January 24, 2014. New Year, New Directions, and Keep Using Moisturizer. Of course, the term New Directions reminds me of Glee. And also of what I can only imagine was an intentional double-entendre. But I feel as though I'm taking some steps to do things differently. I'd like to write a bit about the last part, in particular regarding two sessions on the final day. Then I translated that to:. Later...

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