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Pablo Pijnappel

Of the great mirrors inside the waiting areas, mirrors that already functioned as quasi- cinemas: to see yourself in them was to see yourself in a film; to see yourself in them was an invitation to enter the reality of the image and to live an experience similar to that little girl Alice: to let yourself fall into Wonderland, and roam around in the land of. 2016) *José Carlos Avellar in. Dust and Palaces: 100 years of Cinemas in Rio de Janeiro.

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Pablo Pijnappel | pablopijnappel.com Reviews
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Of the great mirrors inside the waiting areas, mirrors that already functioned as quasi- cinemas: to see yourself in them was to see yourself in a film; to see yourself in them was an invitation to enter the reality of the image and to live an experience similar to that little girl Alice: to let yourself fall into Wonderland, and roam around in the land of. 2016) *José Carlos Avellar in. Dust and Palaces: 100 years of Cinemas in Rio de Janeiro.
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Pablo Pijnappel | pablopijnappel.com Reviews

https://pablopijnappel.com

Of the great mirrors inside the waiting areas, mirrors that already functioned as quasi- cinemas: to see yourself in them was to see yourself in a film; to see yourself in them was an invitation to enter the reality of the image and to live an experience similar to that little girl Alice: to let yourself fall into Wonderland, and roam around in the land of. 2016) *José Carlos Avellar in. Dust and Palaces: 100 years of Cinemas in Rio de Janeiro.

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Of the great mirrors inside the waiting areas, mirrors that already functioned as quasi- cinemas: to see yourself in them was to see yourself in a film; to see yourself in them was an invitation to enter the reality of the image and to live an experience similar to that little girl Alice: to let yourself fall into Wonderland, and roam around in the land of. 2016) *José Carlos Avellar in. Dust and Palaces: 100 years of Cinemas in Rio de Janeiro.

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