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Original Vs. Copy

Editorial Original vs Copy LUCILA VILELA. Experimental and ephemeral proposals in contemporary art: what is the original? Appropriations between art and design in Laura Lima and Rico Lins DANIELA SOUTO RESING. Virtual Museums and Digital Images Reproduced Content: a Museal Paradox or a Contradiction? Un alegato a favor de la copia: la remezcla y la fotocopia como actitudes políticas MARTA ÁLVAREZ GUILLÉN. El recurso de la cita en la pintura de Dávila GIANNINA TAPIA SOLÍS. El arte de la Copia Original o d...

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Original Vs. Copy | original-vs-copy.interartive.org Reviews

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Editorial Original vs Copy LUCILA VILELA. Experimental and ephemeral proposals in contemporary art: what is the original? Appropriations between art and design in Laura Lima and Rico Lins DANIELA SOUTO RESING. Virtual Museums and Digital Images Reproduced Content: a Museal Paradox or a Contradiction? Un alegato a favor de la copia: la remezcla y la fotocopia como actitudes políticas MARTA ÁLVAREZ GUILLÉN. El recurso de la cita en la pintura de Dávila GIANNINA TAPIA SOLÍS. El arte de la Copia Original o d...

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Original Vs. Copy | original-vs-copy.interartive.org Reviews

https://original-vs-copy.interartive.org

Editorial Original vs Copy LUCILA VILELA. Experimental and ephemeral proposals in contemporary art: what is the original? Appropriations between art and design in Laura Lima and Rico Lins DANIELA SOUTO RESING. Virtual Museums and Digital Images Reproduced Content: a Museal Paradox or a Contradiction? Un alegato a favor de la copia: la remezcla y la fotocopia como actitudes políticas MARTA ÁLVAREZ GUILLÉN. El recurso de la cita en la pintura de Dávila GIANNINA TAPIA SOLÍS. El arte de la Copia Original o d...

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original-vs-copy.interartive.org

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Un alegato a favor de la copia: la remezcla y la fotocopia como actitudes políticas | MARTA ÁLVAREZ GUILLÉN « Original Vs. Copy

http://original-vs-copy.interartive.org/2015/07/actitudes-politicas

Un alegato a favor de la copia: la remezcla y la fotocopia como actitudes políticas MARTA ÁLVAREZ GUILLÉN. Hay quien en esta época sigue haciendo referencia a un aura citada por Walter Benjamin en la primera mitad del siglo pasado. Su ausencia, en esta verdadera época de la reproductibilidad, hace de esa referencia una fuera de su propio tiempo, que sin embargo no deja de complicar el discurso postmoderno y su falta de linealidad histórica. Pero hoy esto resulta harto complicado:. En primer lugar, parece...

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Editorial Original vs Copy | LUCILA VILELA « Original Vs. Copy

http://original-vs-copy.interartive.org/2015/07/editorial-originalcopy

Editorial Original vs Copy LUCILA VILELA. Adam Lowe notes that “. When reflecting on the originality of art, Rosalind Krauss believes that the issue of originality is a discursive practice settled by the museum, the historian and the artifice. The author warns that the “. I would like to end this editorial by thanking all those who have participated in our call: artists, critics, researchers and cultural professionals who have collaborated to promote the debate on this issue as well as the editorial team...

3

El recurso de la cita en la pintura de Dávila | GIANNINA TAPIA SOLÍS « Original Vs. Copy

http://original-vs-copy.interartive.org/2015/07/cita-davila

El recurso de la cita en la pintura de Dávila GIANNINA TAPIA SOLÍS. Así, es importante señalar que a. De cómo la cita articula la obra. En la pintura de Dávila, elementos tales como la imagen reproducida junto a otros recursos como el montaje y la seriación fragmentan una aparente representación natural para que el espectador pueda percibir los mecanismos de construcción [3]. Aludiendo que Los modernos son más bien los que hacen del pasado una distopía, es decir, un uso temerario, improbable, dedicado a ...

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Virtual Museums and Digital Images Reproduced Content: a Museal Paradox or a Contradiction? | SUZANNE BEER « Original Vs. Copy

http://original-vs-copy.interartive.org/2015/07/virtual-museums-suzanne-beer

Virtual Museums and Digital Images Reproduced Content: a Museal Paradox or a Contradiction? Virtual Museums, Duplicates, Reproductions and Museum Originals Principles. Digitalized Masterpiece Reproduction: a Digital Heritage Crucial Endeavor. Moreover, shouldn’t we speak of native-digital reproductions when displayed in a Virtual Museum? A generally approved statement affirms that digital images intrinsically contain the possibility of duplication. Adobe Museum of Digital Art. Mariko Mori Tida Dome in co...

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Experimental and ephemeral proposals in contemporary art: what is the original? | PAULA LUERSEN « Original Vs. Copy

http://original-vs-copy.interartive.org/2015/07/experimental-proposals

Experimental and ephemeral proposals in contemporary art: what is the original? 2006), Michael Baxandall places criticism as an activity primordially connected to the techniques of replication of artworks.[1] For instance, Lessing’s well-known critical text on. What does such concept start to delimit when it is detached from a material object and transposed to a temporal relation the moment when the happening proposed by the artist unfolds? That demonstrates, some years after exhibitions based on the afo...

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original-vs-copy.interartive.org

Original Vs. Copy

Editorial Original vs Copy LUCILA VILELA. Experimental and ephemeral proposals in contemporary art: what is the original? Appropriations between art and design in Laura Lima and Rico Lins DANIELA SOUTO RESING. Virtual Museums and Digital Images Reproduced Content: a Museal Paradox or a Contradiction? Un alegato a favor de la copia: la remezcla y la fotocopia como actitudes políticas MARTA ÁLVAREZ GUILLÉN. El recurso de la cita en la pintura de Dávila GIANNINA TAPIA SOLÍS. El arte de la Copia Original o d...

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