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Process

It is my learning process. Thursday, 30 July 2009. Street Theatre and Other Outdoor Performance (Bim Mason, 1992). Ch 16 The Live Event P.181 - 200. Performing - Contact with the audience. P184 Improvisation means not only being able to cope with problems but, more importantly, being open a more subtle possibilities offered by the environment. The ability to take risks depends on the personality of the performer.If they play safe and just rest on their materil then the situation will be much less exc...

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Process | pangcess.blogspot.com Reviews
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It is my learning process. Thursday, 30 July 2009. Street Theatre and Other Outdoor Performance (Bim Mason, 1992). Ch 16 The Live Event P.181 - 200. Performing - Contact with the audience. P184 Improvisation means not only being able to cope with problems but, more importantly, being open a more subtle possibilities offered by the environment. The ability to take risks depends on the personality of the performer.If they play safe and just rest on their materil then the situation will be much less exc...
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Process | pangcess.blogspot.com Reviews

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It is my learning process. Thursday, 30 July 2009. Street Theatre and Other Outdoor Performance (Bim Mason, 1992). Ch 16 The Live Event P.181 - 200. Performing - Contact with the audience. P184 Improvisation means not only being able to cope with problems but, more importantly, being open a more subtle possibilities offered by the environment. The ability to take risks depends on the personality of the performer.If they play safe and just rest on their materil then the situation will be much less exc...

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1

Process: Conclusion: These Confessional Times (P.157 - 172)

http://www.pangcess.blogspot.com/2009/07/conclusion-these-confessional-times.html

It is my learning process. Sunday, 26 July 2009. Conclusion: These Confessional Times (P.157 - 172). P 157 The performance of personal narratives might bring hidden, denied or marginalised experiences into the spotlight, proposing other possible life paths. bearing witness and giving testimony to others' life-stories might serve to make more complex our historical knowledge or bring the past into the present as a means to inform our futures. Each unique moment of liveness and also in this shared space.

2

Process: Jeff Koons (Eckhard Schneider, Kunsthaus Bregenz, 2001)

http://www.pangcess.blogspot.com/2009/07/jeff-koons-eckhard-schneider-kunsthaus.html

It is my learning process. Monday, 27 July 2009. Jeff Koons (Eckhard Schneider, Kunsthaus Bregenz, 2001). Surface and Reflection (Echard Schneider, 2001) P.17-21. Schneider, E. (2001). "Surface and Reflection" in. Schneider, E., and Bregenz, K. (ed.). Bregenz: Verlag der Buchhandlung Walther Konig. This catalogue is published on the occasion of the exhibition 'Jeff Koons' 18 July - 16 September 2001.Limited edition of 7000 copies. Book = Jeff Koons (2001). Subscribe to: Post Comments (Atom). Book = New M...

3

Process: Street Theatre and Other Outdoor Performance (Bim Mason, 1992)

http://www.pangcess.blogspot.com/2009/07/street-theatre-and-other-outdoor.html

It is my learning process. Thursday, 30 July 2009. Street Theatre and Other Outdoor Performance (Bim Mason, 1992). Ch 16 The Live Event P.181 - 200. Performing - Contact with the audience. P184 Improvisation means not only being able to cope with problems but, more importantly, being open a more subtle possibilities offered by the environment. The ability to take risks depends on the personality of the performer.If they play safe and just rest on their materil then the situation will be much less exc...

4

Process: Six Axioms for Environmental Theatre (Richard Schechner, 1987)

http://www.pangcess.blogspot.com/2009/07/six-axioms-for-environmental-theatre.html

It is my learning process. Saturday, 25 July 2009. Six Axioms for Environmental Theatre (Richard Schechner, 1987). 1 The theatrical event is a set of related transactions. 2 All the space is used for the performance. 3 The theatrical event can take place either in a totally transformed space or in "found space". 4 Focus is flexible and variable. 5 All production elements speak their own language. Schechner, R. (1994). New York: Applause Books. Labels: Book = Environmental Theatre (1994). Book = Rudolf La...

5

Process: Environmental Theatre (Richard Schechner, 1994)

http://www.pangcess.blogspot.com/2009/07/environmental-theatre-richard-schechner.html

It is my learning process. Saturday, 25 July 2009. Environmental Theatre (Richard Schechner, 1994). A performance environment is a "position" in the political sense, a "body of knowledge" in the scholarly sense, a "real place" in the theatrical sense. Thus, to stage a performance "environmentally" means more than simply to move it off of the proscenium or out of the arena. An environment performance is one in which. All the elements or parts. Schechner, R. (1994). New York: Applause Books. Book = Issues ...

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Always home: June 2010

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New life new creation. Monday, June 21, 2010. Mr and Mrs Beigzali. 小小的敎堂,短短的進場,複雜的思緒。 眼前的新郎,背後的新娘,從此以後一生一世。他們體現了愛,不管世俗,排除萬難。在家人友人的擔心及祝福下,他們走到另一階段。 前路雖不易,但,一起走,總是幸福的。困難使一些人分開,但,讓你們更懂得珍惜。 Posted by Siu Ching. Subscribe to: Posts (Atom). Mr and Mrs Beigzali. Exhibitions / art works.

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Always home: Celeste & Jesse Forever

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New life new creation. Thursday, January 10, 2013. Celeste and Jesse Forever. 當你胸有成竹,以為分手後會再次擁有,以為一切盡在意料之內,但,他想的卻與你不同。 時間過了,決定錯了,又如何? Posted by Siu Ching. Subscribe to: Post Comments (Atom). Celeste and Jesse Forever. Exhibitions / art works.

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Always home: February 2012

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New life new creation. Friday, February 17, 2012. 很久沒看本地製作,節目表上的名字也陌生。但連看兩套後,推動我再積極入劇場。 65292;在同一場景處理兩地故事,細心周密,交代清楚,人物關係及情感也真實。只是太多場口,有點分心。 英文劇名Journey to Home有意思甚多。 65292;莊梅岩編的,欣賞她的使命,緊湊流暢。黃子華vs廖啟智﹗. 12300;妳最吸引,就是沒女人的軟弱……原來不是妳沒有軟弱,是我沒有能力。」. 12300;感情完了,何必作賽後檢討,所有都係吹的。若能做好些,以前已做了。」. Posted by Siu Ching. Subscribe to: Posts (Atom). Exhibitions / art works.

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Always home: Chok!

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New life new creation. Sunday, January 06, 2013. Posted by Siu Ching. Labels: Exhibitions / art works. Subscribe to: Post Comments (Atom). Celeste and Jesse Forever. Exhibitions / art works.

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Always home: December 2010

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New life new creation. Friday, December 31, 2010. 多謝再次找到同行人,無論能同行多久,也是一種褔氣。 不知需要在多少個分义路上,我們作出了哪幾個決定,才能讓我們一起。 是我們的經歷造了今天的我倆,沒有昨天,便沒有這樣的今天。 Posted by Siu Ching. Tuesday, December 21, 2010. 十二月了,好不容易,才到聖誕。 經驗不足,自信當然不夠。不想受控,但,在遊戲中,誰能自主? 謝謝,我真的學到從前未接觸過的。但,感覺不良好。 Posted by Siu Ching. Subscribe to: Posts (Atom). Exhibitions / art works.

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Always home: October 2011

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New life new creation. Sunday, October 16, 2011. 還記得少時候,您甚少說話,您的床是家中神秘的國度,但我們總愛在您不在家的時候坐在你床上望窗。 還記得那隻白色小狗,到了現在,我還是不知道您是怎樣令只會點頭搖頭的它聽您的話。 很少說話、很少交流,自然……認識也很少。 Posted by Siu Ching. Subscribe to: Posts (Atom). Exhibitions / art works.

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Always home: September 2013

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New life new creation. Monday, September 16, 2013. 我想尊重你,但,我怎能? Posted by Siu Ching. Subscribe to: Posts (Atom). Exhibitions / art works.

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Always home: September 2010

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New life new creation. Thursday, September 30, 2010. 今天,紙包不著火了。不懂應對。一連串的憂慮,再浮於腦海。 工作和幸福不用比較,只想努力工作,不讓別人諸多值口。 Posted by Siu Ching. Monday, September 20, 2010. 一年沒有離開香港,以前總是嚷著一年一次長旅行數次短之旅,我也難以相信我一整年沒有離港。 工作崗位轉換是一種肯定,但也帶來了是非、工務和責任。 回港後總想繼續表演,很慶幸尚有機會。謝謝。 Posted by Siu Ching. Subscribe to: Posts (Atom). Exhibitions / art works.

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Always home: June 2011

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New life new creation. Monday, June 27, 2011. 兩位朋友傳來了好消息,一位勇敢去愛,一位實踐理想。她們像很清楚自己的方向,勇往直前。 Posted by Siu Ching. Monday, June 06, 2011. 文化的差異、成長的不同使我們有著很不一樣的接受能力及記定模式。雖然我們總想令對方同意我們的想法,也許不能,但我們總能理解對方的看法。 This is our beginning,' he said. 不知會一起多久,只相信這一句話是真的,多謝。 Posted by Siu Ching. Subscribe to: Posts (Atom). Exhibitions / art works.

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Always home: January 2012

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New life new creation. Wednesday, January 04, 2012. 突然,其實也不突然……我尚未能理財……. Posted by Siu Ching. Subscribe to: Posts (Atom). Exhibitions / art works.

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Process

It is my learning process. Thursday, 30 July 2009. Street Theatre and Other Outdoor Performance (Bim Mason, 1992). Ch 16 The Live Event P.181 - 200. Performing - Contact with the audience. P184 Improvisation means not only being able to cope with problems but, more importantly, being open a more subtle possibilities offered by the environment. The ability to take risks depends on the personality of the performer.If they play safe and just rest on their materil then the situation will be much less exc...

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