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繪 畫 筆 記Notes on Painting
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繪 畫 筆 記 | paintingnote.blogspot.com Reviews
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Notes on Painting
繪 畫 筆 記: February 2009
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February 28, 2009. 標題可以強化作品與特定意義的聯結,在「藝術家的物件系列」中,我利用標題來開三位著名藝術家的玩笑,同時,也轉換抽象和再現的關係。 另外,我也把自己的名字放在同一系列的作品中,因為,我想變得跟這三位藝術家一樣厲害。 Artists' Objects - Johns' Amplifier, 2007, acrylic on canvas, 4 x 12 inches. February 26, 2009. 日卡 (Paul Zika) 的幾何作品檢視裝飾的概念,批判性地質問神祕主義與玄妙、崇高的意義,是否可以由那樣的形式和形狀來支撐。 這是一條沒有人同行的道路,日卡走了很久,他的方式有一點古板,卻沒有什麼不好。 Abstraction 2009 - 1, 2009, group exhibition, Stephen Mclaughlan Gallery, Melbourne. February 24, 2009. Flying Machine above VCA 1, 2007, acrylic on canvas, 40 x 40 inches. 大衛湯瑪士 (Dav...
繪 畫 筆 記: October 2009
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October 29, 2009. 雖然,蘑菇有很多種,水母也有很多種,但是,很莫名的,我覺得它們有著神奇的雷同點,. 那是兩者之間某種造形結構上的似曾相見、所散發出來的一些當代雕塑的特質(輕盈的、可移動的、不恆久的),以及一種獨特的喜感。 My Brunswick - 2, 2008, acrylic on canvas, 5 x 5 inch. October 27, 2009. 可能,藝術和上帝這兩者,都只是一種信仰或價值觀,因為,沒有人知道它(祂)們到底長什麼樣子?是不是真的存在?信者恆信之,無神論者也照樣活得好好的。 而藝術家的本質,說穿了,也不過就是一種信徒。 Franklin Street Studio - 3, Melbourne, 2008-2009. October 25, 2009. 蔡國強的強點(爆破藝術)爆太多,好像也爆出他的弱點。 蔡最近在華山的作品「晝夜」,就讓人想不透為什麼一定要爆破? 我:「我最近對畫畫沒有太大的感覺,也沒有什麼新的想法,想休息一下。」. 朋友:「難怪,你從畫格子變成爬格子。」. October 23, 2009. October 22, 2009.
繪 畫 筆 記: May 2009
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May 30, 2009. 三、勘測色彩:色彩與交互關連、色彩的主觀性、色彩做為再現、色彩在抽象與再現之間。 四、方法與技術:色彩、框、幽默、系列。 My Batchelor Series II - 1, 2009, acrylic on canvas, 50 pieces, 4 x 12 inches each, installation dimension variable. 一、邁向扁平的旅程:早期作品、藝術家的物件系列、在VCA上方的飛行器系列、扁平的想法、扁平,抽象與再現。 二、交互關連與幾何:交互關連(畫地圖)、城市框架系列 I - IV、幾何的運用、幾何與社會、當代觀點。 My Batchelor Series I, 2009, acrylic on canvas, 40 x 40 inches. May 22, 2009. 如果,每個人都是上帝的子民,上帝也愛我們的話,那麼,祂會在乎我們是美國人、中國人、還是臺灣國人嗎? 不在乎的話,為什麼祂把我麼們做成黑色的人、黃色的人、白色的人.各種不同顏色的人呢? May 21, 2009. May 18, 2009. May 17, 2009.
繪 畫 筆 記: April 2009
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April 29, 2009. 海利 (Peter Halley) 的書寫比較像是一種觀念藝術,他的繪畫則是文字的插圖。 City Frame Series IV - 2, 2008, acrylic on canvas, 40 x 40 inches each. YJ:正如你所說,當初抽象出現時也根本出現了兩種不同面的解釋,抽象和再現本來就是一體兩面,而到了這個階段,抽象或許變成一種準則,且囊括了更多的文本,但是調和抽象與再現的命題有很多人討論嗎? SP:好像沒什麼人在討論,或許,一般不會認為這是個問題,我開始做 Melbourne Series 的時候,也沒想過這個問題,出發點也不是要去找一種可以調和抽象與再現的東西,是後來我觀察、思考我以前到現在的作品,發現結果好像是這樣,所以,我才以為這是 style / form 的問題,而不是 subject matter。 5G, 2005, wood and wood lacquer, 13 x 13 x 2.5 inches. YJ:你認為你有 refuse 再現嗎? SP:我的作品並不反對再現,甚至,我認為它...SP:Who Am I? 的五件繪畫...
繪 畫 筆 記: June 2009
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June 25, 2009. 在繪畫前面,我很少有想要流淚的感覺,相反的,音樂卻常常輕易地就撥動我情緒上的漣漪。 我還是很喜歡繪畫,對我來說,它比較能夠傳遞出思想的深度,那是一種超越「餘音繞樑」的深度。 China Series III, 2008, wood and wood lacquer, installation dimensions variable. June 24, 2009. 每天晚上快要睡著前,總會有些想法(也許是靈感)突然跑出來,懶得起床做紀錄的我,第二天醒來後,往往什麼都記不得,怎麼也想不起來。 於是,我在床邊放了一張紙和一枝筆,希望可以捕捉些什麼。只是,每天早上看到的,全都是在黑暗中亂寫的、無法辦認的鬼畫符。 5O - 1, 2005, wood and wood lacquer, 36.25 x 48.75 x 2.5 inches. June 19, 2009. Study for My Batchelor Series II - 4, 2009, acrylic, pencil on paper, 11.5 x 8.25 inches. June 17, 2009.
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Painting North Cascades National Park. To my surprise and delight, North Cascades National Park invited me as Artist-in-Residence for the fall of 2007. For an entire month, I stayed in Newhalem, painting and exploring in the park. This blog is a record of my experiences in the park. To see more of my artwork, visit my website: www.karenlewisstudio.com. Saturday, September 22, 2007. If it clears this afternoon, I will hike or paint somewhere in the park. If not, I will answer the call of home. Fall is tru...
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繪 畫 筆 記
December 31, 2009. Notes on Painting, 2009, blog, dimensions variable. Subscribe to: Posts (Atom).
Painting Notes
Build your own sketch box. Nation Gallery Collection Highlights -. George Bellows at the Met Museum. Metropolitan museum of art. Art institute of chicago. Balthus - Cats and Girls. Palettes of famous artists. Self portraits with palettes. Sargeant, notes on painting. Notes on maroger medium.
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