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Papers: Explorations into Children's Literature

Volume 25.1 (2017) Foreward Anthony Eaton pp. i-iv [PDF] ‘Sorry, I Don’t Speak Bear’ Voice, Agency, and the Mother-Daughter Relationship in Disney-Pixar’s Brave. Tharini Viswanath pp. 1-22 [PDF] From the Personal to the Political, Religious, and a Vision of Socialism in Maurice Gee’s Orchard Street, a New Zealand Novel for Children Vivien van Rij pp. 23-50 [PDF] Dead…

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Volume 25.1 (2017) Foreward Anthony Eaton pp. i-iv [PDF] ‘Sorry, I Don’t Speak Bear’ Voice, Agency, and the Mother-Daughter Relationship in Disney-Pixar’s Brave. Tharini Viswanath pp. 1-22 [PDF] From the Personal to the Political, Religious, and a Vision of Socialism in Maurice Gee’s Orchard Street, a New Zealand Novel for Children Vivien van Rij pp. 23-50 [PDF] Dead…
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Papers: Explorations into Children's Literature | paperschildlit.com Reviews

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Volume 25.1 (2017) Foreward Anthony Eaton pp. i-iv [PDF] ‘Sorry, I Don’t Speak Bear’ Voice, Agency, and the Mother-Daughter Relationship in Disney-Pixar’s Brave. Tharini Viswanath pp. 1-22 [PDF] From the Personal to the Political, Religious, and a Vision of Socialism in Maurice Gee’s Orchard Street, a New Zealand Novel for Children Vivien van Rij pp. 23-50 [PDF] Dead…

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Papers: Explorations into Children's Literature

Editorial & Advisory Boards. Volume 25.1 (2017). Sorry, I Don’t Speak Bear’ Voice, Agency, and the Mother-Daughter Relationship in Disney-Pixar’s Brave. From the Personal to the Political, Religious, and a Vision of Socialism in Maurice Gee’s Orchard Street, a New Zealand Novel for Children. The Ideological Use of Humour and Comedy in Saci Lloyd’s The Carbon Diaries 2015 and 2017. Alyson Miller, Rebecca Hutton, Elizabeth Braithwaite. Try-error-try-it’: Love, Loss, and the Subversion(?

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