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Patrick Swift (1927-83)

Patrick Swift, oil on canvas laid on board, 132 x 99 cm. Girl with blue thistles. Claire McAllister), Patrick Swift, 1950-51, Dublin, Signed, Inscribed, oil on canvas. Ashwell, Patrick Swift (1927-1983), 1958, Oil on board, 100.5 x 70 cm; Signed, inscribed and dated 1958-59 (verso). Positano, Italy (through a window), Patrick Swift, 1955, oil on canvas (poor quality reproduction). Positano Palm Tree, 1955, Patrick Swift; National Museums Northern Ireland, Botanic Gardens, Belfast. Trees with curved roof.

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Patrick Swift (1927-83) | painterpatrickswift.blogspot.com Reviews
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Patrick Swift, oil on canvas laid on board, 132 x 99 cm. Girl with blue thistles. Claire McAllister), Patrick Swift, 1950-51, Dublin, Signed, Inscribed, oil on canvas. Ashwell, Patrick Swift (1927-1983), 1958, Oil on board, 100.5 x 70 cm; Signed, inscribed and dated 1958-59 (verso). Positano, Italy (through a window), Patrick Swift, 1955, oil on canvas (poor quality reproduction). Positano Palm Tree, 1955, Patrick Swift; National Museums Northern Ireland, Botanic Gardens, Belfast. Trees with curved roof.
<META>
KEYWORDS
1 algarve olive tree
2 the springs
3 the homestead
4 self portrait with woodcock
5 boy with pears
6 poor quality reproduction
7 hedgerow
8 for further images
9 dublin oil
10 dublin watercolour/ ink
CONTENT
Page content here
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PAGE
algarve olive tree,the springs,the homestead,self portrait with woodcock,boy with pears,poor quality reproduction,hedgerow,for further images,dublin oil,dublin watercolour/ ink,italy,oakridge/ ashwell watercolour,oakridge/ ashwell oil,london oil,france
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Patrick Swift (1927-83) | painterpatrickswift.blogspot.com Reviews

https://painterpatrickswift.blogspot.com

Patrick Swift, oil on canvas laid on board, 132 x 99 cm. Girl with blue thistles. Claire McAllister), Patrick Swift, 1950-51, Dublin, Signed, Inscribed, oil on canvas. Ashwell, Patrick Swift (1927-1983), 1958, Oil on board, 100.5 x 70 cm; Signed, inscribed and dated 1958-59 (verso). Positano, Italy (through a window), Patrick Swift, 1955, oil on canvas (poor quality reproduction). Positano Palm Tree, 1955, Patrick Swift; National Museums Northern Ireland, Botanic Gardens, Belfast. Trees with curved roof.

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1

Patrick Swift (1927-83)

http://painterpatrickswift.blogspot.com/1970/03/artist-speaks-envoy-feb-1951-john-ryan.html

The Artist Speaks, Envoy, Feb 1951. John Ryan asked five Irish painters to contribute to a symposium of artistic opinion. Louis le Brocquy, Nano Reid, George Campbell, Gerald Dillon and Patrick Swift all wrote short and succinct pieces. Chat about representation, reality, truth, beauty, abstraction and so forth:. We all know art is not truth. And no good painter ever has a message, nor have the themes a painter uses anything to do with the quality of his work:. Of whoever treats the subject. The fallacio...

2

Patrick Swift (1927-83)

http://painterpatrickswift.blogspot.com/1970/03/john-ryan-founder-of-envoy-magazine.html

He was a friend of a number of friends of mine and we were near enough contemporaries. Dublin tended towards being a more Bohemian town then than it is now. Yet there was no government patronage of the arts then at all. Two particular friends were the poets Anthony Cronin and John Jordan. I made a number of these colour films including one of Kavanagh and Swift and Cronin ambling along on a summer's day by the banks of Dublin's Grand Canal. 8212; John Ryan. Gandon Editions, 1993. 8212; John Ryan. Crawfor...

3

Patrick Swift (1927-83)

http://painterpatrickswift.blogspot.com/1970/03/patrick-swift-memoir-martin-green.html

Patrick Swift - A Memoir. Martin Green(writer, editor and publisher). Anthony Cronin, fresh over from his adventures in France with Brendan Behan, was a newcomer to the circle, and it was shortly after meeting him that I first recall ever meeting Patrick Swift. I am very grateful to Paddy and to Oonagh of course, for a period I spent with them in the Algarve, shortly after they had moved out there. I learnt things there about the nature of the richness of artistic isolation that have remained with me.

4

Patrick Swift (1927-83)

http://painterpatrickswift.blogspot.com/1970/03/painting-rha-exhibition-bell-vol.html

Painting – The RHA Exhibition’. Vol 17, no. 13, June 1951. Swift uses a review of an exhibition at the Royal Hibernian Academy (RHA) to comment on the two main art schools in Dublin at the time, the RHA and the National College of Art, and abstract art (at the time abstract art was dominant and figurative artists were being overlooked). Note: many of the reproductions displayed here are of poor quality. Some notes on Caravaggio. Eça de Queiroz and Fernando Pessoa. IMMA 1993 Retrospective Catalogue. This ...

5

Patrick Swift (1927-83)

http://painterpatrickswift.blogspot.com/1970/03/poems-for-patrick-swift-by-george.html

Patrick Swift, for whom I write. These long delayed lines in a night. Given over to bad dreams and broken. Images, I tender these words as token. To your green memory, if speech. Like a homing pigeon can reach. You in the lightning shrouded, stark. And at last backyard of the dark. I think it may, for there's a sense. In which the lost intelligence. Illuminates and visits spheres. It neither knows, believes or hears. But like a bird tied at a stake. Feels a flight it cannot make. For Kavanagh's honesty, ...

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George Barker: more fragments | Richard Warren

https://richardawarren.wordpress.com/george-barker-more-fragments

A better view of Annesley Tittensor. Back from oblivion: tracking the poetry of Gordon Wharton. Clusters concerning W S Graham. Colquhoun and MacBryde: encounters with the Two Roberts. Colquhoun and MacBryde: followers of the Two Roberts. Cuthbert Hamilton: a poor little gallery. George Barker: more fragments. Helen Saunders: a little gallery. In the basement of hyper-intelligence: the poetry of William Empson. Jessie Dismorr: a little gallery. Jessie Dismorr: writings 1915-22. 5: writings on art. In 196...

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Patrick Swift (1927-83)

Patrick Swift, oil on canvas laid on board, 132 x 99 cm. Girl with blue thistles. Claire McAllister), Patrick Swift, 1950-51, Dublin, Signed, Inscribed, oil on canvas. Ashwell, Patrick Swift (1927-1983), 1958, Oil on board, 100.5 x 70 cm; Signed, inscribed and dated 1958-59 (verso). Positano, Italy (through a window), Patrick Swift, 1955, oil on canvas (poor quality reproduction). Positano Palm Tree, 1955, Patrick Swift; National Museums Northern Ireland, Botanic Gardens, Belfast. Trees with curved roof.

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