paintedwindowdesigns.blogspot.com
Design Post: January 2015
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Friday, January 23, 2015. Historic Lamp repair - initial pigment investigation. Sorting through paint samples. 1333 red for flesh - historic pigment matches probable date of lamp but color is not red enough. Modern enamel - Burnt sienna. Addition of "mahogany" looks closer - requires additional testing. 1333 Mahogany (do test). Umber brown sepia - too warm. Test with addition of Bistre Brown. Monday, January 12, 2015. Subscribe to: Posts (Atom). Historic Lamp repair - initial pigment investigati.
jkennethleap.blogspot.com
Learn Glass Painting with J. Kenneth Leap: What to Bring
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Learn Glass Painting with J. Kenneth Leap. Traditional glass painting for the contemporary artist. Tips, tricks and classes. A Guide to Reusche Pigments. Subscribe to: Posts (Atom). By J Kenneth Leap. Seeing Red: The Search for Medieval Striated Ruby. Silver Stain: An Artist's Guide. Q: Gilding on glass. Articles about his work have appeared in The Philadelphia Inquirer, The New York Times, Architecture of New Jersey, Professional Stained Glass Magazine. And Stained Glass Quarterly.
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Learn Glass Painting with J. Kenneth Leap: December 2011
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Learn Glass Painting with J. Kenneth Leap. Traditional glass painting for the contemporary artist. Tips, tricks and classes. A Guide to Reusche Pigments. Tuesday, December 6, 2011. New work by one of my students. Hi Ken, attached are a couple of pictures of the glasscapes I painted using the techniques you taught me last year. Just thought you might like to see what I am finally able to do thanks to your teaching. Hope you and your family are well. See more of Lucie's work here:. By J Kenneth Leap.
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Learn Glass Painting with J. Kenneth Leap: A Guide to Reusche Pigments
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Learn Glass Painting with J. Kenneth Leap. Traditional glass painting for the contemporary artist. Tips, tricks and classes. A Guide to Reusche Pigments. A Guide to Reusche Pigments. MY GUIDE TO REUSCHE PAINTS by J. Kenneth Leap. This chart references the categories listed in the Reusche catalogue, therefore the terminology may differ from other systems of classifying historic pigments. Click to download the. Pigments made from glass frit and metallic oxides. These colors are soft and must be fired p...
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Learn Glass Painting with J. Kenneth Leap: April 2012
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Learn Glass Painting with J. Kenneth Leap. Traditional glass painting for the contemporary artist. Tips, tricks and classes. A Guide to Reusche Pigments. Monday, April 16, 2012. Sacred Arts at Bryn Athyn College. Opportunities to participate in an abridged version of this class are available during. 8217;s 2012 Sacred Arts Summer Institute. Four-day intensive sessions will be offered June 13-16, June 27-30, and July 11-14. Check out the. Subscribe to: Posts (Atom). By J Kenneth Leap.
jkennethleap.blogspot.com
Learn Glass Painting with J. Kenneth Leap: August 2011
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Learn Glass Painting with J. Kenneth Leap. Traditional glass painting for the contemporary artist. Tips, tricks and classes. A Guide to Reusche Pigments. Sunday, August 7, 2011. Creative Collaboration: Hot Glass with Painted Imagery. October 15 and 16, 2011. Location: Wheaton Arts - Stained Glass Studio (Sat) and Glass Studio (Sun). Ages: 16 and above. Members $380 / Non-Members $400 Register Now. Roll-Up (Optional, Sat Oct. 22) : Members $180 / Non-Members $200 Register Now. Location: Millville, NJ, USA.
jkennethleap.blogspot.com
Learn Glass Painting with J. Kenneth Leap: Directions
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Learn Glass Painting with J. Kenneth Leap. Traditional glass painting for the contemporary artist. Tips, tricks and classes. A Guide to Reusche Pigments. My studio is located at Wheaton Arts in Millville, NJ. In a larger map. For Tours and Workshops at the Glencairn Museum use this map:. Subscribe to: Posts (Atom). By J Kenneth Leap. Seeing Red: The Search for Medieval Striated Ruby. Silver Stain: An Artist's Guide. Q: Gilding on glass. And Stained Glass Quarterly. View my complete profile.
paintedwindowdesigns.blogspot.com
Design Post: April 2011
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Wednesday, April 27, 2011. Head with Green Glass. This image, supplied by the client, has generated the following questions:. General points to consider: How is this panel mounted? Is it a window to the outdoors? What is the view through the window? Does the view need to be screened? Is privacy a concern? These questions influence how transparent the image should be. What is the primary view? At what distance do you first see the image? What is the secondary view? If so what kind? D Some degree of opacit...
paintedwindowdesigns.blogspot.com
Design Post: March 2015
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Wednesday, March 11, 2015. Final color tests reflected light. Final color tests transmitted light. Cutting stencil for pattern. Prep to spray red areas. Prep for spraying tan area. Red and tan pigment applied. Ready for firing (inset: fired and unfired pigment samples). Tuesday, March 3, 2015. Lamp repair color matching. 7 custom mixes prepared. Each sample was divided - one half was fired and one half left unfired. Samples which matched in reflected light did not look as good in transmitted light. Lamp ...