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9th DAFx (Digital Audio Effects) Conference

Digital audio effects cover the areas of Signal Processing, Computer Music, Acoustics and Psychoacoustics.

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9th DAFx (Digital Audio Effects) Conference | papers.dafx.ca Reviews
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Digital audio effects cover the areas of Signal Processing, Computer Music, Acoustics and Psychoacoustics.
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1 Digital Audio
2 Digital Filters
3 Modulation
4 Delays
5 Nonlinear Processing
6 Spatialization
7 Time-frequency Processing
8 Spectral Processing
9 Audio Coding
10 Sound Modeling
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call4papers,venue,program,proceedings,pictures,committees,links,three keynote talks,bruno torrésani,stephen mcadams,last news,is online,conference is over,previous news,website history
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9th DAFx (Digital Audio Effects) Conference | papers.dafx.ca Reviews

https://papers.dafx.ca

Digital audio effects cover the areas of Signal Processing, Computer Music, Acoustics and Psychoacoustics.

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1

9th DAFx (Digital Audio Effects) Conference

http://papers.dafx.ca/dafx06_prog_keynotes.html

Abstracts of the Keynotes. Sparse Time-Frequency Transforms and Applications. By Bruno Torresani (LATP, Universite de Provence, Marseille). Time-frequency representations often have the property of "sparsifying" signal representations. This is particularly true for the Gabor and wavelet representations of audio signals. We shall present a number of adaptive methods for finding signal representations that are as sparse as possible. We shall also describe some time-frequency domain models that ...

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9th DAFx (Digital Audio Effects) Conference

http://papers.dafx.ca/dafx06_program.html

Keynote 1: Sparse Time-Frequency Transforms and Applications. By Bruno Torrésani (LATP, Université de Provence, Marseille). Session 1 - Filter Design for Audio. Chair: Udo Zölzer. Discretization of the '59 Fender Bassman Tone Stack. David T. Yeh and Julius O. Smith. On the Use of Volterra Series for Efficient Real-Time Simulations of Weakly Nonlinear Analog Audio Devices: Application to the Moog Ladder Filter. Robust Design of Very High-Order Allpass Dispersion Filters. Dale E. Parson. Duane K. Wise.

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9th DAFx (Digital Audio Effects) Conference

http://papers.dafx.ca/dafx06_website_history.html

Sept 29, 2007:. Updating the proceedings how-to with the last version of the report. Adding a link to the confproc LaTeX package. Updating the index accordingly. Oct 5, 2006:. Website menus reorganized to provide better readibility, by:. Putting together informations about the venue: 'Registration', 'Venue', 'Accommodation' and 'F.A.Q.'. Reorganizing the main menu in 4 groups:. Getting organized before the conference ('Call 4 papers' and 'Venue'). Oct 5, 2006:. Oct 1, 2006:.

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9th DAFx (Digital Audio Effects) Conference

http://papers.dafx.ca/dafx06_call4papers.html

DAFx appeals to researchers and practitioners in digital audio and digital music processing. The conference will feature keynote addresses, posters, and spoken presentation sessions over 3 days. Sound Representation and Sound Modeling. Time-frequency and Spectral Processing. Audio Analysis and Low-level Features. Spatialization, Localization and Wave Field Synthesis. Perceptual Issues and Psychoacoustics. Software and Hardware Implementations. Music Information Retrieval Systems. Audio and the Internet.

5

9th DAFx (Digital Audio Effects) Conference

http://papers.dafx.ca/dafx06_committee.html

Daniel Arfib (CNRS-LMA, Marseille, France). Nicola Bernardini (Media Innovation Unit Firenze Tecnologia, Florence, Italy). F Javier Casajús (ETSI Telecomunicación Universidad Politécnica de Madrid, Spain). Laurent Daudet (Laboratoire d’Acoustique Musicale, Université Pierre et Marie Curie (Paris VI), France). Philippe Depalle (McGill University, Montréal, Canada). Giovanni De Poli (University of Padova, Italy). Markus Erne (Scopein Research, Aarau, Switzerland). Simon Godsill (Cambridge University, UK).

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9th DAFx (Digital Audio Effects) Conference

Welcome to the DAFx-06 Web site. The 9th edition of the International Conference on Digital Audio Effects was held in Montreal, Canada. It was organized by the Music Technology Group of the Schulich School of Music, McGill University. Were given by experts:. From LATP, Université de Provence, Marseille, France. Julius O. Smith. From CCRMA, Stanford University, Stanford, USA. From CIRMMT, McGill University, Montreal, Canada. All papers are online. As well as 43% of posters and slides. Read the paper online.

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