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MAJA RUZNIC - Home

Maja Ruznic

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MAJA RUZNIC - Home | ontheedgeofreason.com Reviews

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Maja Ruznic

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1

My Bosnia/My Love, 2009 - Maja Ruznic

https://www.ontheedgeofreason.com/my-bosniamy-love-2009.html

The Wailing Sisters (CES Gallery, 2016). Soil As Witness, 2016. The Process of Dehydrating All Living Matter, 2015. Tree Spirits, 2015. Stories Undone, 2014. The Removal of Fingers and Other Body Parts, 2014. Among The Missing, 2014. The Oozing Ones, 2013. Civic Center People, 2010. My Bosnia/My Love, 2009.

2

Messengers, 2012 - Maja Ruznic

https://www.ontheedgeofreason.com/messengers-2012.html

The Wailing Sisters (CES Gallery, 2016). Soil As Witness, 2016. The Process of Dehydrating All Living Matter, 2015. Tree Spirits, 2015. Stories Undone, 2014. The Removal of Fingers and Other Body Parts, 2014. Among The Missing, 2014. The Oozing Ones, 2013. Civic Center People, 2010. My Bosnia/My Love, 2009. The following paintings are records of people and events that have left an impact on me. The works observe moments of human frailty that are fictionalized in a mix of memory and imagination. W.

3

The Oozing Ones, 2013 - Maja Ruznic

https://www.ontheedgeofreason.com/the-oozing-ones-2013.html

The Wailing Sisters (CES Gallery, 2016). Soil As Witness, 2016. The Process of Dehydrating All Living Matter, 2015. Tree Spirits, 2015. Stories Undone, 2014. The Removal of Fingers and Other Body Parts, 2014. Among The Missing, 2014. The Oozing Ones, 2013. Civic Center People, 2010. My Bosnia/My Love, 2009.

4

The Removal of Fingers and Other Body Parts, 2014 - Maja Ruznic

https://www.ontheedgeofreason.com/the-removal-of-fingers-and-other-body-parts-2014.html

The Wailing Sisters (CES Gallery, 2016). Soil As Witness, 2016. The Process of Dehydrating All Living Matter, 2015. Tree Spirits, 2015. Stories Undone, 2014. The Removal of Fingers and Other Body Parts, 2014. Among The Missing, 2014. The Oozing Ones, 2013. Civic Center People, 2010. My Bosnia/My Love, 2009. The Removal of Fingers and Other Body Parts.

5

The Process of Dehydrating All Living Matter, 2015 - Maja Ruznic

https://www.ontheedgeofreason.com/the-process-of-dehydrating-all-living-matter-2015.html

The Wailing Sisters (CES Gallery, 2016). Soil As Witness, 2016. The Process of Dehydrating All Living Matter, 2015. Tree Spirits, 2015. Stories Undone, 2014. The Removal of Fingers and Other Body Parts, 2014. Among The Missing, 2014. The Oozing Ones, 2013. Civic Center People, 2010. My Bosnia/My Love, 2009. The Process of Dehydrating All Living Matter. If I could collapse what's behind and what's in front, I would. Because. What would happen if all was the same?

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LINKS TO THIS WEBSITE

annasimson.com annasimson.com

anna simson

http://annasimson.com/links.html

50 Bags For Plastic Island. Fellows of Contemporary Art.

thestadiumpajamacompany.blogspot.com thestadiumpajamacompany.blogspot.com

the stadium pajama company: July 2013

http://thestadiumpajamacompany.blogspot.com/2013_07_01_archive.html

The stadium pajama company. Stitching, painting, drawing, and process, process, process. Tuesday, July 30, 2013. I have been mentally adding stories to my characters as I paint them. They each have an unexpected story that is evolving. Monday, July 29, 2013. Painting sketches on panel. Saturday, July 27, 2013. More about learning to draw subtle facial features. Friday, July 26, 2013. Thursday, July 25, 2013. Wednesday, July 24, 2013. My gratitude morning list. Tuesday, July 23, 2013. Sunday, July 7, 2013.

okloren.com okloren.com

LOREN ERDRICH

http://okloren.com/links.html

Works on Paper Portfolio. 2015-2016 Middle Aged and Naked Series. 2015 Little Death Series. 2007-2010 The Stain Series. 2012 Stab Heart Series. 2012 Failed dream clock. 2009-2010 I am a small love. Be mine. Text: I Take Back the Sponge Cake (2012). Text: I Am A Monster (2007).

joshwagner.org joshwagner.org

News Feed | JoshWagner.Org | Wagnarök

http://www.joshwagner.org/news

Comics & Graphic Novels. Editing & Publishing Services. Theatre & Film. Only a few hours after meeting in person for the first time, painter Maja Ruznic. And I started to collaborate. At the time we didn’t really know what the project would look like, and even now the parameters aren’t fully defined. But it would involve small paintings and even smaller stories. The narrative would emerge out of the image. It would be called. Though we only discovered this detail a week ago. My intention with these vigne...

venisonmagazine.com venisonmagazine.com

Venison - Weekly - Blog Posts by the Venison Team

http://www.venisonmagazine.com/weekly.html

Welcome to Venison's Weekly Blog! Here you will find advice, show reviews, thoughts and short articles by the Venison Team. We welcome your input comments and thoughts in return! Thanks for reading Venison Magazine! AND THE REFINEMENT OF THEIR DECLINE. Solo Exhibition by Victoria May. At Don Stoker Gallery. August 27th - October 1st, 2016. Opening Reception: August 27th, 4-6pm. Artist Talk: September 17th, 4:30-6pm. What do we require to feel comfort? What causes the "need" for luxury? I often rely on ra...

avet.nothinginmind.com avet.nothinginmind.com

About – Avet

http://avet.nothinginmind.com/about

A Bosnian word meaning “. 8221; or “. 8221; (from the Ottoman Turkish آفت. Is a collaborative mythology of entities painted by Maja Ruznic. And written by Josh Wagner. Spending time with Maja’s work is like peering into a phantom universe through the wrong end of a spyglass. The deeper you dig in, the further out you go. The paintings are made up of overlapping and sometimes contradictory dimensions coyly seducing their voyeurs into sorting out the affairs of their existence. Proudly powered by WordPress.

caminoroquetaller.blogspot.com caminoroquetaller.blogspot.com

la fábrica de migueluco el botijero: no debemos dejar que los demás nos definan según lo que no somos capaces de hacer, y mucho menos definirnos así nosotrxs mismxs

http://caminoroquetaller.blogspot.com/2013/10/no-debemos-dejar-que-los-demas-nos.html

La fábrica de migueluco el botijero. No debemos dejar que los demás nos definan según lo que no somos capaces de hacer, y mucho menos definirnos así nosotrxs mismxs. Como la mayor parte de las personas ¿discapacitadas? He trabajado mucho para dominar un conjunto de técnicas de resistencia. Para los encuentros que nos obligan a responder. Una de estas técnicas es la evitación:. En una tienda, pregunté a la dependienta si tenían pantalones vaqueros con. Comprando ropa para el próximo trimestre. Lo elegí en...

caminoroquetaller.blogspot.com caminoroquetaller.blogspot.com

la fábrica de migueluco el botijero: ¿por qué se perdió nuestra amistad?

http://caminoroquetaller.blogspot.com/2013/11/por-que-se-perdio-nuestra-amistad.html

La fábrica de migueluco el botijero. 191;por qué se perdió nuestra amistad? Porque eramos jóvenes y estúpidos. Cuando eres joven piensas que habrá muchas personas con las que poder conectar,. Y después, con los años, descubres que ocurre muy pocas veces. Before Sunset) de Richard Linklater. El enlace: lisa krannichfeld. Enviar por correo electrónico. Esas personas son contadas con una sola mano :) Pero valen un montón de montones de oro puro! Me gusta tu obra y tu reflexión. Saludos. Pocos son los que si...

caminoroquetaller.blogspot.com caminoroquetaller.blogspot.com

la fábrica de migueluco el botijero: 'si pagas cacahuetes, contratas monos'

http://caminoroquetaller.blogspot.com/2013/12/si-pagas-cacahuetes-contratas-monos.html

La fábrica de migueluco el botijero. Si pagas cacahuetes, contratas monos'. En vez de ser un elemento para lograr empresas saludables, los trabajadores son tratados por la patronal como una carga inevitable, como el pago del impuesto de la renta o como una pesada molestia,. Como cuando no se les permite arrojar los desechos tóxicos en los lagos. Los objetos cotidianos de Sonya Philip. Enviar por correo electrónico. Contradicciones de la vida. Así constituimos la existencia. Como esos objetos cotidianos.

caminoroquetaller.blogspot.com caminoroquetaller.blogspot.com

la fábrica de migueluco el botijero: bien, ¿estamos todxs? así empezaban las clases

http://caminoroquetaller.blogspot.com/2013/09/bien-estamos-todxs-asi-empezaban-las.html

La fábrica de migueluco el botijero. Bien, ¿estamos todxs? Así empezaban las clases. Un día en clase empezamos a hablar sobre los sueños que se repetían. Ella dijo: Sueño que soy una mota de polvo. A veces espero en el suelo,. Otras veces en una repisa. Espero que el aire me lleve de un sitio a otro. No recuerdo a ninguna de las otras chicas, ni recuerdo sus sueños. Solamente la recuerdo a ella. Apenas hablaba. Casi ni se movía. Como enlace subrayo la colección. ATMOSPHERIC REENTRY de Maiko Takeda. Te so...

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MAJA RUZNIC - Home

The Caves Are Where the Oldest Go (2017-2018). AVET, Conduit Gallery, 2018. Phantom Caravan, 2017. Soil As Witness, 2016. The Wailing Sisters (CES Gallery, 2016). Tree Spirits, 2015. The Removal of Fingers and Other Body Parts, 2014. Among The Missing, 2014. The Oozing Ones, 2013. Civic Center People, 2010. My Bosnia/My Love, 2009. The Caves Are Where the Oldest Go (2017-2018). AVET, Conduit Gallery, 2018. Phantom Caravan, 2017. Soil As Witness, 2016. The Wailing Sisters (CES Gallery, 2016).

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On the Edge of Reason | "Sooner or later the participation in anything worthwhile means letting go of the already and diving into the not yet, getting into the swing of it on one's own." ~ Greg Tropea

On the Edge of Reason. Sooner or later the participation in anything worthwhile means letting go of the already and diving into the not yet, getting into the swing of it on one's own. Greg Tropea. December 29, 2013. When All Else Fails, Choose Gratitude. Posted in Inspiring Stories. At 3:38 pm by tiffanyannbrown. People who practice gratitude regularly exude a sense of love, peace, and groundedness. They naturally draw people in rather than push them away. They’re nice to be around and they...For some pr...

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Life on the Edge of Skating

Life on the Edge of Skating. Adventures from a quarter century of skating observations by professional communicators who are also skating parents. Monday, March 5, 2018. This past weekend, however, I had something happen that I wasn't expecting. I had a bit of a breakdown. Actually, it wasn't just a "bit," it was a full-blown I-don't-know-what's-going-on-or-what's-wrong-with-me breakdown/meltdown, whatever one chooses to call it. I gave my work a year's notice to my retirement at the end of this year.

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