This practice based research project examines the extent to which are we in a ‘post’-colonial society in the Caribbean (particularly the Bahamas as a nation), and looks to the scope of the landscapes and terrains that are exploited here. - Natalie Willis
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P o s t : i a l ? | outpostcolonial.wordpress.com Reviews
https://outpostcolonial.wordpress.com
This practice based research project examines the extent to which are we in a ‘post’-colonial society in the Caribbean (particularly the Bahamas as a nation), and looks to the scope of the landscapes and terrains that are exploited here. - Natalie Willis
outpostcolonial.wordpress.com
In Conversation – P o s t : i a l ?
https://outpostcolonial.wordpress.com/in-conversation
8220;Expulsis Piratis Restituta Commercia” (2014). Any thoughts and ideas on the project, any responses, and any questions are welcome. Just find me through my website www.nwillis.com. Or send me a message through the form on the contact. The research site: The Collyer tank is an open water tank, where the ship scenes for Disney’s Pirates of the Caribbean were filmed. It acts as a man-made cove and is situated just down the beach from the most beautiful beach on Grand Bahama, Gold Rock Beach. When agreem...
Elbow Room (2014) – P o s t : i a l ?
https://outpostcolonial.wordpress.com/the-landscape-colonized/elbow-room-2014
8220;Expulsis Piratis Restituta Commercia” (2014). Wax and plaster casts. This piece carries on from some of my previous work, ‘Disjointed (Cultural Cartographies)’ (2013). In my explorations of nomadism, I physically dislocated and displaced the elbows by moving them from their original, intended gallery context and placing them around various parts of the Collyer Tank site. Nomadic] thinking is about tracing lines of flight and zigzagging patterns that undo dominant representations. Braidotti, R (2011).
“Expulsis Piratis Restituta Commercia” (2014) – P o s t : i a l ?
https://outpostcolonial.wordpress.com/the-landscape-colonized/expulsis-piratis-restituta-commercia
8220;Expulsis Piratis Restituta Commercia” (2014). 8220;Expulsis Piratis Restituta Commercia” (2014). Installation shot from ‘Expulsis Piratis Restituta Commercia’ (2014). 8220;Expulsis Piratis Restituta Commercia”. Dual-Projection Installation with found objects. Blog at WordPress.com.
The Body Colonized – P o s t : i a l ?
https://outpostcolonial.wordpress.com/the-body-colonized
8220;Expulsis Piratis Restituta Commercia” (2014). Watch this space for future updates as work develops. 8211; Bell Hooks, “Marginality as a Site of Resistance” (1990). Paul Gauguin (Two Women of Tahiti) 1892, oil on canvas, 67 x 91 cm, Galerie Neue Meister. Still for work in progress entitled ‘Caribe (Magic/Tragic Mulatta)’ (2014). 8211; Debord , G (1984). The Society of the Spectacle. U.S. : Black and Red. p.7. 8211; etymology of “cannibal”. Blog at WordPress.com.
The Landscape Colonized – P o s t : i a l ?
https://outpostcolonial.wordpress.com/the-landscape-colonized
8220;Expulsis Piratis Restituta Commercia” (2014). Image taken from eroded beach adjacent to the tank, showing the remains of what was a pirate ship prop. Expulsis Piratis Restituta Commercia (2014). Blog at WordPress.com.
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8220;Expulsis Piratis Restituta Commercia” (2014). This practice based research project examines the extent to which are we in a ‘post’-colonial society in the Caribbean (particularly the Bahamas as a nation), and looks to the scope of the landscapes and terrains that are exploited here. 8211; Natalie Willis. Blog at WordPress.com.
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