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oughtafocus.com

oughtafocus | As art forms, photography and life are equally entertaining.

As art forms, photography and life are equally entertaining.

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oughtafocus | As art forms, photography and life are equally entertaining. | oughtafocus.com Reviews
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As art forms, photography and life are equally entertaining.
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KEYWORDS
1 about john welzenbach
2 oughtafocus
3 monday
4 posted by oughtafocus
5 in back stories
6 the critique says
7 the photographer says
8 thursday
9 it’s worse
10 tuesday
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about john welzenbach,oughtafocus,monday,posted by oughtafocus,in back stories,the critique says,the photographer says,thursday,it’s worse,tuesday,tina and taso,return to faces,times square portrait,saturday,men in fez,back to faces,friday,chicago,follow
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oughtafocus | As art forms, photography and life are equally entertaining. | oughtafocus.com Reviews

https://oughtafocus.com

As art forms, photography and life are equally entertaining.

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1

Cameras Never Lie | oughtafocus

http://oughtafocus.com/category/cameras-never-lie

John Welzenbach Web Site. Duty and the Wall. In Cameras Never Lie. Asymp; Leave a comment. As told by the Tessina TLR camera. The paralyzing interruption of the klaxon reflected off the pock marked buildings and spiritless churches. The hissing arc of searchlights echoed off The Wall. Inevitably, the punctuation of a single, purposeful crack. A shot. I knew what had happened. It had happened before. So I just kept on with my shooting. It was my duty. Through a breach in the 1. Two, three, four more shots.

2

oughtafocus | Page 2

http://oughtafocus.com/page/2

John Welzenbach Web Site. In Cameras Never Lie. Asymp; 1 Comment. As told by a Leica IIIa. August 14, 1945 – VJ Day. Surrender. A breath of national relief drifted over the city, flew down Broadway, and surged into Times Square. At first, tears of joy, loss and whispered prayers of thanks. Then the comprehension of It’s Over billowed into spontaneous, uninhibited euphoria. Suddenly, as fast as it appeared, the moment was over, the energy gone. 4 frames or 24. It didn’t matter. There is always...Eisy’s fa...

3

Thanksgiving Cheeseburger | oughtafocus

http://oughtafocus.com/2013/12/03/thanksgiving-cheeseburger

John Welzenbach Web Site. Asymp; Leave a comment. 8220;What was the best thing that happened to me today? 8221; repeated Joseph. “WellI sold my last paper so now I can get a cheeseburger”. As photographers we are constantly faced with decisions. Some technical, some memorable. Do we portray a hurricane’s despair and destruction .or the hope and pride of people rebuilding? Are the wrinkles etched in an elderly face scars of conflict. or a roadmap to contentment? Return to Moments gallery. Next post →.

4

Duty and the Wall | oughtafocus

http://oughtafocus.com/2013/06/11/duty-and-the-wall

John Welzenbach Web Site. Duty and the Wall. In Cameras Never Lie. Asymp; Leave a comment. As told by the Tessina TLR camera. The paralyzing interruption of the klaxon reflected off the pock marked buildings and spiritless churches. The hissing arc of searchlights echoed off The Wall. Inevitably, the punctuation of a single, purposeful crack. A shot. I knew what had happened. It had happened before. So I just kept on with my shooting. It was my duty. Through a breach in the 1. Two, three, four more shots.

5

Men in Fez | oughtafocus

http://oughtafocus.com/2013/12/03/men-in-fez

John Welzenbach Web Site. Asymp; 1 Comment. Don’s daily breakfast ritual at The Dunton House never varies. He brags about his waitress “Harem” of Sylvia, Marie and Jody. They call him “Hon”, bring his paper, eggs and bestow hugs with hot syrup. Your general doting stuff. Eager to show-off, he’s been after me to shoot them all together. 8230;Don doesn’t show the picture. Larr; Previous post. Next post →. Thought on “Men in Fez”. December 4, 2013 at 8:52 am. Leave a Reply Cancel reply. See It Shoot It.

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oughtafocus | As art forms, photography and life are equally entertaining.

John Welzenbach Web Site. As art forms, photography and life are equally entertaining. The Critic and the Shooter. Asymp; Leave a comment. Portrait of a Graduate. The graduate focuses on the promise of a bright future & clear direction. The composition is iconically Rule of Thirds . The ominously darker negative space, encroaching from the left, begs the viewer to ponder: Is the man escaping a veiled past? Or are the shadows ineed foreshadowing? 8220;a reminder that disappointment is ever-lurking? But so...

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