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Opera Reviews: Operaticus

Opinions and reviews of opera and classical vocal music written by artists in the field.

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Opera Reviews: Operaticus | operaticus.com Reviews

https://operaticus.com

Opinions and reviews of opera and classical vocal music written by artists in the field.

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1

VOX Contemporary Opera Lab, NYCO and OPERA America New Works Forum, Review

http://www.operaticus.com/jeanne_d_arc_deutsche_oper.html

Jeanne d’Arc - Szenen aus dem Leben der Heiligen Johanna. 29th November, 2012. Re-mountings, theatrical and musical sloppiness also detracted from whatever original intellectual rigor may have elevated the production in 2008. Maggots: many of the characters donned roly-poly maggot costumes at various points in the show. The wonder of Schlingensief’s imagination is that he somehow manages to elevate the maggots as much as he humbles humanity. But what of the opera itself? The most committed actor in the c...

2

Opera Australia, Melbourne, Das Rheingold Review

http://www.operaticus.com/rheingold_opera_australia.html

Opera Australia, Melbourne. 19th November, 2013. The opening image of this Melbourne Ring is at once beautiful and disturbing: a chorus of almost-naked bodies arranged within a circle, gently moving, like bacteria in a petri dish. It is appropriate that director Neil Armfield opens his production with an image of so much anonymous flesh, for he has strained the spiritual out of this Rheingold. And reduced it to a fable for our current, godless era, an age of humanity drowning in itself. The other gods an...

3

How to Save New York City Opera

http://www.operaticus.com/OP-ED/how_to_save_new_york_city_opera.html

HOW TO SAVE NEW YORK CITY OPERA (AND WIN THE FUTURE). 6th June, 2011. Let’s be frank: New York City Opera is in something of a shambles. This cherished institution, self-described as “imaginative and adventurous” has indeed earned that reputation. It was not so long ago a force to be reckoned with, a game-changer. And in successfully changing the rules of opera - its standard becoming the industry standard - it has almost rendered itself irrelevant. City Opera must restructure itself as an operatic troupe.

4

VOX Contemporary Opera Lab, NYCO and OPERA America New Works Forum, Review

http://www.operaticus.com/vox_nyco_new_works_forum.html

2012 VOX Contemporary Opera Lab. New York City Opera/OPERA America New Works Forum. 8th November, 2012. James Stepelton’s adaptation of Kate Chopin’s novel The Awakening. At octave intervals that evokes the ocean? But Joffe has her describing her surroundings, explaining what she is doing instead of telling us how she is feeling. In a full staging, we would not need the scenes to be described thus:. Here I am again. Where it all began. Where first I rose. Naked before the sea. The Wondrous Woman Within.

5

Wozzeck, Metropolitan Opera, Review

http://www.operaticus.com/wozzeck_metropolitan_opera_review.html

13th April, 2011. Alienation is a familiar theme in opera Romeo is exiled from Mantua, Violetta is forced to give up her lover because of her status, the Countess is ignored by her randy husband, der Komponist’s genius is unappreciated by high society, Don José is rejected by both the army and Carmen, the list goes on and resolution of some sort (death, forgiveness, compromise death) is always forthcoming. But Wozzeck. Adapted faithfully by Berg from George Büchner’s 19th century play Woyzeck. Mark Lamos...

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