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Partially Objectified

Monday, April 21, 2014. Revision of Previous Instruction (5). I was mistaken to think that a purely spatial orientation would suffice. If we see our Mystory, separated into the 3 (or so) discourses of the popcycle, the logo, and reflections on wabi-sabi as. A film, then what I have decided to do is to create "another narrative," an impossible. Narrative through the pictures I am going to both take. Akerman writes, "I want people to feel. The time it takes, which is not the time it really takes" (196).

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Partially Objectified | partiallyobjectified.blogspot.com Reviews
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Monday, April 21, 2014. Revision of Previous Instruction (5). I was mistaken to think that a purely spatial orientation would suffice. If we see our Mystory, separated into the 3 (or so) discourses of the popcycle, the logo, and reflections on wabi-sabi as. A film, then what I have decided to do is to create another narrative, an impossible. Narrative through the pictures I am going to both take. Akerman writes, I want people to feel. The time it takes, which is not the time it really takes (196).
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Partially Objectified | partiallyobjectified.blogspot.com Reviews

https://partiallyobjectified.blogspot.com

Monday, April 21, 2014. Revision of Previous Instruction (5). I was mistaken to think that a purely spatial orientation would suffice. If we see our Mystory, separated into the 3 (or so) discourses of the popcycle, the logo, and reflections on wabi-sabi as. A film, then what I have decided to do is to create "another narrative," an impossible. Narrative through the pictures I am going to both take. Akerman writes, "I want people to feel. The time it takes, which is not the time it really takes" (196).

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1

Partially Objectified: Theoretical Principle (Lacan) -- Instruction 2

http://www.partiallyobjectified.blogspot.com/2014/04/theoretical-principle-lacan-instruction.html

Monday, April 21, 2014. Theoretical Principle (Lacan) - Instruction 2. The theoretical principle that will guide my project is the partial object, the objet a. Photography will allow us to write with these objects. While the objet a. Is not a specific object, it can be recognized as the excess significance (or attraction? That accrues to an object or scene in a photograph. It is Barthes punctum,. As Lacan writes, "the objet a. In the field of the visible is the gaze" (105). The Image as Transference.

2

Partially Objectified: Revision of Previous Instruction (5)

http://www.partiallyobjectified.blogspot.com/2014/04/revision-of-previous-instruction-5.html

Monday, April 21, 2014. Revision of Previous Instruction (5). I was mistaken to think that a purely spatial orientation would suffice. If we see our Mystory, separated into the 3 (or so) discourses of the popcycle, the logo, and reflections on wabi-sabi as. A film, then what I have decided to do is to create "another narrative," an impossible. Narrative through the pictures I am going to both take. Akerman writes, "I want people to feel. The time it takes, which is not the time it really takes" (196).

3

Partially Objectified: The Image as Transference

http://www.partiallyobjectified.blogspot.com/2014/04/the-image-as-transference.html

Monday, April 7, 2014. The Image as Transference. Books and Victor Burgin's notion of the "sequence image." Both reflect an image that sets off a transferential relationship. The image, no longer relying on an internal movement to represent. Time through tis relations to other images" (Orlow 181). This is in reference to La Jetee: " La Jetee. Photographs-as-film incorporate both the flow of time as a present which always passes (cinema) as well as a past which is being preserved (photography)" (182).

4

Partially Objectified: Sllllloooooowwwwww Dooooowwwwwnnnnnn

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Tuesday, April 15, 2014. A major instruction from the Cinematic book that I see is that we have to use the technologies at our disposal to slow down film in order to isolate a gesture or a fragment. For Constance Penley, this is where we find the "filmic." If our project is ultimately photographic, but our analogy. Is cinema/film, then perhaps Penley hits the nail on the head when she contrasts photography's 'self containment' to the film still:. But we don't want the full suture offered by film. The...

5

Partially Objectified: Metaphysical Principle (Julien) -- Instruction 1

http://www.partiallyobjectified.blogspot.com/2014/04/metaphysical-principle-julien.html

Monday, April 21, 2014. Metaphysical Principle (Julien) - Instruction 1. My first instruction will be a metaphysical principle that shows up in all three texts in addition to being the fundamental dimension of the Electrate apparatus: attraction/repulsion. This is the principle behind the montage (which is the device. Or a yin/yang symbol:. Subscribe to: Post Comments (Atom). Revision of Previous Instruction (5). Mix and Stir - Final Instruction for Recipe. World - Mystory and Gainesville- Instruction 4.

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Routine: March 2010

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The Coming Internet Theory. Sunday, March 28, 2010. The instruction to be derived from Virno concerns practical reason: drawing upon the lessons of the past to make a decision in the present situation promising the best outcome for the future well-being of the community. Good judgment requires the virtue of phronesis. Saturday, March 27, 2010. One of the challenges of our Theory (D&G) is to construct a concept for thinking from the collective position of event. In short, the event. Sunday, March 21, 2010.

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Routine: Theory 4 (Email 15)

http://routine.electracy.com/2014/04/theory-4-email-15.html

The Coming Internet Theory. Tuesday, April 29, 2014. Theory 4 (Email 15). Thanks for this inquiry, which is indeed relevant to our conversation. These four correlate fairly well with Aristotle's four causes: material, efficient, formal, final. What interests Lacan early in the seminar is to explain the Unconscious as the "unrealized" dimension of Limbo between potential and actual: what interrupts living? Subscribe to: Post Comments (Atom). View my complete profile. Depth Drive on my mind. Being (and Tim...

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Routine: Theory 4 (Email 12)

http://routine.electracy.com/2014/04/theory-4-email-12.html

The Coming Internet Theory. Tuesday, April 29, 2014. Theory 4 (Email 12). A wonderful post (worth waiting for! You have the feel for Lacanian style (and its Chinese cousin) in working through a theoretical issue by means of an art (or other materialized) example. Potentiality. We may recognize the Tai Chi. But all of that , as in your case also, is to understand this Real, known as the Unconscious, in order to be able to live with it and thrive in that rhythm. Subscribe to: Post Comments (Atom). Gregory ...

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Routine: Taste

http://routine.electracy.com/p/taste.html

The Coming Internet Theory. A premise of the experiment underway here is that electracy is the apparatus developing a metaphysics and related institutions for the third axis of human potentiality: pleasure-pain (joy-sadness; attraction-repulsion). A founding document for opening this faculty to ontology is Kant's Critique of Judgment (the Judgment of Taste). The 2011 seminar experiments tested fatal strategy. As a means to orient EmerAgency consulting along this axis. Formed a dynamic current between anc...

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Routine: Everyday

http://routine.electracy.com/p/everyday.html

The Coming Internet Theory. Theorized by French post/structuralism (especially Tel Quel), and promoted by thinkers as diverse as Henri Lefebvre and Michel de Certeau. The seminar experiment is to design and test a practice (ubimage) that makes aesthetic experience in all its dimensions (poiesis, aesthesis, catharsis) available as a capacity of everyday life, serving the interests of well-being in the public sphere. See Stephen Johnstone, Ed. The Everyday. Documents of Contemporary Art).

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Routine: Event

http://routine.electracy.com/p/event.html

The Coming Internet Theory. Electracy requires the introduction of a fourth order of rhetoric, capable of ethical and political reasoning Now. In the Moment ( Augenblick. The practice of event reasoning is developed as flash reason. Event" names this fourth order, as an invitation for further invention (the construction of concepts enabling this collective rhetoric). Forensic, Epideictic, Deliberative, Eventive. Subscribe to: Posts (Atom). View my complete profile. Depth Drive on my mind.

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Routine: Attitude

http://routine.electracy.com/p/attitude.html

The Coming Internet Theory. The Irreparable is that things are just as they are, in this or that mode, consigned without remedy to their way of being. States of things are irreparable, whatever they may be: sad or happy , atrocious or blessed. How you are, how the world is - that is the Irreparable. According to Spinoza the two forms of the irreparable, confidence or safety ( securitas. And despair ( desperatio. Subscribe to: Posts (Atom). Gregory L. Ulmer is Professor of English and Media Studies at...

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Routine: CATTt

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The Coming Internet Theory. Concept, needs conceptual persona and vital anecdote, to show figuratively (and literally) how to think the thought relative to a specific problem dimension. Commerce, and hence cliche, stereotype, doxa, are the problems for thought. The "concept" must introduce the unthought. Not just for an individual, but at a collective level. Dean emphasized fallacies of ambiguity. His primary device was to find a connector that had multiple interpretations, and select an interpretati...

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Routine: Seminar (2014)

http://routine.electracy.com/p/seminar-2014.html

The Coming Internet Theory. The goal of this seminar is to take up the challenge implicit in our legacy as diadochi (successors) of the Greeks, not to follow in the footsteps of the masters. As Basho stated in his personal motto, but to seek what they sought. Subscribe to: Posts (Atom). Gregory L. Ulmer is Professor of English and Media Studies at the University of Florida, Gainesville FL. He is coordinator of the Florida Research Ensemble. The purpose of this blog is to develop and test the ...Tending T...

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Partially Objectified

Monday, April 21, 2014. Revision of Previous Instruction (5). I was mistaken to think that a purely spatial orientation would suffice. If we see our Mystory, separated into the 3 (or so) discourses of the popcycle, the logo, and reflections on wabi-sabi as. A film, then what I have decided to do is to create "another narrative," an impossible. Narrative through the pictures I am going to both take. Akerman writes, "I want people to feel. The time it takes, which is not the time it really takes" (196).

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