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Our Caribbean eye revealed the parallels, and features, that welcome Caribbean interpretation. The resistance in language, in verbal discourse and banter, in verbal venom, in posture, and in music, were all signature elements of the Caribbean post-colonial position. In Photo: Dellon Matthison as Prospero who takes control of the island. 2017: Celebrating 22 years of dramatic oratory production. Robust Caribbean interpretation of Shakespeare's plays. Francesca Khan as Miranda ponders her time on the island.

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Garland Samuel

24 Birc●●●●●●●ulevard

Co●●ea

San ●●●●ando , NA, 31225

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Garland Samuel

24 Birc●●●●●●●ulevard

Co●●ea

San ●●●●ando , NA, 31225

Trinidad and Tobago

1.18●●●●8160

gd●●●@carib-link.net

View this contact

Garland Samuel

24 Birc●●●●●●●ulevard

Co●●ea

San ●●●●ando , NA, 31225

Trinidad and Tobago

1.18●●●●8160

gd●●●@carib-link.net

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Home - The Oratory Foundation | oratoryfoundation.com Reviews

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Our Caribbean eye revealed the parallels, and features, that welcome Caribbean interpretation. The resistance in language, in verbal discourse and banter, in verbal venom, in posture, and in music, were all signature elements of the Caribbean post-colonial position. In Photo: Dellon Matthison as Prospero who takes control of the island. 2017: Celebrating 22 years of dramatic oratory production. Robust Caribbean interpretation of Shakespeare's plays. Francesca Khan as Miranda ponders her time on the island.

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Home - The Oratory Foundation | oratoryfoundation.com Reviews

https://oratoryfoundation.com

Our Caribbean eye revealed the parallels, and features, that welcome Caribbean interpretation. The resistance in language, in verbal discourse and banter, in verbal venom, in posture, and in music, were all signature elements of the Caribbean post-colonial position. In Photo: Dellon Matthison as Prospero who takes control of the island. 2017: Celebrating 22 years of dramatic oratory production. Robust Caribbean interpretation of Shakespeare's plays. Francesca Khan as Miranda ponders her time on the island.

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oratoryfoundation.com

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Biography | Oratory Foundation

https://oratoryfoundation.com/biography-3

Im caption size=”28″ tag=”h1″ align=”left” text transform=”none” weight=”500″]Deborah Jean-Baptiste Samuel[/im caption]. Deborah Jean-Baptiste-Samuel is a versatile creative powerhouse in dramatic performance, and an orator par excellence. During the past eighteen years of her performing career Deborah has delivered dramatic performances in Caribbean islands such as Barbados and Dominica, and to international audiences in Washington DC, Montreal, Quebec and Cambridge. Terms & Conditions.

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What’s On | Oratory Foundation

https://oratoryfoundation.com/whats-on

Julius Caesar - 9th September. By public demand The Oratory Foundation repeats Julius Caesar for ONE NIGHT ONLY on Tuesday 9th September at Naparima Bowl, San Fernando. In this production the play is portrayed through Caribbean lens, and raises memories of Caribbean social upheaval and rebellion. When after treachery and betrayal Caesar is murdered, the potency of Shakespeare’s lines bear witness: How many ages hence shall this our lofty scene be acted over, in states unborn and accents yet unknown!

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Our Caribbean eye revealed the parallels, and features, that welcome Caribbean interpretation. The resistance in language, in verbal discourse and banter, in verbal venom, in posture, and in music, were all signature elements of the Caribbean post-colonial position. In Photo: Dellon Matthison as Prospero who takes control of the island. 2017: Celebrating 22 years of dramatic oratory production. Robust Caribbean interpretation of Shakespeare's plays. Francesca Khan as Miranda ponders her time on the island.

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