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Partha Mitter

Emeritus Professor, History of Art, University of Sussex. Much Maligned Monsters: History of European Reactions to Indian Art. Clarendon Press, Oxford, 1977: Chicago University Press Paperback, 1992; Oxford University Press, New Delhi, 2013);. Art and Nationalism in Colonial India 1850-1922: Occidental Orientations. Cambridge University Press, 1994);. Indian Art, Oxford Art History Series. Oxford University Press, Oxford, 2002);. The Triumph of Modernism: India’s Artists and the Avant-Garde 1922-1947.

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Partha Mitter | parthamitter.com Reviews
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Emeritus Professor, History of Art, University of Sussex. Much Maligned Monsters: History of European Reactions to Indian Art. Clarendon Press, Oxford, 1977: Chicago University Press Paperback, 1992; Oxford University Press, New Delhi, 2013);. Art and Nationalism in Colonial India 1850-1922: Occidental Orientations. Cambridge University Press, 1994);. Indian Art, Oxford Art History Series. Oxford University Press, Oxford, 2002);. The Triumph of Modernism: India’s Artists and the Avant-Garde 1922-1947.
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Partha Mitter | parthamitter.com Reviews

https://parthamitter.com

Emeritus Professor, History of Art, University of Sussex. Much Maligned Monsters: History of European Reactions to Indian Art. Clarendon Press, Oxford, 1977: Chicago University Press Paperback, 1992; Oxford University Press, New Delhi, 2013);. Art and Nationalism in Colonial India 1850-1922: Occidental Orientations. Cambridge University Press, 1994);. Indian Art, Oxford Art History Series. Oxford University Press, Oxford, 2002);. The Triumph of Modernism: India’s Artists and the Avant-Garde 1922-1947.

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Selection of Other Work – Partha Mitter

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Emeritus Professor, History of Art, University of Sussex. Selection of Other Work. Monuments and Memory for Our Times ,. Vol29, No.1, 159-167. Greece, India and Race Among the Victorians , in. African Athena: New Agendas. Eds Daniel Orrells et al. (Oxford: Oxford University Press, 2011), 56-70. Frameworks for Considering Cultural Exchange: The Case of India and America , in. East-West Interchanges in American Art: A Long and Tumultuous Relationship. Ashgate Research Companion to Monsters and the Monstrous.

2

Books – Partha Mitter

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Emeritus Professor, History of Art, University of Sussex. Much Maligned Monsters: A History of European Reactions to Indian Art. Art and Its Histories: A Reader. Yale and Open University, pp.253-7), edited by S. Edwards, chose. As one of the texts 'that have played a significant role in shaping modern judgements and values about art'. In November 2002,. 100th Anniversary Issue) chose. As one of the influential books of the century. (. Critics, scholars and artists name their favourite.

3

Partha Mitter

http://parthamitter.com/index.html

Emeritus Professor, History of Art, University of Sussex. Much Maligned Monsters: History of European Reactions to Indian Art. Clarendon Press, Oxford, 1977: Chicago University Press Paperback, 1992; Oxford University Press, New Delhi, 2013);. Art and Nationalism in Colonial India 1850-1922: Occidental Orientations. Cambridge University Press, 1994);. Indian Art, Oxford Art History Series. Oxford University Press, Oxford, 2002);. The Triumph of Modernism: India’s Artists and the Avant-Garde 1922-1947.

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Black Africans in Renaissance Europe: February 2015

http://veronese1515.blogspot.com/2015_02_01_archive.html

Black Africans in Renaissance Europe. Originally a blog detailing the ramblings of an OU art undergraduate in search of a subject for and execution of 4,500 word essay, now with occasional additions as other Blacks are discovered. The St Maurices at Magdeberg Cathederal. Monday, 23 February 2015. Presented at Tate Britains Symposium The Black Subject. What an excellent day I had at Tate's Symposium The Black Subject. You can see my presentation here. I was in the opening session On Presence and Absence.

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Black Africans in Renaissance Europe: Presented at Tate Britain's Symposium The Black Subject

http://veronese1515.blogspot.com/2015/02/presented-at-tate-britains-symposium.html

Black Africans in Renaissance Europe. Originally a blog detailing the ramblings of an OU art undergraduate in search of a subject for and execution of 4,500 word essay, now with occasional additions as other Blacks are discovered. The St Maurices at Magdeberg Cathederal. Monday, 23 February 2015. Presented at Tate Britains Symposium The Black Subject. What an excellent day I had at Tate's Symposium The Black Subject. You can see my presentation here. I was in the opening session On Presence and Absence.

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Partha Mitter

Emeritus Professor, History of Art, University of Sussex. Much Maligned Monsters: History of European Reactions to Indian Art. Clarendon Press, Oxford, 1977: Chicago University Press Paperback, 1992; Oxford University Press, New Delhi, 2013);. Art and Nationalism in Colonial India 1850-1922: Occidental Orientations. Cambridge University Press, 1994);. Indian Art, Oxford Art History Series. Oxford University Press, Oxford, 2002);. The Triumph of Modernism: India’s Artists and the Avant-Garde 1922-1947.

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