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1

Cooper’s Space and Hitchcock’s Windows | Orlbluewhite08's Blog

https://orlbluewhite08.wordpress.com/2009/10/12/coopers-space-and-hitchcocks-windows

Just another WordPress.com weblog. Laquo; “The Informant! Cooper’s Space and Hitchcock’s Windows. As well as techniques such as the shot reverse-shot, are what create and utilize space in film with the effect of driving the narrative plot. Alfred Hitchcock’s 1954 film,. Greatly exemplifies these concepts and arguments set forth in Cooper’s Narrative Spaces. This film follows L.B. Jeffries, a wheelchair bound photographer. For a better understanding. In the final scene of. Feed You can leave a response.

2

November | 2009 | Orlbluewhite08's Blog

https://orlbluewhite08.wordpress.com/2009/11

Just another WordPress.com weblog. Archive for November, 2009. Crash: “Moving at the speed of life, we are bound to collide with each other. November 15, 2009. For my shot-by-shot analysis I have chosen to examine a scene from the film Crash. And covers shots 21 through 33 of the entire scene. Medium shot of the mother as she starts to run after the daughter. Again this shot abides by the general rule of matching still shots with still shots because the previous shot of Lara ended with the camera sto...

3

October | 2009 | Orlbluewhite08's Blog

https://orlbluewhite08.wordpress.com/2009/10

Just another WordPress.com weblog. Archive for October, 2009. October 30, 2009. The cinematic style of film noir is one known for its tonal and visual designs. Through the use of distinctive lighting techniques and complex themes this period in filmmaking has become one that is both difficult to delineate as well as challenging to categorize. However, Paul Schrader in his article,. Notes on Film Noir. As well as underscore some of its unique qualities when compared to other films of its time and period.

4

“The Informant!” | Orlbluewhite08's Blog

https://orlbluewhite08.wordpress.com/2009/09/25/18

Just another WordPress.com weblog. Laquo; Cinema Paradiso Isn’t Like the Movies, It is Much More Complex. Cooper’s Space and Hitchcock’s Windows. Steven Soderbergh’s latest film The Informant! Follows the events that unfold after a quirky biochemist turned whistleblower, Mark Whitacre (Matt Damon) leads the U.S. Government in an investigation into the secret price-fixing schemes of his own company, but as things unravel the real mystery becomes who is Mark Whitacre? Overall I found The Informant! You are...

5

December | 2009 | Orlbluewhite08's Blog

https://orlbluewhite08.wordpress.com/2009/12

Just another WordPress.com weblog. Archive for December, 2009. Critical Analysis of Paul Haggis’ “Crash”. December 5, 2009. It’s the sense of touch. In any real city, you walk, you know? You brush past people, people bump into you. In L.A., nobody touches you. We’re always behind this metal and glass. I think we miss that touch so much, that we crash into each other, just so we can feel something. Graham Waters (Don Cheadle). Crossing Over’ and Hyperlink Cinema. Complementing his skillful use of plot arr...

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Orlbluewhite08's Blog | Just another WordPress.com weblog

Just another WordPress.com weblog. Critical Analysis of Paul Haggis’ “Crash”. December 5, 2009. It’s the sense of touch. In any real city, you walk, you know? You brush past people, people bump into you. In L.A., nobody touches you. We’re always behind this metal and glass. I think we miss that touch so much, that we crash into each other, just so we can feel something. Graham Waters (Don Cheadle). Crossing Over’ and Hyperlink Cinema. Classical Hollywood Cinema: Narrational Principles and Procedures,.

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