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Yasujiro Ozu: An appreciation

Yasujiro Ozu: An appreciation. C) Kaevan Umrigar, 2004. Tuesday, July 1, 2008. This dissertation was to have been on Aravindan. The few films I had seen of his oeuvre – Thampu, Kummaty, Esthappan – had charmed me with their deceptive simplicity, and left me with a feeling I found difficult to articulate in words. That, coupled with the paucity of written material on Aravindan and his films, made writing this dissertation a personal challenge I was eager to take on. The Flavour Of Green Tea Over Rice.

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Yasujiro Ozu: An appreciation | ozuappreciation.blogspot.com Reviews

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Yasujiro Ozu: An appreciation. C) Kaevan Umrigar, 2004. Tuesday, July 1, 2008. This dissertation was to have been on Aravindan. The few films I had seen of his oeuvre – Thampu, Kummaty, Esthappan – had charmed me with their deceptive simplicity, and left me with a feeling I found difficult to articulate in words. That, coupled with the paucity of written material on Aravindan and his films, made writing this dissertation a personal challenge I was eager to take on. The Flavour Of Green Tea Over Rice.

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1 preface

2 ozu filming

3 posted by

4 kaevan

5 no comments

6 older posts

7 contents

8 conclusion

9 about me

10 floating weed

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Yasujiro Ozu: An appreciation | ozuappreciation.blogspot.com Reviews

https://ozuappreciation.blogspot.com

Yasujiro Ozu: An appreciation. C) Kaevan Umrigar, 2004. Tuesday, July 1, 2008. This dissertation was to have been on Aravindan. The few films I had seen of his oeuvre – Thampu, Kummaty, Esthappan – had charmed me with their deceptive simplicity, and left me with a feeling I found difficult to articulate in words. That, coupled with the paucity of written material on Aravindan and his films, made writing this dissertation a personal challenge I was eager to take on. The Flavour Of Green Tea Over Rice.

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ozuappreciation.blogspot.com

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Yasujiro Ozu: An appreciation: A note on this dissertation

http://www.ozuappreciation.blogspot.com/2008/07/note-on-this-dissertation.html

Yasujiro Ozu: An appreciation. C) Kaevan Umrigar, 2004. Tuesday, July 1, 2008. A note on this dissertation. Subscribe to: Post Comments (Atom). A note on this dissertation. The Cinema of the Familiar. View my complete profile.

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Yasujiro Ozu: An appreciation: 'The Cinema of the Familiar'

http://www.ozuappreciation.blogspot.com/2008/07/cinema-of-familiar.html

Yasujiro Ozu: An appreciation. C) Kaevan Umrigar, 2004. Tuesday, July 1, 2008. The Cinema of the Familiar'. An Ozu film is then a pattern, not so much in narrative structure, but in visual structure as well. A design in space and time, there are repetitions and variations, similarities and contrasts. Gradually, we begin to recognize the elements and wait in anticipation for their next appearance. Ozu’s cinema then is ‘the cinema of the familiar.’. I Was Born, But. Subscribe to: Post Comments (Atom).

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Yasujiro Ozu: An appreciation: Conclusion

http://www.ozuappreciation.blogspot.com/2008/07/conclusion.html

Yasujiro Ozu: An appreciation. C) Kaevan Umrigar, 2004. Tuesday, July 1, 2008. This is in no way a substantial study of Ozu. Indeed, my resources have been too few, the time at my command too less. Ritchie and Bordwell have spent years studying Ozu and the contexts he operated in. I, in contrast, have only had a couple of films. Like Ozu, though, I have tried to say more with less. Subscribe to: Post Comments (Atom). A note on this dissertation. The Cinema of the Familiar. View my complete profile.

4

Yasujiro Ozu: An appreciation: July 2008

http://www.ozuappreciation.blogspot.com/2008_07_01_archive.html

Yasujiro Ozu: An appreciation. C) Kaevan Umrigar, 2004. Tuesday, July 1, 2008. This dissertation was to have been on Aravindan. The few films I had seen of his oeuvre – Thampu, Kummaty, Esthappan – had charmed me with their deceptive simplicity, and left me with a feeling I found difficult to articulate in words. That, coupled with the paucity of written material on Aravindan and his films, made writing this dissertation a personal challenge I was eager to take on. The Flavour Of Green Tea Over Rice.

5

Yasujiro Ozu: An appreciation: Preface

http://www.ozuappreciation.blogspot.com/2008/07/preface.html

Yasujiro Ozu: An appreciation. C) Kaevan Umrigar, 2004. Tuesday, July 1, 2008. This dissertation was to have been on Aravindan. The few films I had seen of his oeuvre – Thampu, Kummaty, Esthappan – had charmed me with their deceptive simplicity, and left me with a feeling I found difficult to articulate in words. That, coupled with the paucity of written material on Aravindan and his films, made writing this dissertation a personal challenge I was eager to take on. The Flavour Of Green Tea Over Rice.

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kaevanswritings.blogspot.com

Notes of a Student Filmmaker: Yasujiro Ozu: An appreciation

http://kaevanswritings.blogspot.com/2009/12/yasujiro-ozu-appreciation.html

Notes of a Student Filmmaker. Tuesday, December 29, 2009. Yasujiro Ozu: An appreciation. This dissertation was to have been on Aravindan. The few films I had seen of his oeuvre – Thampu, Kummaty, Esthappan – had charmed me with their deceptive simplicity, and left me with a feeling I found difficult to articulate in words. That, coupled with the paucity of written material on Aravindan and his films, made writing this dissertation a personal challenge I was eager to take on. Yasujiro Ozu: An appreciation.

kaevanswritings.blogspot.com

Notes of a Student Filmmaker: December 2009

http://kaevanswritings.blogspot.com/2009_12_01_archive.html

Notes of a Student Filmmaker. Tuesday, December 29, 2009. Invisible Parsis: The poor of a prosperous community. 8220;In the stories he’d read so far Father said that all the Parsi families were poor or middle-class, but that was okay; nor did he mind that the seeds for the stories were picked from the sufferings of their own lives; but there should also have been something positive about Parsis, there was so much to be proud of;. The Last Parsis: Tales of Survival and Extinction. Yasujiro Ozu: An appreci...

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Yasujiro Ozu: An appreciation

Yasujiro Ozu: An appreciation. C) Kaevan Umrigar, 2004. Tuesday, July 1, 2008. This dissertation was to have been on Aravindan. The few films I had seen of his oeuvre – Thampu, Kummaty, Esthappan – had charmed me with their deceptive simplicity, and left me with a feeling I found difficult to articulate in words. That, coupled with the paucity of written material on Aravindan and his films, made writing this dissertation a personal challenge I was eager to take on. The Flavour Of Green Tea Over Rice.

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