parallelintervals.blogspot.com

nc-lines of flight

Monday, 5 November 2012. Considering seeing, considering doing, or feeling. Thursday, 17 May 2012. Awareness - fluidity - action. This is an approach to activate intuition modeled on release dance technique. Looking at the ways in which the critical discourse has shifted from a. Focus on “liveness” to one on “life.” What, we ask, can theatre and. Performance studies scholars learn from a critical inquiry into. Biopolitics in order to examine the ways in which “life” seems to have. Friday, 11 May 2012.

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nc-lines of flight | parallelintervals.blogspot.com Reviews

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Monday, 5 November 2012. Considering seeing, considering doing, or feeling. Thursday, 17 May 2012. Awareness - fluidity - action. This is an approach to activate intuition modeled on release dance technique. Looking at the ways in which the critical discourse has shifted from a. Focus on “liveness” to one on “life.” What, we ask, can theatre and. Performance studies scholars learn from a critical inquiry into. Biopolitics in order to examine the ways in which “life” seems to have. Friday, 11 May 2012.

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1 nc lines of flight

2 pages

3 vide poche

4 considering

5 considering dancing again

6 posted by

7 noyale colin

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nc-lines of flight | parallelintervals.blogspot.com Reviews

https://parallelintervals.blogspot.com

Monday, 5 November 2012. Considering seeing, considering doing, or feeling. Thursday, 17 May 2012. Awareness - fluidity - action. This is an approach to activate intuition modeled on release dance technique. Looking at the ways in which the critical discourse has shifted from a. Focus on “liveness” to one on “life.” What, we ask, can theatre and. Performance studies scholars learn from a critical inquiry into. Biopolitics in order to examine the ways in which “life” seems to have. Friday, 11 May 2012.

INTERNAL PAGES

parallelintervals.blogspot.com

1

nc-lines of flight: February 2012

http://www.parallelintervals.blogspot.com/2012_02_01_archive.html

Monday, 27 February 2012. 8216;Tout fait’: Bergson, time, and choreographic being-made. 8216;Tout fait’: Bergson, time, and choreographic being-made. A mixed mode presentation, incorporating performative elements, will explore the relationship between Bergsonian thought and the readymade – or tout fait – with a focus on the impact of technology on contemporary perceptions of time. The implications of such impacts for collaborative choreographic practices will be considered. Saturday, 11 February 2012.

2

nc-lines of flight: life versus liveness

http://www.parallelintervals.blogspot.com/2012/05/life-versus-liveness.html

Thursday, 17 May 2012. Looking at the ways in which the critical discourse has shifted from a. Focus on “liveness” to one on “life.” What, we ask, can theatre and. Performance studies scholars learn from a critical inquiry into. Biopolitics in order to examine the ways in which “life” seems to have. Become the main currency of contemporary politics? Performance and (Bio)politics: From Liveness to Life. Subscribe to: Post Comments (Atom). Http:/ www.noyalecolin.com. Http:/ ladelentes.blogspot.com.

3

nc-lines of flight: January 2012

http://www.parallelintervals.blogspot.com/2012_01_01_archive.html

Wednesday, 11 January 2012. I am trying to organise my thoughts by the present attempt to articulate what I think I am doing with this project. It is an experiment with rhythm as the main focus of composition. It is a collaboration between mediums and people. It is the preparation of a public presentation. What have we got:. Rhythm divided in opposite categories:. Voluntary and unvoluntary movement. Heart beat, breath . nervous system, digestive system, arterial pulse. Quality of perception of R.

4

nc-lines of flight: October 2011

http://www.parallelintervals.blogspot.com/2011_10_01_archive.html

Wednesday, 12 October 2011. How could the practice of allowing other/others experience to overlap be develop? Who can we make thoughts spill? How can we make memories spill? Is the sharing of memories lead to new memories/ event/ experience of the past memories? 1- pattern of data (materials, text, movements, sounds.) created by event to create more events. 2- map thinking about other things. 3 - Over -layering sensations/ perception ( Deborah Hay method). How do we use body/ brain memory in performance)?

5

nc-lines of flight: Considering ...

http://www.parallelintervals.blogspot.com/2012/11/considering.html

Monday, 5 November 2012. Considering seeing, considering doing, or feeling. Subscribe to: Post Comments (Atom). Http:/ www.noyalecolin.com. Http:/ ladelentes.blogspot.com. Http:/ www.sfmelrose.org.uk/. Http:/ desensu.wordpress.com/. View my complete profile. Simple template. Powered by Blogger.

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noyalecolin.com

Projects

http://www.noyalecolin.com/projects.html

Bodies in Motion: Working through Plurality. Generating The Impossible Residency. They Tried to Stand/[I'm Still Falling]. Projects, performances, collaborations. Noyale Colin, Stefanie Sachsenmaier, Collaboration in Performance Practices: Premises, Workings and Failures, Palgrave Macmillan, 2016. Bodies in Motion: Working through Plurality. Noyale Colin and Rebecca Woodford-Smith. Movement Improvisation Collaborative Practice. They Tried to Stand/[I'm Still Falling]. Create a free website.

noyalecolin.com

The Tunnel

http://www.noyalecolin.com/the-tunnel.html

Bodies in Motion: Working through Plurality. Generating The Impossible Residency. They Tried to Stand/[I'm Still Falling]. The Tunnel 2008-2009 - Performance Installation. Images by Helena Suarez - click here to view a slideshow. June 2008, February 2009 - Greenwich Footpath Tunnel. January 2009 - Palimpsest residency at Shunt Vaults. Create a free website. Create your own free website. Start your own free website. A surprisingly easy drag and drop site creator. Learn more.

noyalecolin.com

Studio

http://www.noyalecolin.com/studio.html

Bodies in Motion: Working through Plurality. Generating The Impossible Residency. They Tried to Stand/[I'm Still Falling]. This studio in New Cross was being run as part of a PhD project on collaborative process in contemporary performance making, exploring the potential for spontaneous collaboration that might or might not emerge when diverse artists working on related practices share space. Due to my relocation in Ipswich, this project ended in 2012. Current artists in residence:. Create a free website.

noyalecolin.com

About Noyale

http://www.noyalecolin.com/about-noyale.html

Bodies in Motion: Working through Plurality. Generating The Impossible Residency. They Tried to Stand/[I'm Still Falling]. Professor Susan Melrose, Dr Alexandra Kolb, and Rosemary Butcher (MBE). Create a free website. Create your own free website. Start your own free website. A surprisingly easy drag and drop site creator. Learn more.

noyalecolin.com

Calendar

http://www.noyalecolin.com/calendar.html

Bodies in Motion: Working through Plurality. Generating The Impossible Residency. They Tried to Stand/[I'm Still Falling]. Create a free website. Create your own free website. Start your own free website. A surprisingly easy drag and drop site creator. Learn more.

noyalecolin.com

On Collaboration Symposium

http://www.noyalecolin.com/on-collaboration-symposium.html

Bodies in Motion: Working through Plurality. Generating The Impossible Residency. They Tried to Stand/[I'm Still Falling]. SYMPOSIUM 18 May 2013,. Middlesex University in conjunction with University Campus Suffolk. The theme of this symposium will focus on collaboration in performance practice, with a specific focus on the politics of collaboration. Bull; The politics of working together: relationships between collaborators at work. Bull; Theorising collaboration: matters of authorship in a networked age.

noyalecolin.com

PAF Residency

http://www.noyalecolin.com/paf-residency.html

Bodies in Motion: Working through Plurality. Generating The Impossible Residency. They Tried to Stand/[I'm Still Falling]. PAF - St Erme France - Residency - August 2011. Collaboration with Rebecca Woodford-Smith. Create a free website. Create your own free website. Start your own free website. A surprisingly easy drag and drop site creator. Learn more.

noyalecolin.com

Choreographic Lab

http://www.noyalecolin.com/choreographic-lab.html

Bodies in Motion: Working through Plurality. Generating The Impossible Residency. They Tried to Stand/[I'm Still Falling]. Choreographic Lab At Chisenhale Dance Space - Autumn - Winter 2011. Create a free website. Create your own free website. Start your own free website. A surprisingly easy drag and drop site creator. Learn more.

noyalecolin.com

Bodies in Motion: Working through Plurality

http://www.noyalecolin.com/bodies-in-motion-working-through-plurality.html

Bodies in Motion: Working through Plurality. Generating The Impossible Residency. They Tried to Stand/[I'm Still Falling]. Bodies in Motion: Working through Plurality. Noyale Colin and Rebecca Woodford-Smith. Becoming Beside Ourselves: The Alphabet, Ghosts, and Distributed Human Being. But what is involved in becoming besides oneself? How does one accede to the para-human? Rotman, 2008: 103 – 4). In this article, as two performance makers from different backgrounds (dance and theatre), we attempt to find...

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nc-lines of flight

Monday, 5 November 2012. Considering seeing, considering doing, or feeling. Thursday, 17 May 2012. Awareness - fluidity - action. This is an approach to activate intuition modeled on release dance technique. Looking at the ways in which the critical discourse has shifted from a. Focus on “liveness” to one on “life.” What, we ask, can theatre and. Performance studies scholars learn from a critical inquiry into. Biopolitics in order to examine the ways in which “life” seems to have. Friday, 11 May 2012.

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