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Your Muse

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In support of the dedicated wordsmith. Doing Without a Muse. Developing a Point of View. Third Person Narrative Omniscient. To Whom Are You Writing? Imagining an Ideal Reader. Listening to Your Ideal Reader. Getting to the Edge. You are here: Home. In another day and age, poets used to invoke the Muse for inspiration. This might seem an obsolete figure of speech, yet perhaps what Homer’s Muse did for Homer, your muses might do for you. Sing to me of the man, Muse, the man of twists and turns …. The Muse ...

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To Whom Are You Writing?

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In support of the dedicated wordsmith. Doing Without a Muse. Developing a Point of View. Third Person Narrative Omniscient. To Whom Are You Writing? Imagining an Ideal Reader. Listening to Your Ideal Reader. Getting to the Edge. You are here: Home. To Whom Are You Writing? To Whom Are You Writing? Also, we would like to do away with the widespread misunderstanding that long sentences are necessarily difficult or hard to read. Clarity does not depend on brevity at all, and long sentences can be clear ...

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Gathering Courage

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In support of the dedicated wordsmith. Doing Without a Muse. Developing a Point of View. Third Person Narrative Omniscient. To Whom Are You Writing? Imagining an Ideal Reader. Listening to Your Ideal Reader. Getting to the Edge. You are here: Home. This section will look at some of the things you might want to think about when you realise that you want to take action in response to your urge to write:. Identifying what you’re looking to achieve in choosing to write. Getting a realistic appreciation of wh...

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Third Person Narrative

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In support of the dedicated wordsmith. Doing Without a Muse. Developing a Point of View. Third Person Narrative Omniscient. To Whom Are You Writing? Imagining an Ideal Reader. Listening to Your Ideal Reader. Getting to the Edge. You are here: Home. Franz Kafka is known for the claustrophobic atmosphere that pervades his literary works. None will ever unravel the secret, but Kafka’s choice of perspective surely enhances the claustrophobia. In. Like him, we can hear but cannot see the individuals laughing ...

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Your Idea

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In support of the dedicated wordsmith. Doing Without a Muse. Developing a Point of View. Third Person Narrative Omniscient. To Whom Are You Writing? Imagining an Ideal Reader. Listening to Your Ideal Reader. Getting to the Edge. You are here: Home. When you’re writing, it’s not uncommon for your friends or family to ask, What’s it about? How would you answer? George Orwell once wrote, ‘ one doesn’t write. Anything one just writes.’. Of the work; you already know the content. It might help therefore, to u...

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Imagining an Ideal Reader

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In support of the dedicated wordsmith. Doing Without a Muse. Developing a Point of View. Third Person Narrative Omniscient. To Whom Are You Writing? Imagining an Ideal Reader. Listening to Your Ideal Reader. Getting to the Edge. You are here: Home. Imagining an Ideal Reader. Imagining an Ideal Reader. We are not saying that marketing is beneath you. What we are saying is that catering to audiences is utterly distinct from writing, and never the twain should meet. While the novel took wing, its author rea...

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Third Person Narrative – Omniscient

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In support of the dedicated wordsmith. Doing Without a Muse. Developing a Point of View. Third Person Narrative Omniscient. To Whom Are You Writing? Imagining an Ideal Reader. Listening to Your Ideal Reader. Getting to the Edge. You are here: Home. Third Person Narrative – Omniscient. Third Person Narrative – Omniscient. Why omniscient narrators have fallen into disrepute. Sustaining the fictional dream. During the course of editing previously written scenes, check whether all that occurs is possible wit...

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Second Person Narrative

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In support of the dedicated wordsmith. Doing Without a Muse. Developing a Point of View. Third Person Narrative Omniscient. To Whom Are You Writing? Imagining an Ideal Reader. Listening to Your Ideal Reader. Getting to the Edge. You are here: Home. Easily divert attention from the character itself, either in respect to the narrator who intrudes by saying you or in regard to the reader, who is perpetually wondering whether it is. The Devil to Pay in the Backlands. Perhaps the natural environment for secon...

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Doing Without a Muse

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In support of the dedicated wordsmith. Doing Without a Muse. Developing a Point of View. Third Person Narrative Omniscient. To Whom Are You Writing? Imagining an Ideal Reader. Listening to Your Ideal Reader. Getting to the Edge. You are here: Home. Doing Without a Muse. Doing Without a Muse. Lectures on the English Poets. 1828), where he describes ‘women as objects rather than subjects of the contemporary scene, modern Muses who, as such, inspire rather than being inspired.’. An eponymous novel where the...