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Imparting with and exchanging experiences to create dialogue. Thursday, December 1, 2011. Maps of the real. Through being photographed something becomes part of a system of infomation. Maps of the real". Susan Sontag says this in her book "on Photography" on page 156. 1 Who took the image? 2 Is there a story behind the image? 3 Do you have a Google profile (have you filled one in)? 4 Why did you choose this to be your profile pic? 5 What does it say about you? 6 How often do you change the profile pic?

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osmosisPROJECTS | osmosisliza-osmosisprojects.blogspot.com Reviews

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Imparting with and exchanging experiences to create dialogue. Thursday, December 1, 2011. Maps of the real. Through being photographed something becomes part of a system of infomation. Maps of the real. Susan Sontag says this in her book on Photography on page 156. 1 Who took the image? 2 Is there a story behind the image? 3 Do you have a Google profile (have you filled one in)? 4 Why did you choose this to be your profile pic? 5 What does it say about you? 6 How often do you change the profile pic?

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osmosisPROJECTS | osmosisliza-osmosisprojects.blogspot.com Reviews

https://osmosisliza-osmosisprojects.blogspot.com

Imparting with and exchanging experiences to create dialogue. Thursday, December 1, 2011. Maps of the real. Through being photographed something becomes part of a system of infomation. Maps of the real". Susan Sontag says this in her book "on Photography" on page 156. 1 Who took the image? 2 Is there a story behind the image? 3 Do you have a Google profile (have you filled one in)? 4 Why did you choose this to be your profile pic? 5 What does it say about you? 6 How often do you change the profile pic?

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osmosisliza-osmosisprojects.blogspot.com

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osmosisPROJECTS: July 2011

http://www.osmosisliza-osmosisprojects.blogspot.com/2011_07_01_archive.html

Imparting with and exchanging experiences to create dialogue. Saturday, July 2, 2011. Mich Ihnen Zu Antworte 6. Hello how are you. And then you reply:. Fein danke ihnen und sie. Mutability: Place and Time? Your Landscape Mine or Ours? One Sky Different Hemisphere? What is times relentless melt? A state of being subject to death • MUTABILITY:. Liable to Change •. To be harmed or influenced physically or emotionally. Links to this post. Subscribe to: Posts (Atom). View my complete profile. Here a community...

2

osmosisPROJECTS: inspiration to pixel profiles [pp]

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Imparting with and exchanging experiences to create dialogue. Friday, November 18, 2011. Inspiration to pixel profiles [pp]. You push the button we will do the rest". This blog entry serves to outline a new collaborative project I want to put into motion. I am calling it:. For this project comes from the numerous profile pictures, that I encounter everyday, on different screens. Blackberry, email, google , google chat, followers). I love learning new words). Make (something) accessible to/for everyone.

3

osmosisPROJECTS: November 2011

http://www.osmosisliza-osmosisprojects.blogspot.com/2011_11_01_archive.html

Imparting with and exchanging experiences to create dialogue. Friday, November 25, 2011. Outline to pixel profiles. Forging new moments into un-chartable spaces. I am going to post a rather large blurb (you will have to scroll down). I wrote this awhile back, in fact it was 2009 and I recently discovered it in my teaching Reflective Journal. I want to share it with you and use it to contextualize my thinking for this project " pixel profiles. David Campany (in his book Art and Photography. The points bel...

4

osmosisPROJECTS: February 2011

http://www.osmosisliza-osmosisprojects.blogspot.com/2011_02_01_archive.html

Imparting with and exchanging experiences to create dialogue. Sunday, February 27, 2011. 10 questions @ Gareth Bright. I asked Gareth 10 questions. And this is what he had to say:. 1: What does Photography mean to you? 2: What genre of Photography are you passionate about? Documentary, Humanitarian and (despite my hate for the word and lack of a better one) Photojournalism. 3 What aspects of Photography do you love? It’s ability to communicate, inform and inspire. 5 Where do you find inspiration? 10 What...

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osmosisPROJECTS: borrowed pixels 1-5

http://www.osmosisliza-osmosisprojects.blogspot.com/2011/12/borrowed-pixels-1-5.html

Imparting with and exchanging experiences to create dialogue. Thursday, December 1, 2011. Maps of the real. Through being photographed something becomes part of a system of infomation. Maps of the real". Susan Sontag says this in her book "on Photography" on page 156. 1 Who took the image? 2 Is there a story behind the image? 3 Do you have a Google profile (have you filled one in)? 4 Why did you choose this to be your profile pic? 5 What does it say about you? 6 How often do you change the profile pic?

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lizaduplessis.blogspot.com

osmosisLIZA: April 2013

http://lizaduplessis.blogspot.com/2013_04_01_archive.html

Making sense of the movement between. Sunday, April 21, 2013. A hollow muscular organ. Thursday, April 18, 2013. Labels: a hollow muscular organ. Labels: a hollow muscular organ. Subscribe to: Posts (Atom). View my complete profile. A hollow muscular organ. Frame in a frame. Who am "I" as "eye" move between spaces? This blog is the practical component for my Masters, a self-study of osmosisliza, importantly the visual text that runs alongside my written component. F.

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osmosisLIZA: space_88

http://lizaduplessis.blogspot.com/2013/05/space88.html

Making sense of the movement between. Tuesday, May 7, 2013. Searching for lost memories. Subscribe to: Post Comments (Atom). View my complete profile. A hollow muscular organ. Frame in a frame. Who am "I" as "eye" move between spaces? This blog is the practical component for my Masters, a self-study of osmosisliza, importantly the visual text that runs alongside my written component. F. I send you 98 electronic postcards about my journey. 169;lizaduplessis. Simple template. Powered by Blogger.

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osmosisLIZA: space_93

http://lizaduplessis.blogspot.com/2013/05/space93.html

Making sense of the movement between. Thursday, May 16, 2013. Subscribe to: Post Comments (Atom). View my complete profile. A hollow muscular organ. Frame in a frame. Who am "I" as "eye" move between spaces? This blog is the practical component for my Masters, a self-study of osmosisliza, importantly the visual text that runs alongside my written component. F. I send you 98 electronic postcards about my journey. 169;lizaduplessis. Simple template. Powered by Blogger.

lizaduplessis.blogspot.com

osmosisLIZA: space_84

http://lizaduplessis.blogspot.com/2013/05/space84.html

Making sense of the movement between. Friday, May 3, 2013. Subscribe to: Post Comments (Atom). View my complete profile. A hollow muscular organ. Frame in a frame. Who am "I" as "eye" move between spaces? This blog is the practical component for my Masters, a self-study of osmosisliza, importantly the visual text that runs alongside my written component. F. I send you 98 electronic postcards about my journey. 169;lizaduplessis. Simple template. Powered by Blogger.

lizaduplessis.blogspot.com

osmosisLIZA: space_91

http://lizaduplessis.blogspot.com/2013/05/space91.html

Making sense of the movement between. Thursday, May 16, 2013. Superstitious luck or lies. Subscribe to: Post Comments (Atom). View my complete profile. A hollow muscular organ. Frame in a frame. Who am "I" as "eye" move between spaces? This blog is the practical component for my Masters, a self-study of osmosisliza, importantly the visual text that runs alongside my written component. F. I send you 98 electronic postcards about my journey. 169;lizaduplessis. Simple template. Powered by Blogger.

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osmosisLIZA: space_96

http://lizaduplessis.blogspot.com/2013/05/space96.html

Making sense of the movement between. Saturday, May 18, 2013. Frame in a frame. Subscribe to: Post Comments (Atom). View my complete profile. A hollow muscular organ. Frame in a frame. Who am "I" as "eye" move between spaces? This blog is the practical component for my Masters, a self-study of osmosisliza, importantly the visual text that runs alongside my written component. F. I send you 98 electronic postcards about my journey. 169;lizaduplessis. Simple template. Powered by Blogger.

nicolemeiringphotography.blogspot.com

Nicole Meiring Photography: March 2011

http://nicolemeiringphotography.blogspot.com/2011_03_01_archive.html

Monday, March 28, 2011. For my next Crit on the 5th of May 2011. I’m going to produce my first 7 Deadly Sins. Image This is going to be my main image. I’m going to use a plain grey background. Then I’m going to get my subject to hold her head as if her head is going to explode with all the sins taking over her life. My subject is going to wear black and she is also going to have her make-up done very dark. The first sin I’m going to do is Wrath. Links to this post. Labels: 7 Deadly Sins. Here we had to s...

nicolemeiringphotography.blogspot.com

Nicole Meiring Photography: August 2012

http://nicolemeiringphotography.blogspot.com/2012_08_01_archive.html

Friday, August 31, 2012. Links to this post. Labels: Black and White. Thursday, August 23, 2012. Master Photographer - Karl Blossfeldt. Self Portrait, 1895. A master photographer who inspired me to specialize in Close-Up (Macro) Photography.and here is a famous quote from him. To look at more of his work you can visit his website at:. Http:/ www.karlblossfeldtphotos.com/. Maidenhair Fern, 1928. Http:/ www.profotos.com/education/referencedesk/masters/masters/karlblossfeldt/karlblossfeldt.shtml. Master Pho...

lizaduplessis.blogspot.com

osmosisLIZA: space_97

http://lizaduplessis.blogspot.com/2013/05/space97.html

Making sense of the movement between. Saturday, May 25, 2013. Subscribe to: Post Comments (Atom). View my complete profile. A hollow muscular organ. Frame in a frame. Who am "I" as "eye" move between spaces? This blog is the practical component for my Masters, a self-study of osmosisliza, importantly the visual text that runs alongside my written component. F. I send you 98 electronic postcards about my journey. 169;lizaduplessis. Simple template. Powered by Blogger.

lizaduplessis.blogspot.com

osmosisLIZA: space_89

http://lizaduplessis.blogspot.com/2013/05/space89.html

Making sense of the movement between. Tuesday, May 7, 2013. Subscribe to: Post Comments (Atom). View my complete profile. A hollow muscular organ. Frame in a frame. Who am "I" as "eye" move between spaces? This blog is the practical component for my Masters, a self-study of osmosisliza, importantly the visual text that runs alongside my written component. F. I send you 98 electronic postcards about my journey. 169;lizaduplessis. Simple template. Powered by Blogger.

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osmosisPROJECTS

Imparting with and exchanging experiences to create dialogue. Thursday, December 1, 2011. Maps of the real. Through being photographed something becomes part of a system of infomation. Maps of the real". Susan Sontag says this in her book "on Photography" on page 156. 1 Who took the image? 2 Is there a story behind the image? 3 Do you have a Google profile (have you filled one in)? 4 Why did you choose this to be your profile pic? 5 What does it say about you? 6 How often do you change the profile pic?

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The gradual exchange of knowledge, thought and ideas from one source to many. The gradual exchange of knowledge, thought and ideas from one source to many. Saturday, April 14, 2012. Transitory (temporary, impermanent). Of things, a shadow. Emblem of all that is fleeting and momentary. Handcuffed, put in chains). Of our "natural magic" and may be fixed forever. In the position which it seemed only destined. For a single instant to occupy.". Subscribe to: Posts (Atom). OsmosisLIZA is my lecturing persona.

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August 21, 2014. August 9, 2014. ديروز داشتم تو جاهاى پرت موبايل علافى مى كردم كه يه در نيمه باز ديدم. با زانو يه قيژ دادم به در. نور خاكسترى، يا نارنجى نامربوطى زد بيرون. دو سه بند انگشت خاك نشسته بود رو اچتى-امل. اينجا بلاگى ميل لنگ بريده بود و ناتمام مانده بود. يه بستنى نيمخورده هنوز روى درفتباكس بود. خوشمزه بود. چهار سال و دو ماه و سه هفته است كه حال خوبى دارم. چهار سال و دو ماه و سه هفته است كه در يك ظهر تابستون، پاچه هامو زدم بالا و پام رو فرو كردم توى اين نهر خنكى كه از وسط اين باغ گردو&...كار به ...

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